Camera

Shot size, camera height, and movement need a picture motive. One primary move is usually more stable than stacking several.

Prefer one primary move in a prompt, and say where it stops.
A push-in often supports gradually realizing something. A pull-back often supports being left behind or suddenly seeing a larger context. A locked frame is better when timing matters, such as a punchline or a piece of evidence.
A low angle lifts the subject, a high angle presses them down, and eye level feels more equal. Camera height should match who holds control in the beat.
A long lens compresses space and increases distance. A wide lens opens space and can also create pressure. Do not stack several moves without a clear reason.