Community · Seedance prompt cases

use reference image to create a continuous 15 second video of a woman standing and juggling on a moving red car. a womans voice says, \"Only in L.A. you’ll see a girl in yoga clothes juggling on top of a Countach. this is so L.A.

The woman in @ Image 1 walks up to the mirror and looks at her reflection. Her pose should reference @ Image 2. After a moment of contemplation, she suddenly breaks down and starts screaming. The action of grabbing the mirror, as well as the emotions and facial expressions during the breakdown and scream, should fully reference @video-1.

\"Woman sitting on a train with a briefcase. [cut] Woman turns back as if someone is coming. [cut] Close-up shot of the woman taking the briefcase. [cut] The woman starts running through the train with the briefcase. [cut] Two men are chasing her. No music.\"

0–5s woman stands tall on white horse while galloping fast both arms raised gracefully toward the sky body leans slightly toward inside curve long brown hair blown strongly to the right horse hooves kick up thick brown dust camera tracks from right to left background becomes horizontal motion streaks 5–8s woman lowers body toward the horse hands briefly grip saddle handles body slides smoothly to the right side one foot locks securely into stirrup camera cuts to extreme low angle horse continues galloping fast 8–11s camera moves very close to the ground her head hangs near the dirt surface hair tips brush lightly against the dust both arms dangle loosely below her hands swing slowly from inertia force 11–15s dust particles float clearly in golden sunlight her face turns toward the direction of travel mouth slightly open breathing air slow motion continues through final frame horse gallops steadily with controlled rhythm no freeze frame no fade out VOICE OVER soft warm calm female voice tone slow storytelling pace with natural pauses voice plays throughout video mouth never moves matching the words no subtitles no text on screen VOICE OVER TIMING 0s: “People think this sport is fearless.” 3s: “But my real secret is him.” 6s: “When upside down, the world goes silent.” 9s: “I just feel his steady heartbeat.” 15s: “He is my peace, my horse.” AUDIO only ambient wind sounds horse gallop sounds dust movement natural breathing soft calm female voice over20a:T41b,Ultra epic wow visu

A lone woman stands on a narrow rocky ridge high in the Caucasus mountains at golden hour, wind tearing at her torn tactical jacket, dark hair lashing across her sweat-streaked face. Storm clouds churn behind jagged snow-capped peaks. 2,000 feet of open air and fog fill the valley below her. A 6-foot bipedal combat robot — matte black titanium chassis, cracked chest plate leaking sparks, one optical sensor shattered — charges her across broken shale. She pivots hard left, boots skidding on loose gravel at the cliff edge, grabs its arm mid-swing and redirects its full momentum into the rock face — stone explodes on impact. She spins back, both hands gripping a shattered forearm blade she ripped from the robot's own chassis. The robot rises, hydraulics stuttering, its one remaining red optical sensor locking onto her. They face each other on the narrow ledge. Neither moves. The last sunlight drops behind the mountain. Everything turns cold blue and grey. Her breath fogs in the freezing air. Camera begins as a low ground-level tracker during the charge, shifts to a fast lateral dolly during impact, pulls into an extreme rack-focus close-up on her bloodshot eyes, then rises into a slow 360-degree orbit around both figures — open sky and cliff drop visible in every frame. ARRI Alexa film grain. Anamorphic 2.39:1 widescreen. Real-time physics and motion blur on impact. Sound: grinding metal, gale-force wind, labored breath, a low metallic drone, and a single distant heartbeat fading into silence.1d4:T857

A woman walking slowly toward the camera, face calm but eyes filled with fear . Behind her, a building catches fire and people run in panic. Urban street at night with fire reflecting on wet pavement. Reverse dolly tracking in front of her, background action unfolding behind, shallow depth of field on face, contrast between calm and chaos.

\"Women in white robes kneel by a dark river, gently placing glowing lanterns onto the still water. [cut] Close-up shot of woman placing a lantern onto the water. [cut] The water begins to burn - golden fire spreading outward like liquid light

Cinematic 15-second animation showing the evolution of the world into automation. Scene 1 (0–5s): A busy human world—people working in offices, factories, traffic jams, warm natural lighting, realistic style. Scene 2 (5–10s): Transition phase—digital grids, holograms, robotic arms appearing, humans interacting with AI screens, blue neon glow, futuristic tone. Scene 3 (10–15s): Fully automated world—smart cities with self-driving cars, drones delivering packages, robots working seamlessly, clean high-tech environment, glowing lights, ultra-modern look. Camera movement: smooth cinematic transitions, slight zoom and pan. Style: realistic + futuristic blend, high detail, 4K quality. Mood: progressive, inspiring, slightly dramatic. Background music: soft electronic rising to energetic futuristic beat.

Figure 1 fighting against Figure 2 in the World Martial Arts Tournament

FORMAT: 15s / single continuous impossible camera move / no dialogue STYLE: World War I trench warfare, deep mud, pouring rain, splintered wood, photorealistic ground-to-aerial cinematic 8K Shot 01 (0:00–2:00): Camera starts at mud level. A forest of heavy, mud-caked

Multiple shots. In a highly realistic ultra-8K ASMR video, a person uses a woven knife to rapidly cut a finely crafted woven wool hamburger on a matte black stone surface. This hamburger is made of woven material. When cut open, it reveals a cross-section. Layers of woven meat patties, woven lettuce and woven tomato slices shine brightly under the light. The lens is shot in a close-up, with a relatively shallow depth of field, capturing cinematic light and clear reflections. The blade cuts the hamburger with a slow and smooth movement. The hamburger is cut in half, with neat and sharp cuts, giving people a sense of satisfaction from meticulous craftsmanship. The picture is free from background interference, presenting an ASMR perspective of ultimate cuisine.

Cinematic sports documentary style focused on wrestling intensity and grit. Opening shot: dimly lit training gym, sweat dripping onto the mat. Slow-motion close-up of taped hands tightening laces. Heavy breathing sound design. Voiceover (calm, powerful): “Every match begins long before the whistle…” Cut to fast montage: explosive takedown, grapple struggle on the mat, muscles straining, referee hand slapping the floor. Dust and chalk particles in the air under harsh arena lights. Mid sequence: crowd roar builds as two wrestlers clash in a dramatic lock-up, slow-motion reversal into pin attempt. Voiceover continues: “…it begins in silence, pain, and discipline.” Final shot: one wrestler standing victorious under spotlight, breathing heavily as confetti falls slowly. Text on screen: “Wrestling is war without weapons.” Fade out with stadium echo and heartbeat sound.

Use a popular science style and voice tone to interpret the content in Image 1. The content should explain the short story of Wukong going to Cuiyun Mountain to borrow the Banana Fan from Princess Iron Fan to cross the Flaming Mountain. Princess Iron Fan refuses to lend the fan and seeks revenge because her son, Red Boy, was subdued by Wukong and became a disciple of Guanyin, causing mother and son separation. Wukong's persuasion is unsuccessful, and the two immediately start arguing.

Wuxia action film style, intense battle in a rainy night bamboo forest, black-clad female swordswoman (long hair flying, red belt) fighting a white-clad assassin (mask, dual swords), rapid sword combo moves, sword light trails, water splashing everywhere, wet cloth clinging to the body, cinematic camera work: fast follow shot + crane up/down + 360-degree rotation + instant extreme push-in shot + slow motion on key hits, background bamboo swaying in the wind and being cut by sword energy, 8K realism, extreme physics simulation, cinematic lighting, consistent characters throughout

1980s Shaw Brothers Wuxia film style, film grain texture, retro color palette, high contrast. In a Chinese courtyard, a young man (no beard) wearing a Tang Dynasty blue round-neck robe and a futou hat is drinking wine. A pet dog is lying next to him. Suddenly, a tabby cat wearing an invisibility cloak flies onto the wall from outside and uses a golden revolver to shoot and kill the small dog next to the man. The man is startled and immediately stands up. The kitten says, “Someone offered ten cans of food for your dog’s life.” The man breathes a sigh of relief, “Good thing you spoke Chinese.” Then the tabby cat asks, “Are you a single dog?” The man nods. The tabby cat raises its hand and fires a shot, hitting the man in the chest, saying, “A single dog is also a dog.” With that, the tabby cat strides away. Retro noise, sharp and realistic action, pure martial arts film texture without special effects.

scene 1 (00:00 – 00:05) — Aerial Drift (Handheld Cinematic Feel) A stabilized handheld tracking shot follows slightly behind and to the side of a female character, @img1, suspended mid-air as if gliding using controlled body movement rather than obvious magic. She wears soft pink, lightweight silk robes inspired by traditional wuxia, but slightly weathered and textured. The wind pulls unevenly at her sleeves and hair, creating natural drag and resistance. Below her: a dense cloud layer with occasional breaks revealing realistic mountain ridges and forests far beneath. The lighting is late afternoon golden hour but slightly diffused by atmospheric haze, creating soft shadows rather than glowing fantasy light. Subtle camera shake and lens breathing add realism. scene 2 (00:05 – 00:10) — Emergence Through Atmosphere (Documentary Tone) A wider lens captures @img1 continuing forward when turbulence in the clouds forms—air currents visibly shifting the mist. From below, a large Eastern dragon emerges, but not glowing—its surface resembles wet, reflective scales catching scattered sunlight. The dragon doesn’t “burst” unrealistically; it pushes through clouds with weight and resistance, displacing vapor around its body. Its movement is powerful but grounded, like a massive flying creature navigating air pressure. The camera struggles slightly to keep focus, adjusting exposure as light hits the dragon’s reflective body. @img1 maintains balance with subtle body adjustments, not perfectly still. scene 3 (00:10 – 00:15) — Controlled Ride (Aerial Cinematography / Drone Style) A wide aerial shot, as if captured by a high-end drone, reveals @img1 standing on the dragon’s head—but her stance isn’t exaggerated heroic posing. She keeps a low center of gravity, knees slightly bent to absorb motion. The dragon flies fast, but the motion feels heavy and believable—air drag affecting both the creature and her clothing. The camera orbits slowly but with minor stabilization imperfections, like real aerial footage. The environment: layered clouds, distant terrain fading into atmospheric perspective, no overly saturated fantasy colors. Textures remain detailed but grounded. Wind noise implied through movement. The koverall tone feels like a rare natural phenomenon captured on film rather than a staged fantasy scene.290:Ta94,TITLE: “The Spider Cave

Preset Scene: The swordsman stands on the peak of a mountain above the clouds, with the sunset clouds below surging like a vast ocean. The wind blows the hair and white clothes. [0-2s] Action: The swordsman stands still on a bluestone slab at the edge of the cliff, holding the sword hilt in a reverse grip with the blade pointing diagonally down towards the sea of clouds; the surrounding aura is contained. Camera: Ultra-wide-angle lens slowly pans up from a low angle, showing a full view of the cliff, the surging sea of clouds, and the swordsman. Dark, cool tones create a solemn atmosphere. Scene: The edge of the cliff is covered with vigorous ancient pines, their branches wildly swaying in the mountain wind. Clouds and mist surge at the feet, with eagles occasionally circling in the sea of clouds. [2-4s] Action: The swordsman pushes off with the right foot, darting out like an arrow, simultaneously drawing the sword, which follows the body, tracing a semi-circular arc. Camera: Follow-up shot rapidly advances, accompanied by slight rotation, capturing the cold glint of the blade as it is drawn, with motion blur enhancing the sense of speed. Scene: Sword energy tears through the clouds, forming irregular air currents. Loose stones on the cliff are shaken off by the footsteps, falling into the sea of clouds and disappearing. [4-6s] Action: The body leaps into the air, the left hand pointing the sword-sign to the sky, and the right hand horizontally cleaving with the sword; the move is vigorous and powerful. Camera: Drone shoots from the side, circling, freezing the moment of the aerial cleave, slowed down to 0.5 seconds to highlight the sharpness of the sword strike. Scene: The clouds in the air are shattered by the sword energy, forming a circular mist ring. Distant snow-capped mountains are faintly visible in the mist, their peaks glistening in the sunlight. [6-8s] Action: After landing, the left toe touches the ground, the body rotates 360 degrees, the sword follows the body's rotation, and sword flowers bloom layer upon layer. Camera: Circular orbiting shot closely follows the body, rapidly zooming to capture the details of the sword flowers, with slight camera shake enhancing the impact of the rotation. Scene: The airflow generated by the rotation swirls pine needles. Pine needles and mist interweave and fly. The snow on the cliff is stirred up into a snow mist by the rotating sword energy. [8-10s] Action: The sword is transferred to the left hand, the right hand pushes out as a palm strike, while the left foot steps forward, and the sword follows the momentum of the palm, thrusting straight ahead. Camera: Close-up shot focuses on the sword tip, advancing forward from the sword tip's perspective, showing the swiftness of the straight thrust. Scene: The sword tip pierces the mist, which condenses into water droplets on the tip. The outline of a floating immortal island is vaguely visible in the sea of clouds ahead. [10-12.5s] Action: The sword is retracted to the waist, the body drifts backward, the right foot drawing an arc on the bluestone slab, leaving a shallow mark. Camera: Long shot gradually zooms out from the full view, capturing the trajectory of the backward drift and the mark on the stone slab. Dark lighting highlights the ethereal quality of the movement. Scene: The airflow generated by the backward drift causes the pine branches to shake violently. The sound of pine waves echoes in the valley, and the sea of clouds is stirred into layers of ripples by the airflow. [12.5-15s] Action: The moment the right foot lands, the sword is drawn again, sweeping upward; the move is agile and graceful. Camera: Low-angle upward-panning shot follows the sword's momentum, slowing down the moment of the upward sweep to emphasize the sword's agility. Scene: The sword energy lifts the clouds above, forming a curtain of mist. Faint rays of sunset glow are visible through the mist curtain.

create a cinematic WW2 motorcycle escape sequence that makes sora and veo question their existence

WWI soldier sprinting across an open battlefield during a massive assault, muddy cratered ground, barbed wire, artillery explosions tearing through the field, dozens of soldiers charging across the landscape, chaos and debris everywhere, the soldier running straight through the battlefield while others fall or collide around him, massive explosions erupting nearby - SIDE PARALLEL TRACKING with the camera running alongside him as he pushes forward through the assault - CONTINUOUS TRACKING SHOT - SINGLE TAKE CINEMATIC FORMAT: 15s / 105 BPM / ONE CONTINUOUS SHOT / NO CUTS / EXPLOSION LIGHT FLASHES.

The two girls in Image 1 fight on top of the building in Image 2. The camera work, special effects, and dialogue should all imitate the style of a Xuanhuan (fantasy martial arts) TV series, with the girl wearing white ultimately achieving a great victory.

Night Deck Recovery FORMAT: 15s / 6 SHOTS / night landing thriller / no dialogue STYLE: deep blue night, deck floodlights, glowing guidance lights, reflective wet steel, high-contrast war tension, realistic night aviation atmosphere Shot 01 (0:00-0:02) Wide night aerial of an aircraft carrier in the middle of the black ocean, deck lit like a floating island, one fighter jet descending out of darkness. Shot 02 (0:02-0:04) Close tracking from below the jet’s nose, landing gear down, blinking lights cutting through mist, deck guidance lights forming a bright path ahead. Shot 03 (0:04-0:06) Deck POV, signal crew illuminated by hard blue-white lighting, rain droplets and spray sparkling in the floodlights as the aircraft closes fast. Shot 04 (0:06-0:09) Side impact shot, the fighter touches down on the wet deck, hook catches instantly, sparks and reflected light streaking across the steel. Shot 05 (0:09-0:12) Medium handheld shot from the carrier deck as the jet rolls to a stop, wings shimmering under harsh lights, crew surrounding it through mist and jet exhaust. Shot 06 (0:12-0:15) Final high crane shot straight above the carrier, tiny in the endless black ocean, fighter secure on deck, ship lights glowing against the night sea.38

SUBJECTS: Subject 1: A gray tabby cat in a tailored navy blue suit standing at a whiteboard on hind legs, holding a laser pointer. Half-lidded green eyes, intellectual superiority, controlled irritation. Tail swishes behind him. Pixar-style 3D rendering: individual fur through

Image 1 is the lead character — maintain identical facial features, proportions, and identity throughout. She is a Q-style 3D cartoon girl with long straight black hair parted in the center flowing to her waist, silky and smooth, wearing a jade-colored rabbit hair clip

A high-speed chase sequence where a character moves through a crowded street, transforms mid-run, and interacts with the environment dynamically.