Community · Seedance prompt cases

A man standing in the middle of a street, disoriented, ears ringing, face covered in dust. Looks around as explosions erupt and people run in every direction. Warzone-like city street with debris, smoke, and chaos unfolding, 360° spinning camera around him with slight slow motion, motion blur on background, sound muffled, intense sensory overload effect.

Ultra-realistic desert horizon. A gigantic industrial factory moving on mechanical legs crosses the wasteland like a living city. Female rebel riding a fast bike toward it. Scrap armor forms from metal debris. Defense drones launch from the machine. Camera chases beside hoverbike at high speed. She jumps from bike onto a drone, smashes it, lands on the walking factory. Final frame: towering machine blocks the sun.

Close-up of @[reference image 1] in a white skin-tight combat suit, saying in Korean, \"Sister, do we really have to fight?\" Cut to @[reference image2] in a black skin-tight combat suit, saying in Korean, \"Yes, this is our fate, little sister.\" They charge at each other and break into an intense, high-speed battle across the wasteland. The camera whirls dizzyingly as sonic booms and sparks erupt from every clash, all set to intense, stylish background music.

Cinematic multi-shot sequence of a high-speed water skier being pulled by a powerful speedboat on a glassy lake at sunset. The sequence begins with a low tracking shot inches above the water, pacing the skier at extreme speed, rope fully taut, spray slicing outward. Cut to a dynamic side angle as the skier aggressively crosses the boat’s wake, hitting turbulent water and sending a violent burst of spray, body leaning hard under intense force. Transition into a first-person FPV drone chase directly behind the skier, flying through dense mist and spray, the skier beginning to lose stability at high speed. Cut to a tight side-front angle as the skier’s edge catches unexpectedly, posture breaking, one ski lifting unevenly, rope jerking violently. Ultra-fast shutter moment captures the exact crash: the skier slams into the water, skis detaching, a massive explosion of white spray frozen in mid-air with hyper-detailed droplets. Final shot pushes through the collapsing spray as the skier tumbles beneath the surface. Hyper-realistic, extreme speed, intense lighting, cinematic action, realistic physics, high shutter + motion blur combination, visceral and dangerous.265:

watercolor ink sword performance.

Shot 1 (0.0-0.5): Macro shot of a polished dress shoe slipping on a single banana peel. Audio: Cartoon slip sound: WOOP! Shot 2 (0.5-1.0): Extreme close-up of the Groom’s eyes widening in pure terror. Audio: Sharp inhale gasp. Shot 3 (1.0-1.5): An elbow accidentally hits a waiter holding a tray of champagne flutes. Audio: THUD. Shot 4 (1.5-2.0): The tray flips mid-air. 20 glasses float in zero-gravity for a split second. Audio: Magical chime sound. Shot 5 (2.0-2.5): A champagne cork pops spontaneously from the pressure. Audio: Loud POP! Shot 6 (2.5-3.0): The cork hits the Priest directly in the forehead. Audio: Hollow wooden BONK. Shot 7 (3.0-3.5): The Priest stumbles backward into a candle stand. Audio: Whoa! Shot 8 (3.5-4.0): The candle flame ignites the bottom of a curtain. Audio: WHOOSH of fire. Shot 9 (4.0-4.5): A bridesmaid screams, but it's a silent slow-motion face distortion. Audio: High pitched operatic note. Shot 10 (4.5-5.0): A pug dog in a tuxedo gets spooked and bolts. Audio: Yip-Yip! Shot 11 (5.0-5.5): The leash pulls tight, tripping the Flower Girl. Audio: Violin string snap. Shot 12 (5.5-6.0): Flower Girl throws her basket. Rose petals explode toward the camera. Audio: Fluttering sound. Shot 13 (6.0-6.5): The basket hits the DJ's turntable arm. Audio: Vinyl Record Scratch! Shot 14 (6.5-7.0): The speakers emit a massive feedback screech. Audio: Electronic SCREECH! Shot 15 (7.0-7.5): An elderly grandmother’s hearing aid explodes with sparks. Audio: Zzzzt! Grandma yells: "WHAT?!" Shot 16 (7.5-8.0): The Groom waves his arms, accidentally punching the Best Man. Audio: Meaty SLAP. Shot 17 (8.0-8.5): The Best Man falls into the massive 5-tier Wedding Cake. Audio: Squish. Shot 18 (8.5-9.0): The Cake wobbles dangerously to the left. Audio: Wibble-wobble sound. Shot 19 (9.0-9.5): The top tier (Bride \u0026 Groom figures) slides off. Audio: Slide whistle down. Shot 20 (9.5-10.0): The cake tier hits the Bride’s face. Explosion of white frosting. Audio: SPLAT! Shot 21 (10.0-10.5): The Bride’s father faints, hand to forehead. Audio: Timber! Shot 22 (10.5-11.0): A dove flies out of nowhere into a ceiling fan. (Feathers explode, no gore). Audio: Poof! Shot 23 (11.0-11.5): The sprinkler system activates. Water sprays down. Audio: Hissing water. Shot 24 (11.5-12.0): The band’s drummer slips, hitting the cymbal with his face. Audio: CRASH! Shot 25 (12.0-12.5): A random guest is recording on a phone, laughing hysterically. Audio: Wheezing laughter. Shot 26 (12.5-13.0): The Bride looks at the camera, mascara running, covered in cake. Audio: "Are you kidding me?" Shot 27 (13.0-13.5): The Groom tries to wipe cake off her, making it worse. Audio: Squeaky window wiping sound. Shot 28 (13.5-14.0): The "Just Married" sign falls down from the wall. Audio: CLANG. Shot 29 (14.0-14.5): The pug dog starts eating the cake off the Bride’s shoe. Audio: Nom-nom-nom. Shot 30 (14.5-15.0): Freeze frame on the whole37a:T55

Cinematic dark fantasy VFX transformation shot on Arri Alexa 35 with Master Prime lenses, featuring a continuous high-speed 360-degree orbital camera move around a distressed 30-year-old german man in a dimly lit, foggy forest. The sequence begins with the man clutching his head in agony as his skin ripples and coarse brown fur erupts from his cheeks; his jaw audibly cracks and elongates into a lupine snout while his teeth sharpen into lethal fangs. As the camera revolves, his eyes shift from blue to a glowing predatory amber, and his fingernails transform into jagged black claws. The shot concludes with the fully transformed werewolf letting out a visceral roar toward the full moon as the camera completes its rotation. The atmosphere is dark, claustrophobic, and bone-crunching, with an intense rhythmic pace that mirrors the violent physical evolution.

Two people appearing (Image 1, Image 2, each wearing different clothes), Wes Anderson film style, high-definition quality + master-level camera work, the overall screen is yellow-green with high saturation, background music is a humorous and rhythmic viola piece, the characters do not speak throughout the process and sequentially check in at 6 major famous Chinese attractions: Shanghai → Guilin → Lijiang → Suzhou → Dunhuang → Lhasa. When switching attractions, the two change into local characteristic female clothing, with corresponding makeup and hairstyles, and the camera quickly cuts in. The characters' faces are clear, showing happy smiles and lively eyes. The two simultaneously perform actions such as walking, jumping, posing, and turning to face the camera; the weather is randomly sunny / rainy / snowy, and they hold an umbrella together when it rains or snows.

@_girl01: The first image __b6p3w5d.png. @_man01: The second image _r4t8v1n.png. The setting is a dusty Western movie scene. [Cut 0] @_girl01 enters the frame from the left, brushing back her bangs as if feeling the heat, and looks up at the sky. [Cut 1] A bright, shining sun. [Cut 2] Over-the-shoulder shot of @_girl01 seeing @_man01. @_girl01's back is on the left side of the screen, and @_man01's front view is on the right side. [Cut 3] Zoom in on @_man01's face as he gives a nasty, lopsided grin. [Cut 4] A side shot of @_girl01 and @_man01 facing each other. @_girl01 is on the left, and @_man01 is on the right. [Cut 5] The two begin arm wrestling. [Cut 6] Close-up of @_girl01's face clenching her teeth, slightly low angle. @_girl01's face is on the left, and on the right, @_man01's arm appears out of focus. [Cut 7] Top-down shot where @_girl01 wins the arm wrestling match against @_man01. The camera rotates slightly clockwise and zooms in. [Cut 8] @_girl01 stands up and rejoices with a victory pose.

15s vertical 9:16 Western TikTok/Reels billionaire heir drama, high saturation, sharp contrast,

A fluffy, moth-winged fairy pops its head out from a hollow log filled with crystallized honey drops, nibbling on a sweet amber piece. After cautiously peering around the twilight forest and seeing no one, it flutters over to a 'mattress' made of soft dandelion seeds and pollen. It flips onto its back, rubs its fuzzy thorax, and lazily lets out a 'buzz-squee' before folding its wings over its eyes. It falls fast asleep, snoring with a faint hum, while I watch from behind a mushroom and let out a gentle chuckle.

Scene 1: Galloping in front of the Mansion Gate (0:00-0:05, 5 seconds) • Location: In front of the main entrance of a top luxury mansion in West Vancouver (large estate-style villa, stone/wood structure gate, wide driveway entrance, surrounded by evergreen hedges) • Subject: A figure in a dark suit rides a horse galloping out of the mansion gate • Horse Action: White horse's four hooves airborne, mane flying, charging out at a fast pace or trot • Environment: Winter, light snow kicked up by the horse's hooves, mansion architecture clearly visible (large floor-to-ceiling windows, wood and stone combination, multi-story terraces), outlines of the North Shore mountains or ocean faintly visible in the distance, evergreen pine trees covered with light snow • Crowd: Supporters on both sides dodge and make way while waving yellow dragon flags (blue dragon pattern + Hinomaru elements) and cheering, holding white “Nothing” signs • Camera: Frontal shot, white horse charging directly at the camera, strong sense of motion (slight low angle to enhance impact) • Atmosphere: Sharp entrance, unstoppable momentum, stunning debut in a high-end private community Scene 2: Crowd Chasing Close-up (0:05-0:09, 4 seconds) • Location: Next to the tree-lined private winding road in the mansion area • Subject: Group of supporters running after the horse (mainly young people, wearing winter down jackets/coats) • Action: Running while raising hands, shouting, and pumping fists, trying to keep up with the horse's speed, some almost falling but still chasing excitedly • Signs: Yellow dragon flags + white “Nothing” signs are carried while running (signs shaking) • Background: Mansion exterior walls and evergreen pine trees quickly passing by, light snow mist or tree shadows blurring and shaking, distant mountains passing by • Camera: Follow-up close-up, slight camera shake to create urgency and speed (handheld style or quick push/pull) • Atmosphere: Frenzied pursuit, urgent excitement, enthusiastic response from community residents Scene 3: Galloping Across the Side of the Mansion (0:09-0:15, 6 seconds) • Location: Side landscape driveway or extended lawn area of the mansion (side view shows large terrace, poolside or garden, evergreen hedges) • Subject: The figure rides the white horse galloping across the frame • Horse Action: Full speed running, the moment the four hooves leave the ground is clearly visible, the horse's tail flutters like a flag, snow is splashed up • Environment: The side of the mansion quickly passes by (wood and stone walls, multi-story windows blurred), adjacent mansion and evergreen forest on the left, mountain and sea skyline in the background passing by • Crowd: Supporters behind holding “Nothing” signs + yellow dragon flags chase but gradually fall behind, some stop and wave and shout • Camera: High-speed side follow shot, motion blur enhances the sense of speed (horse sweeps across the frame, background blurred) • Atmosphere: Lightning speed, unstoppable, heroic gallop in a luxurious community5f:T555,A cinematic video sequence opening with a sere

Wide shot. A lone astronaut in a dusty orange pressure suit with dark blue-gray harness straps and black boots skis across a vast lunar plain, leaving two long parallel tracks in the gray regolith behind. The astronaut is mid-stride, poles planted,

Wide shot, two cars collide at a downtown road junction in a major US city, causing a massive explosion.

A 15-second realistic wildlife documentary scene in an African jungle. An injured lion struggles to move while a wild elephant surprisingly assists by nudging and guiding it across rough terrain. Narration-style tone, natural lighting, handheld camera feel, National Geographic style realism.

Ultra-realistic 15-second wildlife sequence in a dense forest at dawn, cold mist between trees, wet leaves and soft earth underfoot. 0–3s: Low tracking shot — a wolf moves silently through ferns and tree roots, body low, ears forward, eyes locked ahead, breath faint in the cold air. 3–5s: Cut to a deer grazing near a clearing, head suddenly lifting, ears twitching, sensing danger. 5–7s: The wolf bursts from cover, accelerating through brush, paws kicking up leaves and dirt. 7–10s: Fast side tracking shot — the deer sprints away between trees, muscles flexing, hooves striking mud, branches shaking as it passes. 10–12s: The wolf closes distance, weaving around trunks with powerful strides, focused and controlled. 12–14s: Near-contact moment — the wolf lunges forward, jaws close near the deer’s hind leg, but the deer sharply changes direction. 14–15s: Final shot — the deer escapes deeper into the forest as the wolf skids slightly on wet leaves, chase unresolved. Camera: wildlife documentary style, low angles, fast but readable tracking, slight handheld realism. Environment: dense forest, moss, roots, mist, falling leaves, natural morning light. Style: ultra-realistic wildlife behavior, grounded physics, natural motion, no graphic detail, no text, no overlays, stable proportions.188:T605,A powerful youn

Create a cinematic ultra-realistic wildlife adventure video based on this 16-panel jungle storyboard. Follow the exact sequence of scenes showing a young female wildlife photographer traveling deep into a dense forest to capture footage of a majestic lion. Begin with her preparing camera gear, entering the jungle, walking carefully through trees, discovering animal tracks, hearing movement in bushes, hiding behind rocks, and finally spotting the lion from a distance. Show her adjusting camera settings, slowly approaching, capturing close-up lion photographs, filming the lion walking naturally through the jungle, and taking dramatic cinematic wildlife shots during golden-hour lighting. End with sunset scenes in the forest, her safely returning home, and proudly watching the captured lion footage on her laptop or camera screen. Use realistic human appearance, real jungle environments, warm sunlight, cinematic shadows, moving leaves, dust particles, shallow depth of field, smooth handheld camera movement, wildlife documentary aesthetics, natural animal behavior, emotional storytelling, and professional National Geographic-style cinematography. Make the atmosphere tense, adventurous, beautiful, and immersive with realistic sound design, smooth transitions, soft cinematic color grading, and ultra-detailed 4K realism. No anime, no cartoon, no CGI animation style — everything should look like real-life cinematic footage.1a

Will Smith vs. a giant spaghetti monster, pure 80s action chaos.

Will smith fighting a spaghetti monster, Epic 80s action movie scene , industrial factory setting, intense fight choreography, dramatic camera cuts, cinematic lighting, slow motion moments, practical effects, film grain texture, high tension

A scene where Will Smith fights a spaghetti monster, epic action movie scene, various edits, 80s movie scene

Act as a professional fight choreographer of the anime industry with extensive knowledge of Wing Chun and Chinese wushu fighting style. Create a fast paced and dynamic fight scene between Jinx @image-4 and Knibbz@image-5 . Jinx should have dirt and scratches slightly smeered on his face like in @image-6 in this fight. Their feet shift back and forth with Jinx slowly losing ground and Knibbz pushing forward. This is a one sided fight where despite everything Jinx tries, he is not able to get a clean hit on Knibbz. Jinx tries an array of Wing Chung style attacks, (quick punches, rapid spinning kick at extreme speed, combo punches into a butterfly kick as examples.) but it is all blocked or dodged in the last moment by Knibbz. Camera movements include rapid 360 orbit, Jet cuts to ECU of key moments in strikes and dodges, hard cuts to facial expressions. Impack shockwave effects, wind burst effects, gust effect from Knibbz's heavier attacks only. Hopeless fight vibe. Jinx is outmatched by Knibbz. Must not add additional dialogue. Must not add additional characters. Use the audio reference for what Knibbz sound like only. All of Jinx attacks must be directed toward Knibbz.

[0:00 – 0:03 | ESTABLISHING SHOT] Extreme low-angle shot looking straight up at the Burj Khalifa piercing through golden morning clouds. Camera slowly tilts down to reveal Maya — a young woman in a sleek wingsuit — standing alone on the observation deck, wind whipping her hair. Dubai glitters endlessly below. She grips the railing. Her knuckles are white. [0:03 – 0:06 | CLOSE-UP CUT] Tight close-up on her eyes — determined, terrified, alive. A crumpled letter escapes her fingers and disappears into the void below. She exhales slowly. She lets go of the railing. [0:06 – 0:10 | THE LEAP] Wide cinematic shot — she steps off the edge. Sudden silence for half a second — then the world EXPLODES into motion. She plunges downward, the entire Dubai skyline rushing upward past her. The wingsuit catches air. She extends her arms. Her body transforms from falling to flying. Golden light floods the frame. [0:10 – 0:13 | AERIAL FREEDOM] Sweeping drone-style shot from below — Maya soaring horizontally above the city, clouds parting around her, skyscrapers like tiny toys beneath her. Slow motion. Her face — pure, electric joy. [0:13 – 0:15 | FADE OUT] She disappears into a blazing golden horizon. Screen fades to black. Voiceover (calm, feminine, powerful): "They told her the sky was the limit. So she jumped from the top of it."185:T4f2,0s – 4s A wide

A woman is applying makeup to her face as the camera shows an open door behind her. Suddenly, a mud-like liquid begins to invade her room. She becomes frightened and climbs onto a chair to escape the mud. The room fills rapidly until she is floating near the ceiling in the liquid, hitting it. With each impact, the ceiling begins to open, revealing sunlight.

"A young woman with long dark hair, wearing a white blouse, a flowing burgundy skirt, and white sneakers, stands on the edge of a high rooftop at night, looking out over a glowing modern city. A shadowy figure suddenly rushes in from behind and violently pushes her off the edge. Her expression turns from confusion to shock as she begins to fall. The camera follows her in a dramatic wide-angle frontal tracking shot as she drops between towering neon skyscrapers, with intense motion blur, spinning perspective, and cinematic speed. As she keeps falling, the real city seamlessly transforms into a surreal dreamlike dimension: a tunnel of colossal stone faces and metallic sculptures, floating cathedrals and shattered monuments in the clouds, giant marble statues, swirling red fabric, a deep blue vortex of water and feathers, enormous carnival masks and theatrical faces, abstract glowing ribbons and floating orbs, and a mystical geometric tunnel made of glowing runes, sigils, and burning celestial spheres. At the climax, fiery golden rings and massive spinning artifacts surround her as she reaches out in panic. Suddenly she crashes back into reality on a crowded daytime city street, stumbling forward, breathing hard, and staring directly into the camera in disbelief. surreal urban fantasy, cinematic CGI, seamless transitions, strong emotional storytelling, Hollywood trailer energy, intense falling sequence, epic atmosphere, ultra detailed, volumetric lighting, 8k cinematic"