Capability Showcase · Seedance prompt cases

Reference the camera movement techniques and editing rhythm of @Video 1 to generate an advertising short film for the headphones @Image. Adapt to scenes that match the product's tone, emphasizing modernity, simplicity, and a sense of technology. The switching points between product close-ups and scene panoramas are consistent with the original film, maintaining the same motion speed and transition methods.

Core Instruction: A full 26-second one-shot (One-Shot) narrative short film, stable follow shot, referencing [Video 1] and smooth orbiting camera movement, referencing [Video 2] interwoven. Smooth sense of progression. Achieve day-night alternation and seasonal flow within the shot. The protagonist is a European woman [Image 1], placed in a bustling crowd full of life, highlighting an extreme sense of loneliness and cinematic photography quality. Segmented Camera Movement and Scene Description: 0-3 seconds (steady back follow): An old wooden door [Image 2] creaks open, the camera closely follows the European woman's back wearing [Image 3] as she steps out. She pauses slightly at the threshold, the street ahead dappled with light and shadow, the sounds of hawking and crowds washing over her. Her expression is detached as she slowly steps forward to merge into the street. 3-6 seconds (back/side follow): The camera maintains smooth follow, she enters a crowded morning market, atmosphere reference [Video 3]. Both sides are packed with vibrantly colored fruit stalls and spice shops, a troupe of street performers is breathing fire dragons, reference [Image 4], the firelight illuminates the crowd, but she doesn't glance sideways, walking at a steady pace through. 6-9 seconds (side smooth orbit): The camera begins a smooth orbit towards the front side, capturing the protagonist's profile. She passes a noisy butcher shop [Image 5], a young mother carrying a baby [Image 6] brushes past her, the baby stares at her curiously, but she merely lowers her eyes slightly to avoid the gaze, not pausing at all. 9-12 seconds (front reverse follow): The camera continues orbiting to the protagonist's front, performing a reverse follow shot. The crowd ahead suddenly parts naturally like Moses parting the sea, a large elephant draped in ornate red cloth [Image 7] appears from the right side of the frame with steady steps, occupying most of the frame. 12-15 seconds (gap penetration and orbit back): At the moment the woman and the elephant are about to collide, the camera cleverly slides through the narrow gap between the elephant and the woman, orbiting back to her back. The elephant passes by, massive and quiet, mischievous children cheer and chase it. Elephant bells, laughter are deafening, yet she doesn't even slow her pace. 15-18 seconds (environmental light gradient): As she walks, the light within the long shot magically transforms—the piercing summer sunlight instantly softens, a gust of wind swirls up a sky full of golden leaves [Image 8], the season seamlessly transitions to late autumn within the same long shot. Leaves brush past her shoulder. 18-21 seconds (360-degree immersive orbit): Ahead suddenly erupts into a grand street festival [Image 9]. The air sprays confetti and shredded paper, vendors lean out cheering. At this moment, the camera executes a continuous 360-degree orbiting shot, creating an extremely strong visual tear between the quiet, lonely protagonist and the狂热 surroundings. 21-24 seconds (orbit back to side/rear): When the camera completes its orbit and returns to her side/rear, the falling confetti has quietly transformed into a sky full of falling snow—instantly winter [Image 10]. Pedestrians纷纷 put up umbrellas or pull up hoods, the woman shivers slightly, turns up her coat collar, her clothing changes to [Image 11], continuing her solitary walk in the snow. 24-26 seconds (slow push follow): As she walks towards the end of the long street, the sky visibly darkens during her progression, day seamlessly sinks into night. The dim yellow street lamps and stall light bulbs on both sides light up one after another [Image 12], vendors pack up their goods, the喧闹声 seems to be slowly absorbed and distanced by the heavy snow, her steps gradually slow. The night sky suddenly erupts with grand fireworks [Image 13], fireworks sound reference [Audio 1]五彩 light spots flicker and dance on the building walls and in her eyes. The world remains热闹, yet she looks up quietly, the camera slowly pulls back, ending gently here.

Replace the bare-handed fight video of two people @Video 1 with the empty-handed probing style before a cold weapon duel. Replace the scene with a medieval stone castle platform, ancient courtyard flat ground, mountain fortress outer platform, or simple stone brick dueling ground, with a background of ancient castle walls, wind, fog, distant mountain lines, and flat stone ground @Image 1. Replace the clothing of the man in dark clothes in the video with @Image 2, and replace the man in light clothes with @Image 3. Keep the actions unchanged, do not alter the original rhythm. AI effects only enhance environment and texture: wind blowing clothes, light fog, a small amount of dust at contact points, cold metallic reflective texture, slight grain, and epic color grading. Overall style is restrained, realistic, classical hardcore duel atmosphere. Background music hits the beat.

Using @Video 1 as the original footage, keep the sofa, color palette, lighting, and camera movement logic completely consistent. Naturally extend the timeline at its end and seamlessly continue the warm living room life scene: The hostess, wearing beige knit loungewear, sits on the same sofa reading, with a beige blanket on her lap, and gently places a coffee cup on the tea table; a cat lightly jumps onto the cushion; a child runs in and leans on her shoulder, the hostess looks down and smiles; the floor lamp lights up at night, the three quietly lean on the sofa, the camera slowly pulls back and holds, leaving space for the brand logo.

[Two Geckos' Escape Meeting — 3D Animation | Circus Backstage | About 20 Seconds] [Logline] The opening uses an establishing shot to show 'this is the circus backstage', then two geckos (one chubby, one tiny) discuss escape strategies, have a brief argument, and finally reach an agreement; amplified backstage ambient noise is primary, with background music almost always present, intensifying at key emotional points. [Character Reference (Appearance 100% consistent, no drift throughout)] ——Chubby: A plump, round-bodied gecko with a rotund belly, short thick limbs, skin with warm brown spotted matte scale texture, a thick short tail storing fat making it look pudgy, wide toe pads, puffy cheeks, large round eyes, a simple expression, and slightly slow movements; personality is cautious, timid, loves to eat, but can muster courage and think of solutions at critical moments. ——Tiny: A petite juvenile gecko, eyes large and bright almost filling its small head, skin with light yellow-green fresh scale color and fine spots, tail thin and flexible, toe tips can adhere for climbing, movements are agile and jumpy; personality is impatient, impulsive, fearless, and the one who proposes the escape. [Voice Reference (Fixed voice per character)] Chubby: Low, simple, middle-aged male voice, slightly slow speech, with a timid tremble. Reference [Audio 1]. Tiny: High, fast, youthful voice, sharp and impulsive, voice cracks when emotions run high. Reference [Audio 2]. [Ambient Sound Reference] ——Ambience: A layer of circus backstage ambient noise (distant tent clamor, faint animal sounds, canvas flapping in wind, wooden frame creaking, distant human voices with reverb, etc.) runs throughout as the scene's atmospheric base; ambient sound volume is overall amplified, most prominent in the opening establishing shot, serving as the main sound field of the entire piece; ambient sound reference [Audio 3]. [Background Music Reference] ——Accent: A piece of background music (playfully suspenseful, light with a touch of tension), almost always present as a base, appearing for a long duration, gently fades in from the opening establishing shot, volume intensifies at the proposal, argument climax, and ending freeze-frame; only briefly lowered during dense dialogue to make way for lines, but never completely disappears, does not cover dialogue, does not overpower; music reference [Audio 4]. [Scene Lock (Geometrically constant, no drift throughout)] Circus Backstage: Inside a dim, cluttered circus backstage tent, ambient noise reference matches ambient sound — left side has a row of animal cages (cold light seeps through gaps), center has several stacked prop boxes and rolled-up colorful tent canvas, right side has a canvas flap exit leading outside (gaps emit night blue light) and a swaying warm yellow hanging lamp, ground is trampled wood shavings and straw. Layout locked: Two geckos surround a large prop box used as a table in the center — Chubby lies on the left side of the box (x~30%), back against the cages; Tiny climbs / hops on top or right side of the box (x~65%), most active, toe tips occasionally adhering to the box surface. Exit is at the far right of the frame. [3D Animation Style / Visual Texture] High-quality 3D animation, fine rendering of scales and skin (visible detailed texture of each scale, skin micro-gloss and muscle movement, softness of toe pad adhesion), character expressions exaggerated and lively, rich with cartoon performance tension; night circus backstage atmosphere — cold blue ambient light primary, right-side warm yellow hanging lamp secondary, teal-and-amber warm-cool contrast, shallow depth of field, cinematic lighting, 55mm virtual lens. [Shot Language] Handheld-style agile camera movement with real operational weight; editing rhythm driven by emotion, emotional climax points can sync with accentuated downbeats from [Audio 4]. Opening uses an establishing shot to show the scene, then each segment first uses a positioning wide shot to establish the two geckos' relative positions, then cuts into coverage shots. Moderate use of rhythmic staging: quick whip pans switching between speakers, crash-in close-ups landing on emotional climax points, fast-cut shot/reverse-shot during argument. Facial close-ups must capture eyes, vertical pupil contraction, throat movement, toe tip gripping, and mouth shapes; eye lines look at each other, never at the camera; natural blinking (including gecko-style eye licking) and eye movement. Hard cuts, no dissolves. [Hard Locks] Only the two named geckos throughout, no third gecko, no extras, no clones/duplicates; their size difference (plump / petite) maintained every frame; dialogue spoken word-for-word (English), only one main speaker at a time (argument climax allows brief overlapping/interrupting); opening establishing shot segment has no dialogue; audio track hierarchy: amplified [Audio 3] ambient noise primary, [Audio 4] accent background music long-duration base and intensifying at key points, not covering dialogue; no subtitles / on-screen text; 3D realistic scale skin, stable, no extra limbs or ghosting. Shot 1 (0–3 sec) · Establishing Shot (No Dialogue) Pure environment shot, no character dialogue: camera slowly pans across the circus backstage tent interior — left side animal cages' cold light, center stacked prop boxes and rolled colorful tent canvas, right side canvas flap exit emitting night blue light and swaying warm yellow lamp, trampled wood shavings and straw on ground. This segment ambient noise volume is highest, most prominent (tent clamor, distant animal sounds, canvas flapping in wind, frame creaking), [Audio 4] accent gently fades in here as a base, clearly establishing 'this is the circus backstage'. Hard cut. Shot 2 (3–7 sec) · Positioning + Proposal Positioning wide shot reveals two geckos surrounding the central prop box. Hard cut. — Handheld medium shot pushes in on Tiny (voice reference [Audio 2]), it hops onto the box, toe tips audibly adhere to the surface (with crisp adhesion sound effect), speaking low and urgent: "Tonight — we break out of here!" — Reverse shot to Chubby (voice reference [Audio 1]) facial close-up, throat constricts, vertical pupils tremble, trembling voice: "B-break out? It's dangerous…" Shot 3 (7–13 sec) · Argument Confrontation (Climax) Fast-cut shot/reverse-shot argument, allows brief overlapping dialogue, — Tiny (voice reference [Audio 2]) jumps, tail flicks, points at Chubby, voice cracking: "You're just a coward!" — Chubby (voice reference [Audio 1]) unusually raises volume to overpower it, near tears: "Stop shouting — the guard'll hear us!" Facial close-ups: each face showing anger and panic, vertical pupils contracting, throat and tail shaking violently; at the argument peak, music and ambient noise briefly lower to highlight the two arguing voices. Shot 4 (13–18 sec) · Turning Point + Agreement — Chubby (voice reference [Audio 1]) suddenly musters courage, serious: "I'll block the guard. You slip out and open the door." — Whip pan to Tiny, pauses, vertical pupils relax, grins: "…That actually works!" (Music warms up, volume rises again) Shot 5 (18–20 sec) · Freeze Frame High-Five Slow push two-gecko side-by-side shot: both geckos extend small claws (toe pads touch) stacked together (with gentle toe pad contact sound effect), eyes look together towards the right exit, [Audio 4] accent ends with one accentuated downbeat. Tiny (voice reference [Audio 2]) whispers: "Midnight. We move." Night light from the canvas flap gap illuminates their determined faces, frame freezes on their resolute expressions, amplified ambient noise and music together fade out. [Negative Constraints] No third gecko or any extras/clones; their sizes and appearances must not drift or face-swap; no duplicated props; no character duplicates in mirror reflections; no subtitles, no on-screen text, no text overlays; only hard cuts, no dissolves; opening establishing shot segment must not have character dialogue; maintain the emotional arc of "ambient setup → proposal → argument confrontation → agreement", ending must land on both parties agreeing and determined; audio track hierarchy fixed as amplified ambient noise primary, background music long-duration base and intensifying at key points, not covering dialogue. Characters speak English (All characters speak English).

Theater audience, a young girl with her hands clasped near her chin, gazing at the performance on stage. Her emotions are complex and mixed; there is pride in her eyes, heartache, and the glimmer of suppressed tears. Her lips are lightly pressed together, her eyelashes tremble, tears well up in her eyes but she forces them not to fall. The core presentation is the authentic, mixed feelings of watching someone dearest to you shine.

A young East Asian woman sits by a study window at dusk, facing a laptop, warm golden side/back light on her face. Her performance is deeply restrained, with emotion conveyed through her eyes, shallow breathing, a choked throat, and trembling fingertips. She moves from disbelief to tearful suspension; as one tear falls, a faint smile appears, ending in quiet relief as she looks outside. Slow, steady camera movement, close-ups for micro-expressions, a slight push-in at the moment the tear gives way to a smile, soft focus on " Acceptance Letter," 35mm film texture, shallow depth of field, low-light grain.