Video editing: remove everyone in @video1 except the protagonist.
Video editing: remove everyone in @video1 except the protagonist.
查看无需登录,浏览 6000+ Seedance 全网最热门提示词。
Video editing: remove everyone in @video1 except the protagonist.
Video editing: remove everyone in @video1 except the protagonist.
查看Hyper-real cinematic realist style with photorealistic live-action texture, emphasizing the real-world plausibility of the physical object bursting out (the steam train); no CGI gloss / game engine / stylized 3D. Preserve @video1's original composition, projection-hall lighting, handheld camera state and natural imperfections. Source video locked: keep @video1 fully intact as the base image (the old-fashioned projection hall, the rows of hat-wearing audience seen from behind, the projector's conical beam, the screen, the ambient light, the color tone and the handheld movement all unchanged); the only additions: the train bursting out of the screen, the changes in light and shadow it brings, the tearing of the screen, and the slight physical impact on the hall and the front-row audience. Color-shift rule (the core addition): at the start strictly keep @video1's original black-and-white old-film texture (grain / scratches / flicker / monochrome); at the exact moment the locomotive truly breaks through the screen and bursts into reality, the image abruptly shifts from black-and-white to full, real color, the color spreading across the whole frame like a shockwave centered on the point where the train breaks out (the train's black steel body, the red-copper boiler, the orange-yellow steam-lamp glow, the warm brown of the wooden carriage, the white-grey steam, and the warm brown of the projection hall all coming into color accordingly); the color shift is precisely synchronized with the screen-breaking burst, after which photorealistic color is maintained to the end. Screen-tearing locked: the screen is a real white projection cloth with genuine fabric tension; as the train bursts out it is forcibly torn open along the contour of the locomotive's front, with radial rips whose edges curl back and shredded cloth fibers flying. Subject: an old-fashioned steam locomotive front bursting forcibly out of the screen, a black steel body, a cylindrical boiler, a front cowcatcher, a chimney venting white-grey steam, a bright headlamp, the metal surfaces with real wear, oil grime, rivets and wet reflections, charging forward with immense weight and inertia. Camera: fully inherits @video1's original handheld movement, not smoothed, not re-timed, not re-composed; the bursting train stays correctly locked into the screen and the hall space at all times, maintaining correct parallax, occlusion and ground-contact shadow. Sound: no music, keep only real on-scene sound effects, inheriting @video1's projection-hall ambience (the projector's clatter, the audience's stirring) and adding the sound of the cloth tearing, steam gushing, the mechanical roar of steel wheels, and the impact air blast. Total duration exactly the same as @video1; add nothing other than the train itself and its physical interactions, the screen tearing, and the color shift at the moment of the break. No slow motion, no sense of magic, no stylized horror; the final result should look like an eerie yet real image of "a train smashing through the screen, black-and-white instantly turning to color" captured by chance by a real camera in an old projection hall.
Hyper-real cinematic realist style with photorealistic live-action texture, emphasizing the real-world plausibility of the physical object bursting out (the steam train); no CGI gloss / game engine / stylized 3D. Preserve @video1's original composition, projection-hall lighting, handheld camera state and natural imperfections. Source video locked: keep @video1 fully intact as the base image (the old-fashioned projection hall, the rows of hat-wearing audience seen from behind, the projector's conical beam, the screen, the ambient light, the color tone and the handheld movement all unchanged); the only additions: the train bursting out of the screen, the changes in light and shadow it brings, the tearing of the screen, and the slight physical impact on the hall and the front-row audience. Color-shift rule (the core addition): at the start strictly keep @video1's original black-and-white old-film texture (grain / scratches / flicker / monochrome); at the exact moment the locomotive truly breaks through the screen and bursts into reality, the image abruptly shifts from black-and-white to full, real color, the color spreading across the whole frame like a shockwave centered on the point where the train breaks out (the train's black steel body, the red-copper boiler, the orange-yellow steam-lamp glow, the warm brown of the wooden carriage, the white-grey steam, and the warm brown of the projection hall all coming into color accordingly); the color shift is precisely synchronized with the screen-breaking burst, after which photorealistic color is maintained to the end. Screen-tearing locked: the screen is a real white projection cloth with genuine fabric tension; as the train bursts out it is forcibly torn open along the contour of the locomotive's front, with radial rips whose edges curl back and shredded cloth fibers flying. Subject: an old-fashioned steam locomotive front bursting forcibly out of the screen, a black steel body, a cylindrical boiler, a front cowcatcher, a chimney venting white-grey steam, a bright headlamp, the metal surfaces with real wear, oil grime, rivets and wet reflections, charging forward with immense weight and inertia. Camera: fully inherits @video1's original handheld movement, not smoothed, not re-timed, not re-composed; the bursting train stays correctly locked into the screen and the hall space at all times, maintaining correct parallax, occlusion and ground-contact shadow. Sound: no music, keep only real on-scene sound effects, inheriting @video1's projection-hall ambience (the projector's clatter, the audience's stirring) and adding the sound of the cloth tearing, steam gushing, the mechanical roar of steel wheels, and the impact air blast. Total duration exactly the same as @video1; add nothing other than the train itself and its physical interactions, the screen tearing, and the color shift at the moment of the break. No slow motion, no sense of magic, no stylized horror; the final result should look like an eerie yet real image of "a train smashing through the screen, black-and-white instantly turning to color" captured by chance by a real camera in an old projection hall.
查看A 30-second wordless visual story, imbued with the quiet elegance of the French countryside, set on a summer afternoon in Provence. A young woman in a beige linen dress finishes writing a letter by hand at an old wooden table in a stone cottage, then steps outside, walks along a gravel path through a sunflower field, and gently slips the letter into a vintage yellow mailbox at the village edge. The shot begins with a shallow depth-of-field close-up on the indoor table, passes through the doorway—where light gradually gives way to shadow—and finally pulls up and out to reveal a wide panoramic view of the golden valley. Only ambient sounds throughout—cicadas, wind, the rustle of pen on paper, and the soft click of the mailbox closing—like the lingering silence after sending a letter to a distant place.
A 30-second wordless visual story, imbued with the quiet elegance of the French countryside, set on a summer afternoon in Provence. A young woman in a beige linen dress finishes writing a letter by hand at an old wooden table in a stone cottage, then steps outside, walks along a gravel path through a sunflower field, and gently slips the letter into a vintage yellow mailbox at the village edge. The shot begins with a shallow depth-of-field close-up on the indoor table, passes through the doorway—where light gradually gives way to shadow—and finally pulls up and out to reveal a wide panoramic view of the golden valley. Only ambient sounds throughout—cicadas, wind, the rustle of pen on paper, and the soft click of the mailbox closing—like the lingering silence after sending a letter to a distant place.
查看30 seconds, 16:9, one-shot, realistic cinematic texture, European palace ballroom party ensemble shot. Scene references @Image 8, @Image 13, @Image 17, main chandelier details reference @Image 15, champagne glass references @Image 1 and @Image 10, champagne tower references @Image 3 and @Image 6, confetti streamers reference @Image 19. Characters are: Male 1 reference @Image 2, Male 2 reference @Image 11, Male 3 reference @Image 4, Male 4 reference @Image 7, Female 1 reference @Image 9, Female 2 reference @Image 5, Male 5 reference @Image 16, Female 3 reference @Image 18, Male 6 reference @Image 12, Female 4 reference @Image 14, Male 7 reference @Image 20, other background guests maintain the same banquet style to complete the ensemble. The shot starts with Male 2 holding a tray. Male 2 holds a tray with both hands at chest level, with several champagne glasses on the tray. Male 1 extends his right hand from the left front of the frame, picks up a champagne glass with his right hand, raises it to the front of his right shoulder, and says loudly to the guests ahead: "Everyone, enjoy this party!" (Voice reference @Audio 1) While speaking, he raises the glass with his right hand, opens his left hand, and slightly lifts his head. Immediately after speaking, he opens his mouth and laughs heartily, looking left first, then right. The lens simultaneously pulls back to form a five-person ensemble. Male 1 stands in the center, right hand holding the glass aloft, left hand open. Male 3 stands behind and to the left of Male 1, right hand raising a glass to shoulder height, looking at Male 1. Male 4 stands behind and to the right of Male 1, left hand holding a glass at chest level, right hand punches upward once, looking at Male 1. Female 1 stands to the left of Male 1, clapping twice with hands at chest level. Female 2 stands to the right of Male 1, right hand raising a glass, left hand raised in cheer. Background guests also raise glasses, applaud, and turn to look at Male 1. After Male 2 finishes serving the drink, he continues holding the tray with both hands, walking from in front of the opening quintet towards the right side of the frame, the tray always kept level. The camera follows Male 2 moving right, foreground passing by gown hems, hands holding glasses, shoulders and profiles of people, background continuously showing the chandelier, curtains, pillars, dance floor, and champagne tower. Male 2 stops in front of the second ensemble group, standing in mid-foreground, holding the tray with both hands. The second ensemble group remains in the same frame and space. On the left side of the frame is the toasting group. Male 5 stands opposite Female 3, picks up a champagne glass from Male 2's tray with his right hand, raises it to his chest, looks at Female 3 and says: "Cheers to tonight." (Voice reference @Audio 2) Female 3 holds her own champagne glass in her right hand, raises her right hand to lightly clink with Male 5 once, then brings the glass back to her chest. On the right side of the frame is the dance invitation group. Male 6 and Female 4 stand facing each other, both empty-handed, not holding champagne glasses. Male 6 looks at Female 4, extends his right hand forward, palm up, and says: "May I have this dance?" (Voice reference @Audio 3) Female 4 pauses for a moment, then looks up at Male 6, smiles, and places her left hand on Male 6's right hand. This frame simultaneously contains the left-side toasting, right-side dance invitation, waiter holding the tray, and background guest activities. After Female 4 accepts the invitation, Male 6, holding Female 4's left hand with his right hand, leads her towards the center of the dance floor, both empty-handed throughout. Female 4 lifts her skirt hem with her right hand for easier movement. The camera follows them onto the dance floor. The crowd at the edge of the dance floor begins to respond: some applaud, some raise glasses, some sway gently. After Male 6 reaches the center of the dance floor, he takes Female 4's right hand with his left, places his right hand on Female 4's back, Female 4 places her left hand near Male 6's shoulder, entering a dance posture. Male 7 stands at the edge of the dance floor applauding, other background guests along the outer circle of the dance floor perform applauding, raising glasses, gentle swaying actions. The camera then orbits Male 6 and Female 4 clockwise. Male 6 leads Female 4 through two dance moves: first, Male 6 leads Female 4 in a half-turn; second, Male 6 raises his hand high, allowing Female 4 to spin a full circle in place, Female 4's red skirt flaring out. The crowd in the background continues to applaud, raise glasses, and sway along the outer circle of the dance floor, Male 1 and the opening quintet are also in the background continuing to raise glasses and cheer. Confetti streamers fall from directly above the dance floor during this segment, concentrated over the center of the dance floor and above the heads of the main couple, few in number, only a small amount of long, thin streamers, falling vertically, not covering the entire hall. The lens finally continues to orbit the two dancers, keeping them centered in the frame, background is the dance floor, crowd, chandelier, curtains, and a small amount of falling confetti, forming the closing shot. [0-3s] Close-up shot, lens focused on the hand of @Image 1 plucking the strings of the @Image 2 guqin. On the left, a bronze incense burner @Image 3 emits a wisp of smoke. In the background, the blurred figure of a man in white @Image 4 is playing the @Image 5. Sound effect reference @Audio 1, scene set on a small boat @Image 7 on water @Image 6, distant mountains reference @Image 8. [3-5s] The man in white @Image 4 stands 【on the bow of the boat/rises】... a circular anomaly, the woman from @Image 9 holding @Image 10 attacks, sound effect reference @Audio 2. [5-10s] The man in white and the woman in red engage in intense aerial combat over the lake, sound effect reference @Audio 3. The woman in red holds a red umbrella, the man holds a fan @Image 11. The water surface below is stirred by powerful qi into huge ring-shaped waves, sound effect reference @Audio 4, like a water storm, special effects reference @Video 1. [10-20s] The man in white chases the woman in red into a bamboo forest @Image 12, performing qinggong on the water surface …… (Subsequent paragraphs obscured by video cover, not fully visible)
30 seconds, 16:9, one-shot, realistic cinematic texture, European palace ballroom party ensemble shot. Scene references @Image 8, @Image 13, @Image 17, main chandelier details reference @Image 15, champagne glass references @Image 1 and @Image 10, champagne tower references @Image 3 and @Image 6, confetti streamers reference @Image 19. Characters are: Male 1 reference @Image 2, Male 2 reference @Image 11, Male 3 reference @Image 4, Male 4 reference @Image 7, Female 1 reference @Image 9, Female 2 reference @Image 5, Male 5 reference @Image 16, Female 3 reference @Image 18, Male 6 reference @Image 12, Female 4 reference @Image 14, Male 7 reference @Image 20, other background guests maintain the same banquet style to complete the ensemble. The shot starts with Male 2 holding a tray. Male 2 holds a tray with both hands at chest level, with several champagne glasses on the tray. Male 1 extends his right hand from the left front of the frame, picks up a champagne glass with his right hand, raises it to the front of his right shoulder, and says loudly to the guests ahead: "Everyone, enjoy this party!" (Voice reference @Audio 1) While speaking, he raises the glass with his right hand, opens his left hand, and slightly lifts his head. Immediately after speaking, he opens his mouth and laughs heartily, looking left first, then right. The lens simultaneously pulls back to form a five-person ensemble. Male 1 stands in the center, right hand holding the glass aloft, left hand open. Male 3 stands behind and to the left of Male 1, right hand raising a glass to shoulder height, looking at Male 1. Male 4 stands behind and to the right of Male 1, left hand holding a glass at chest level, right hand punches upward once, looking at Male 1. Female 1 stands to the left of Male 1, clapping twice with hands at chest level. Female 2 stands to the right of Male 1, right hand raising a glass, left hand raised in cheer. Background guests also raise glasses, applaud, and turn to look at Male 1. After Male 2 finishes serving the drink, he continues holding the tray with both hands, walking from in front of the opening quintet towards the right side of the frame, the tray always kept level. The camera follows Male 2 moving right, foreground passing by gown hems, hands holding glasses, shoulders and profiles of people, background continuously showing the chandelier, curtains, pillars, dance floor, and champagne tower. Male 2 stops in front of the second ensemble group, standing in mid-foreground, holding the tray with both hands. The second ensemble group remains in the same frame and space. On the left side of the frame is the toasting group. Male 5 stands opposite Female 3, picks up a champagne glass from Male 2's tray with his right hand, raises it to his chest, looks at Female 3 and says: "Cheers to tonight." (Voice reference @Audio 2) Female 3 holds her own champagne glass in her right hand, raises her right hand to lightly clink with Male 5 once, then brings the glass back to her chest. On the right side of the frame is the dance invitation group. Male 6 and Female 4 stand facing each other, both empty-handed, not holding champagne glasses. Male 6 looks at Female 4, extends his right hand forward, palm up, and says: "May I have this dance?" (Voice reference @Audio 3) Female 4 pauses for a moment, then looks up at Male 6, smiles, and places her left hand on Male 6's right hand. This frame simultaneously contains the left-side toasting, right-side dance invitation, waiter holding the tray, and background guest activities. After Female 4 accepts the invitation, Male 6, holding Female 4's left hand with his right hand, leads her towards the center of the dance floor, both empty-handed throughout. Female 4 lifts her skirt hem with her right hand for easier movement. The camera follows them onto the dance floor. The crowd at the edge of the dance floor begins to respond: some applaud, some raise glasses, some sway gently. After Male 6 reaches the center of the dance floor, he takes Female 4's right hand with his left, places his right hand on Female 4's back, Female 4 places her left hand near Male 6's shoulder, entering a dance posture. Male 7 stands at the edge of the dance floor applauding, other background guests along the outer circle of the dance floor perform applauding, raising glasses, gentle swaying actions. The camera then orbits Male 6 and Female 4 clockwise. Male 6 leads Female 4 through two dance moves: first, Male 6 leads Female 4 in a half-turn; second, Male 6 raises his hand high, allowing Female 4 to spin a full circle in place, Female 4's red skirt flaring out. The crowd in the background continues to applaud, raise glasses, and sway along the outer circle of the dance floor, Male 1 and the opening quintet are also in the background continuing to raise glasses and cheer. Confetti streamers fall from directly above the dance floor during this segment, concentrated over the center of the dance floor and above the heads of the main couple, few in number, only a small amount of long, thin streamers, falling vertically, not covering the entire hall. The lens finally continues to orbit the two dancers, keeping them centered in the frame, background is the dance floor, crowd, chandelier, curtains, and a small amount of falling confetti, forming the closing shot. [0-3s] Close-up shot, lens focused on the hand of @Image 1 plucking the strings of the @Image 2 guqin. On the left, a bronze incense burner @Image 3 emits a wisp of smoke. In the background, the blurred figure of a man in white @Image 4 is playing the @Image 5. Sound effect reference @Audio 1, scene set on a small boat @Image 7 on water @Image 6, distant mountains reference @Image 8. [3-5s] The man in white @Image 4 stands 【on the bow of the boat/rises】... a circular anomaly, the woman from @Image 9 holding @Image 10 attacks, sound effect reference @Audio 2. [5-10s] The man in white and the woman in red engage in intense aerial combat over the lake, sound effect reference @Audio 3. The woman in red holds a red umbrella, the man holds a fan @Image 11. The water surface below is stirred by powerful qi into huge ring-shaped waves, sound effect reference @Audio 4, like a water storm, special effects reference @Video 1. [10-20s] The man in white chases the woman in red into a bamboo forest @Image 12, performing qinggong on the water surface …… (Subsequent paragraphs obscured by video cover, not fully visible)
查看Maintain the camera movement, duration, composition, shot scale, spatial relationships, object positions, model structure, and motion trajectory from @Video 1 unchanged. Using @Image 1 as a reference for material, lighting, color, and overall atmosphere, replace the white model material in @Video 1 with realistic materials close to @Image 1. Add natural light and shadow, contact shadows, ambient light, reflections, highlights, and spatial depth, presenting an overall realistic, cinematic-grade rendering quality.
Maintain the camera movement, duration, composition, shot scale, spatial relationships, object positions, model structure, and motion trajectory from @Video 1 unchanged. Using @Image 1 as a reference for material, lighting, color, and overall atmosphere, replace the white model material in @Video 1 with realistic materials close to @Image 1. Add natural light and shadow, contact shadows, ambient light, reflections, highlights, and spatial depth, presenting an overall realistic, cinematic-grade rendering quality.
查看Transfer the motion from @Video 1 onto a large gorilla climbing on a cliff, without changing the camera movement rhythm or the actions.
Transfer the motion from @Video 1 onto a large gorilla climbing on a cliff, without changing the camera movement rhythm or the actions.
查看Reference the light in @Video 1, changing it from harsh overhead noon light to side light at sunset.
Reference the light in @Video 1, changing it from harsh overhead noon light to side light at sunset.
查看Fixed camera, central fisheye lens looking down through circular hole, reference the fisheye lens of video 1, make the horse in @video2 look toward the fisheye lens, reference the speaking movements in @video1, background BGM references the sound effects in @video3.
Fixed camera, central fisheye lens looking down through circular hole, reference the fisheye lens of video 1, make the horse in @video2 look toward the fisheye lens, reference the speaking movements in @video1, background BGM references the sound effects in @video3.
查看Subvert the plot in @video1. The man's eyes instantly change from gentle to cold and ruthless. In the moment when Rose has no defense, he violently pushes the female protagonist off the bridge, pushing her into the water. The action is decisive and resolute, with long-premeditated determination, without any hesitation, completely subverting the original affectionate character setting. The moment the female protagonist falls into the water, there is no scream, only disbelieving eyes. She looks up and roars at the male protagonist: 'You've been lying to me from the beginning!' The male protagonist stands on the bridge, a cold smile on his face, saying in a low voice to the water: 'This is what you owe my family.'
Subvert the plot in @video1. The man's eyes instantly change from gentle to cold and ruthless. In the moment when Rose has no defense, he violently pushes the female protagonist off the bridge, pushing her into the water. The action is decisive and resolute, with long-premeditated determination, without any hesitation, completely subverting the original affectionate character setting. The moment the female protagonist falls into the water, there is no scream, only disbelieving eyes. She looks up and roars at the male protagonist: 'You've been lying to me from the beginning!' The male protagonist stands on the bridge, a cold smile on his face, saying in a low voice to the water: 'This is what you owe my family.'
查看
Live-action style, fast-paced editing, cinematic feel, 4K, 24fps, warm natural light, real human performance, natural lip-sync, no subtitles. Using the passing of a fresh flower as the core visual thread of the entire video, the flower quickly travels from one country to the next, connecting different regions and people across the globe. In each scene, a person receives the flower, shows a sincere smile, and says "Thank you" in the local language. The overall rhythm is light, fast, and smooth, with dynamic shots emphasizing authentic street/life atmosphere, warm cross-cultural connections, and the transmission of goodwill between people. Transition method: The previous person hands the flower out of frame, the next shot shows another person catching the flower in a new scene Or use quick whip pans, motion blur, foreground occlusion for seamless transitions Maintain the visual continuity of the flower in the frame, creating a "one-shot global pass" feeling Shot style: Handheld follow shots, slight camera shake, quick push/pull, combination of close-ups and medium shots, authentic ambient sound atmosphere, cinematic street photography quality. Background music is warm, light, with a sense of world travel, ending with a gentle fade-out. Scene 1 【@Image 1】 Inside a Chinese flower shop, a real-life scene. A girl receives a rose, looks at the camera and smiles, saying naturally: "谢谢!" The shot follows the flower being handed in from the right side of the frame, the girl gently raises the bouquet after receiving it. Scene 2【@Image 2】 An English street, slightly cool weather, natural street scene. A man receives a carnation, smiles and nods, saying: "Thank you!" Transition via whip pan, the flower is whipped into this scene from the previous one. Scene 3 【@Image 3】 A Mexican market, rich in color, full of life. An auntie receives a bunch of marigolds, puts her hands together, and says warmly: "¡Gracias!" The camera quickly passes by stalls and crowds, freezing on the moment of receiving the flower. Scene 4 【@Image 4】 An Indonesian village, natural sunlight. A child receives a frangipani flower, smiles happily, gives a slight bow, saying: "Terima kasih!" The shot has a slight sense of running, the atmosphere is innocent and natural. Scene 5 【@Image 5】 A Thai street, lively market atmosphere. A vendor receives a string of jasmine garland, puts her hands together, and says kindly: "ขอบคุณค่ะ!" The camera pushes in lightly, the garland sways slightly in the sunlight. Scene 6 【@Image 6】 An Arabian courtyard, soft light and shadow, elegant environment. A lady receives a desert rose, touches her chest and smiles, saying: "شكراً!" The frame is quiet and warm, the person's expression is sincere. Scene 7 【@Image 7】 A Brazilian community, vibrant and lively atmosphere. A boy receives a gerbera daisy, very happy, saying: "Obrigado!" The shot is rhythmic, full of vitality. Scene 8 【@Image 8】 A Japanese street, a salaryman receives a small flower on a bento box, bows politely, saying: "ありがとう!" The shot is short and crisp, retaining an urban sense of rhythm. Scene 9 【@Image 9】 A Korean street, modern urban feel. A young woman receives an azalea flower, naturally puts her hands together, smiles and says: "감사합니다!" The camera lingers slightly on her smiling moment, then the image fades out softly.
Live-action style, fast-paced editing, cinematic feel, 4K, 24fps, warm natural light, real human performance, natural lip-sync, no subtitles. Using the passing of a fresh flower as the core visual thread of the entire video, the flower quickly travels from one country to the next, connecting different regions and people across the globe. In each scene, a person receives the flower, shows a sincere smile, and says "Thank you" in the local language. The overall rhythm is light, fast, and smooth, with dynamic shots emphasizing authentic street/life atmosphere, warm cross-cultural connections, and the transmission of goodwill between people. Transition method: The previous person hands the flower out of frame, the next shot shows another person catching the flower in a new scene Or use quick whip pans, motion blur, foreground occlusion for seamless transitions Maintain the visual continuity of the flower in the frame, creating a "one-shot global pass" feeling Shot style: Handheld follow shots, slight camera shake, quick push/pull, combination of close-ups and medium shots, authentic ambient sound atmosphere, cinematic street photography quality. Background music is warm, light, with a sense of world travel, ending with a gentle fade-out. Scene 1 【@Image 1】 Inside a Chinese flower shop, a real-life scene. A girl receives a rose, looks at the camera and smiles, saying naturally: "谢谢!" The shot follows the flower being handed in from the right side of the frame, the girl gently raises the bouquet after receiving it. Scene 2【@Image 2】 An English street, slightly cool weather, natural street scene. A man receives a carnation, smiles and nods, saying: "Thank you!" Transition via whip pan, the flower is whipped into this scene from the previous one. Scene 3 【@Image 3】 A Mexican market, rich in color, full of life. An auntie receives a bunch of marigolds, puts her hands together, and says warmly: "¡Gracias!" The camera quickly passes by stalls and crowds, freezing on the moment of receiving the flower. Scene 4 【@Image 4】 An Indonesian village, natural sunlight. A child receives a frangipani flower, smiles happily, gives a slight bow, saying: "Terima kasih!" The shot has a slight sense of running, the atmosphere is innocent and natural. Scene 5 【@Image 5】 A Thai street, lively market atmosphere. A vendor receives a string of jasmine garland, puts her hands together, and says kindly: "ขอบคุณค่ะ!" The camera pushes in lightly, the garland sways slightly in the sunlight. Scene 6 【@Image 6】 An Arabian courtyard, soft light and shadow, elegant environment. A lady receives a desert rose, touches her chest and smiles, saying: "شكراً!" The frame is quiet and warm, the person's expression is sincere. Scene 7 【@Image 7】 A Brazilian community, vibrant and lively atmosphere. A boy receives a gerbera daisy, very happy, saying: "Obrigado!" The shot is rhythmic, full of vitality. Scene 8 【@Image 8】 A Japanese street, a salaryman receives a small flower on a bento box, bows politely, saying: "ありがとう!" The shot is short and crisp, retaining an urban sense of rhythm. Scene 9 【@Image 9】 A Korean street, modern urban feel. A young woman receives an azalea flower, naturally puts her hands together, smiles and says: "감사합니다!" The camera lingers slightly on her smiling moment, then the image fades out softly.
查看
3D animated advertisement style, bright and translucent colors, the fruit pulp and juice should have a strong sense of refreshment and impact. The overall vibe is like a high-quality commercial animated short film, with a touch of exaggerated humor. The desert horned lizard character is cute, agile, with rich expressions, reference 【Image 1】. The visual texture references the soft natural light, fine fur/skin texture, dreamy macro depth of field, realistic yet slightly whimsical feeling in the reference image. 0-3 seconds: The scene is a desert scorched by the blazing sun. The air is hot and distorted, the sand is burning, and the distance seems to be smoking. A desert horned lizard lies on the hot sand, tongue slightly out, eyes dazed, almost dried out by the sun. It takes a couple of steps and wobbles, the whole lizard looks like it's about to "evaporate". Sound effect: whooshing heatwave sound, slight exaggerated cracking sound. 3-6 seconds: The desert horned lizard suddenly stops, its nose twitching. It looks down and sees a cool, plump grapefruit with water droplets buried in the sand. The grapefruit glistens brightly in the sunlight, its skin delicate, like a miracle suddenly appearing in the desert. Performance: The lizard's eyes instantly widen, as if seeing a lifeline. Sound effect: A "ding" discovery sound effect. 6-8 seconds: The desert horned lizard makes a flying pounce, grabs the grapefruit tightly with both hands, and presses its whole face against the peel. It shows a happy expression of "finally alive again". The frame freezes for 1 second, forming an exaggerated and funny advertising memory point. Sound effect: A thud sound, then half a second of silence. 8-11 seconds: The desert horned lizard grabs the grapefruit. The grapefruit peel cracks open, revealing the plump, translucent and shiny pulp inside. The next moment, the juice doesn't just flow out, but gushes out like a tsunami. Sound effect: A "crunch" biting sound, followed by an exaggerated juice explosion sound. 11-16 seconds: Orange-pink, clear and shiny grapefruit juice gushes out wildly, cascading down the sand dunes, quickly submerging the entire desert. The dry yellow sand instantly turns into a cool, sparkling, fruity-scented summer ocean. The desert's cacti, stones, and small sand dunes are swallowed by the juice wave, the scene exaggerated and dreamy. Performance: The desert horned lizard is excited at first, but the next moment realizes something is wrong, its expression changes from delight to panic. 16-20 seconds: The desert horned lizard is almost submerged by the "grapefruit sea", frantically clinging to half a grapefruit, floating on the sea surface like holding a lifebuoy. It pokes its head out, wet and looking dazed. The sea surface sparkles, its color like juice illuminated by sunlight. Sound effect: Exaggerated splashing sounds, wave sounds, with a touch of comedy. 20-23 seconds: Suddenly cut to a white screen. The brand name and slogan appear centered on the screen: "Seedance Grapefruit, what you bite into is the pulp, what gushes out is summer." Voiceover reads the entire sentence: "Seedance Grapefruit, what you bite into is the pulp, what gushes out is summer." Sound effect: Clean and refreshing brand chime sound. 23-29 seconds: The white screen cuts back. The desert horned lizard is now leisurely sitting on the floating grapefruit, wearing small sunglasses, holding a sippy cup, drifting slowly on the "juice sea" on vacation. Orange pulp, small ice cubes, and cool water droplets float around, the sky turns azure blue, the atmosphere shifts from "survival" to "vacation". Finally, the desert horned lizard leans contentedly against the grapefruit, the camera pulls back, freezing on a refreshing, bright, and fun summer scene. Sound effect: Relaxing summer music, gentle lapping waves. Subtitles can just keep the brand name, no need to add too much text.
3D animated advertisement style, bright and translucent colors, the fruit pulp and juice should have a strong sense of refreshment and impact. The overall vibe is like a high-quality commercial animated short film, with a touch of exaggerated humor. The desert horned lizard character is cute, agile, with rich expressions, reference 【Image 1】. The visual texture references the soft natural light, fine fur/skin texture, dreamy macro depth of field, realistic yet slightly whimsical feeling in the reference image. 0-3 seconds: The scene is a desert scorched by the blazing sun. The air is hot and distorted, the sand is burning, and the distance seems to be smoking. A desert horned lizard lies on the hot sand, tongue slightly out, eyes dazed, almost dried out by the sun. It takes a couple of steps and wobbles, the whole lizard looks like it's about to "evaporate". Sound effect: whooshing heatwave sound, slight exaggerated cracking sound. 3-6 seconds: The desert horned lizard suddenly stops, its nose twitching. It looks down and sees a cool, plump grapefruit with water droplets buried in the sand. The grapefruit glistens brightly in the sunlight, its skin delicate, like a miracle suddenly appearing in the desert. Performance: The lizard's eyes instantly widen, as if seeing a lifeline. Sound effect: A "ding" discovery sound effect. 6-8 seconds: The desert horned lizard makes a flying pounce, grabs the grapefruit tightly with both hands, and presses its whole face against the peel. It shows a happy expression of "finally alive again". The frame freezes for 1 second, forming an exaggerated and funny advertising memory point. Sound effect: A thud sound, then half a second of silence. 8-11 seconds: The desert horned lizard grabs the grapefruit. The grapefruit peel cracks open, revealing the plump, translucent and shiny pulp inside. The next moment, the juice doesn't just flow out, but gushes out like a tsunami. Sound effect: A "crunch" biting sound, followed by an exaggerated juice explosion sound. 11-16 seconds: Orange-pink, clear and shiny grapefruit juice gushes out wildly, cascading down the sand dunes, quickly submerging the entire desert. The dry yellow sand instantly turns into a cool, sparkling, fruity-scented summer ocean. The desert's cacti, stones, and small sand dunes are swallowed by the juice wave, the scene exaggerated and dreamy. Performance: The desert horned lizard is excited at first, but the next moment realizes something is wrong, its expression changes from delight to panic. 16-20 seconds: The desert horned lizard is almost submerged by the "grapefruit sea", frantically clinging to half a grapefruit, floating on the sea surface like holding a lifebuoy. It pokes its head out, wet and looking dazed. The sea surface sparkles, its color like juice illuminated by sunlight. Sound effect: Exaggerated splashing sounds, wave sounds, with a touch of comedy. 20-23 seconds: Suddenly cut to a white screen. The brand name and slogan appear centered on the screen: "Seedance Grapefruit, what you bite into is the pulp, what gushes out is summer." Voiceover reads the entire sentence: "Seedance Grapefruit, what you bite into is the pulp, what gushes out is summer." Sound effect: Clean and refreshing brand chime sound. 23-29 seconds: The white screen cuts back. The desert horned lizard is now leisurely sitting on the floating grapefruit, wearing small sunglasses, holding a sippy cup, drifting slowly on the "juice sea" on vacation. Orange pulp, small ice cubes, and cool water droplets float around, the sky turns azure blue, the atmosphere shifts from "survival" to "vacation". Finally, the desert horned lizard leans contentedly against the grapefruit, the camera pulls back, freezing on a refreshing, bright, and fun summer scene. Sound effect: Relaxing summer music, gentle lapping waves. Subtitles can just keep the brand name, no need to add too much text.
查看
The product is @Image 1, the installation and usage instructions are @Image 2. Create a video of the entire first-use process for a steam oven combo.
The product is @Image 1, the installation and usage instructions are @Image 2. Create a video of the entire first-use process for a steam oven combo.
查看
Reference the camera movement style and editing rhythm of @Video 1 to generate an advertising short for headphones @Image. Adapt to a scene that fits the product's tone, emphasizing modernity, simplicity, and a tech feel. The switching points between product close-ups and scene panoramas should be consistent with the original video, maintaining the same motion speed and transition methods.
Reference the camera movement style and editing rhythm of @Video 1 to generate an advertising short for headphones @Image. Adapt to a scene that fits the product's tone, emphasizing modernity, simplicity, and a tech feel. The switching points between product close-ups and scene panoramas should be consistent with the original video, maintaining the same motion speed and transition methods.
查看
@Image 1 is the product image, @Image 2 is the host and scene image. The host waves their hands in sync with the lines while speaking. The expression is genuine and natural. 0-2 seconds: Fixed shot of @Image 2, the host speaks to the camera in Chinese, the line is "The first cup of coffee in the morning, can't wait.". (2–5s) Press the switch, fixed shot, the line is "Press once, coffee in 3 seconds." (5–9s) Continue looking at the camera and speaking, the line is "Office, business trips, late-night work—freshly ground coffee always with you." (9–12s) Look at the camera and speak, the line is "The lifesaver for workers, limited-time price drop." Replace the person in the video with an American female, and change the copy voiceover to English. Replace the person in the video with a Spanish male, and change the copy voiceover to Spanish. Replace the person in the video with an Indonesian female, and change the copy voiceover to Indonesian. Replace the person in the video with a Malaysian male, and change the copy voiceover to Malaysian.
@Image 1 is the product image, @Image 2 is the host and scene image. The host waves their hands in sync with the lines while speaking. The expression is genuine and natural. 0-2 seconds: Fixed shot of @Image 2, the host speaks to the camera in Chinese, the line is "The first cup of coffee in the morning, can't wait.". (2–5s) Press the switch, fixed shot, the line is "Press once, coffee in 3 seconds." (5–9s) Continue looking at the camera and speaking, the line is "Office, business trips, late-night work—freshly ground coffee always with you." (9–12s) Look at the camera and speak, the line is "The lifesaver for workers, limited-time price drop." Replace the person in the video with an American female, and change the copy voiceover to English. Replace the person in the video with a Spanish male, and change the copy voiceover to Spanish. Replace the person in the video with an Indonesian female, and change the copy voiceover to Indonesian. Replace the person in the video with a Malaysian male, and change the copy voiceover to Malaysian.
查看
Generate a video based on the creativity of @Video 1. The requirement is to restore the entire assembly process of the house from @Image 1, @Image 2, @Image 3, and @Image 4.
Generate a video based on the creativity of @Video 1. The requirement is to restore the entire assembly process of the house from @Image 1, @Image 2, @Image 3, and @Image 4.
查看
Overall setting: First-person FPV racing drone perspective, cinematic live-action quality, single continuous shot without cuts, total duration 25 seconds. Sunny day, clear blue sky, realistic lighting and atmospheric perspective. The lens always faces the drone's forward direction, high speed with slight body tilt and inertial sway. Spatial relationships strictly follow the red line one-way progression: starting point (lower left hillside) → waterfall top ① → waterfall bottom → village ② → gap between two distant mountains ③ → distant valley vista, always forward, no turning back, no reverse flight, no returning to start. Motion path (connected sequentially): The drone starts low from a green hillside at the lower left of the canyon, accelerates climbing close to the slope, flying towards the large waterfall cascading down the left cliff wall; climbs up along the left cliff wall of the waterfall, circles to the top of the waterfall, overlooking the drop point and source stream from above (corresponding to marker ①). After passing the waterfall top, the drone lowers its nose, dives down along the outer cliff wall of the waterfall, skimming the edge of the splashing water mist (not entering the water curtain), descending to just above the river surface at the waterfall base; then turns right, flying at high speed along the winding river in a smooth wave pattern, skimming over the roofs of a stone house village in the middle of the valley (corresponding to marker ②). After passing through the village, continue deeper along the river valley to the right, charging at full speed towards the two highest mountains in the distance, passing precisely through the center of the V-shaped gap between the two peaks (corresponding to marker ③), exiting the frame into an open distant valley vista, ending steadily. Negative constraints: No on-screen text / markers / red line / numbering; do not pass through the water curtain head-on, do not fly into the water mist; do not fly backwards, no unnecessary hovering or stalling; weather and lighting consistent throughout; total duration strictly 25 seconds, no black screens or accelerated jump cuts mid-way. Generate a 15-second first-person FPV perspective ultra-high-speed drone穿梭 video, cinematic, single continuous shot. The shot starts from a low-altitude point near the Huangpu River surface / the base of the Oriental Pearl TV Tower, first rapidly ascends and smoothly circles around the tower body, lower sphere, upper sphere, and antenna spire of the Oriental Pearl, then according to the spatial relationship of the red line trajectory in the image,高速飞越 the Huangpu River, charges towards the Lujiazui financial district,穿梭 left and right,起伏 up and down between the Shanghai Tower, Shanghai World Financial Center (SWFC), and Jin Mao Tower trio, finally follows the direction of the arrow in the image, (but do not show the red line, it's only for guidance)冲刺 towards the right front of the Pudong skyline, ending in an open distant city vista. Generate a 15-second first-person FPV perspective ultra-high-speed drone穿梭 video, cinematic, single continuous shot. The shot starts from a low-altitude point near the base of Tokyo Tower, first rapidly ascends and smoothly circles around the red-and-white tower body, main observatory, and spire of Tokyo Tower, then according to the spatial relationship of the red line trajectory in the image,高速掠过 the dense city rooftops of Minato and Shibuya wards, charges towards the Shinjuku skyscraper cluster,穿梭 left and right,起伏 up and down between the Metropolitan Government Building, Mode Gakuen Cocoon Tower, and glass-curtain-wall high-rises, finally follows the direction of the arrow in the image towards the right front of the Shinjuku skyline, ending in a distant Tokyo vista under golden黄昏余晖. (But do not show the red line, it's only for guidance)
Overall setting: First-person FPV racing drone perspective, cinematic live-action quality, single continuous shot without cuts, total duration 25 seconds. Sunny day, clear blue sky, realistic lighting and atmospheric perspective. The lens always faces the drone's forward direction, high speed with slight body tilt and inertial sway. Spatial relationships strictly follow the red line one-way progression: starting point (lower left hillside) → waterfall top ① → waterfall bottom → village ② → gap between two distant mountains ③ → distant valley vista, always forward, no turning back, no reverse flight, no returning to start. Motion path (connected sequentially): The drone starts low from a green hillside at the lower left of the canyon, accelerates climbing close to the slope, flying towards the large waterfall cascading down the left cliff wall; climbs up along the left cliff wall of the waterfall, circles to the top of the waterfall, overlooking the drop point and source stream from above (corresponding to marker ①). After passing the waterfall top, the drone lowers its nose, dives down along the outer cliff wall of the waterfall, skimming the edge of the splashing water mist (not entering the water curtain), descending to just above the river surface at the waterfall base; then turns right, flying at high speed along the winding river in a smooth wave pattern, skimming over the roofs of a stone house village in the middle of the valley (corresponding to marker ②). After passing through the village, continue deeper along the river valley to the right, charging at full speed towards the two highest mountains in the distance, passing precisely through the center of the V-shaped gap between the two peaks (corresponding to marker ③), exiting the frame into an open distant valley vista, ending steadily. Negative constraints: No on-screen text / markers / red line / numbering; do not pass through the water curtain head-on, do not fly into the water mist; do not fly backwards, no unnecessary hovering or stalling; weather and lighting consistent throughout; total duration strictly 25 seconds, no black screens or accelerated jump cuts mid-way. Generate a 15-second first-person FPV perspective ultra-high-speed drone穿梭 video, cinematic, single continuous shot. The shot starts from a low-altitude point near the Huangpu River surface / the base of the Oriental Pearl TV Tower, first rapidly ascends and smoothly circles around the tower body, lower sphere, upper sphere, and antenna spire of the Oriental Pearl, then according to the spatial relationship of the red line trajectory in the image,高速飞越 the Huangpu River, charges towards the Lujiazui financial district,穿梭 left and right,起伏 up and down between the Shanghai Tower, Shanghai World Financial Center (SWFC), and Jin Mao Tower trio, finally follows the direction of the arrow in the image, (but do not show the red line, it's only for guidance)冲刺 towards the right front of the Pudong skyline, ending in an open distant city vista. Generate a 15-second first-person FPV perspective ultra-high-speed drone穿梭 video, cinematic, single continuous shot. The shot starts from a low-altitude point near the base of Tokyo Tower, first rapidly ascends and smoothly circles around the red-and-white tower body, main observatory, and spire of Tokyo Tower, then according to the spatial relationship of the red line trajectory in the image,高速掠过 the dense city rooftops of Minato and Shibuya wards, charges towards the Shinjuku skyscraper cluster,穿梭 left and right,起伏 up and down between the Metropolitan Government Building, Mode Gakuen Cocoon Tower, and glass-curtain-wall high-rises, finally follows the direction of the arrow in the image towards the right front of the Shinjuku skyline, ending in a distant Tokyo vista under golden黄昏余晖. (But do not show the red line, it's only for guidance)
查看
One continuous shot, the camera smoothly follows a person in a black coat, reference 【Image 1】, moving from left to right through six connected rooms with different color tones and atmospheres. Each room has the same structure: white walls, herringbone light wood floor, French double-hung floor-to-ceiling windows, white gauze curtains, reference 【Image 2】 but the scenery outside the window and the indoor atmosphere are completely different. The protagonist walks at a constant speed throughout, passing through each open door in the wall. 0-5 seconds, first room, theme is American comic book fight, protagonist enters the room and fights with character 【Image 3】, character is defeated; 5-10 seconds, second room, theme is warmth, felt style, window scene is a sunflower field 【Image 4】, indoor lighting is warm orange soft light, a painter is painting sunflowers 【Image 5】. The protagonist also becomes felt style upon entering; 10-15 seconds, third room, theme is sadness, the entire picture is in black and white comic book stop-motion style, raining outside the window, indoor lighting is cold gray and low, a person sits alone on the floor in the center of the empty room, head down hugging knees, a mobile phone beside them lit with an unanswered call interface. The protagonist enters the room, turns off the room's light, immediately turns it on, the room becomes colorful, instantly filled with blooming flowers; 15-20 seconds, fourth room, theme is joy, the entire scene is a room submerged in the sea, reference 【Image 6】, the protagonist swims into the room, surrounded by beautiful coral reefs and schools of fish; 20-25 seconds, fifth room, theme is surprise, window scene is a night sky full of fireworks, reference 【Image 7】, indoor light is colored and flickering, the protagonist is swept into the cheering atmosphere. 25-30 seconds, finally the protagonist arrives at a blank room, stands in the center and snaps their fingers, with the sound effect of a finger snap. Overall cinematic quality, high-fashion advertisement style, lighting completely determined by the window scenes creating strong emotional contrast, no text in the frame.
One continuous shot, the camera smoothly follows a person in a black coat, reference 【Image 1】, moving from left to right through six connected rooms with different color tones and atmospheres. Each room has the same structure: white walls, herringbone light wood floor, French double-hung floor-to-ceiling windows, white gauze curtains, reference 【Image 2】 but the scenery outside the window and the indoor atmosphere are completely different. The protagonist walks at a constant speed throughout, passing through each open door in the wall. 0-5 seconds, first room, theme is American comic book fight, protagonist enters the room and fights with character 【Image 3】, character is defeated; 5-10 seconds, second room, theme is warmth, felt style, window scene is a sunflower field 【Image 4】, indoor lighting is warm orange soft light, a painter is painting sunflowers 【Image 5】. The protagonist also becomes felt style upon entering; 10-15 seconds, third room, theme is sadness, the entire picture is in black and white comic book stop-motion style, raining outside the window, indoor lighting is cold gray and low, a person sits alone on the floor in the center of the empty room, head down hugging knees, a mobile phone beside them lit with an unanswered call interface. The protagonist enters the room, turns off the room's light, immediately turns it on, the room becomes colorful, instantly filled with blooming flowers; 15-20 seconds, fourth room, theme is joy, the entire scene is a room submerged in the sea, reference 【Image 6】, the protagonist swims into the room, surrounded by beautiful coral reefs and schools of fish; 20-25 seconds, fifth room, theme is surprise, window scene is a night sky full of fireworks, reference 【Image 7】, indoor light is colored and flickering, the protagonist is swept into the cheering atmosphere. 25-30 seconds, finally the protagonist arrives at a blank room, stands in the center and snaps their fingers, with the sound effect of a finger snap. Overall cinematic quality, high-fashion advertisement style, lighting completely determined by the window scenes creating strong emotional contrast, no text in the frame.
查看
Reference the camera movement techniques and editing rhythm of @Video 1 to generate an advertising short film for the headphones @Image. Adapt to scenes that match the product's tone, emphasizing modernity, simplicity, and a sense of technology. The switching points between product close-ups and scene panoramas are consistent with the original film, maintaining the same motion speed and transition methods.
Reference the camera movement techniques and editing rhythm of @Video 1 to generate an advertising short film for the headphones @Image. Adapt to scenes that match the product's tone, emphasizing modernity, simplicity, and a sense of technology. The switching points between product close-ups and scene panoramas are consistent with the original film, maintaining the same motion speed and transition methods.
查看
Core Instruction: A full 26-second one-shot (One-Shot) narrative short film, stable follow shot, referencing [Video 1] and smooth orbiting camera movement, referencing [Video 2] interwoven. Smooth sense of progression. Achieve day-night alternation and seasonal flow within the shot. The protagonist is a European woman [Image 1], placed in a bustling crowd full of life, highlighting an extreme sense of loneliness and cinematic photography quality. Segmented Camera Movement and Scene Description: 0-3 seconds (steady back follow): An old wooden door [Image 2] creaks open, the camera closely follows the European woman's back wearing [Image 3] as she steps out. She pauses slightly at the threshold, the street ahead dappled with light and shadow, the sounds of hawking and crowds washing over her. Her expression is detached as she slowly steps forward to merge into the street. 3-6 seconds (back/side follow): The camera maintains smooth follow, she enters a crowded morning market, atmosphere reference [Video 3]. Both sides are packed with vibrantly colored fruit stalls and spice shops, a troupe of street performers is breathing fire dragons, reference [Image 4], the firelight illuminates the crowd, but she doesn't glance sideways, walking at a steady pace through. 6-9 seconds (side smooth orbit): The camera begins a smooth orbit towards the front side, capturing the protagonist's profile. She passes a noisy butcher shop [Image 5], a young mother carrying a baby [Image 6] brushes past her, the baby stares at her curiously, but she merely lowers her eyes slightly to avoid the gaze, not pausing at all. 9-12 seconds (front reverse follow): The camera continues orbiting to the protagonist's front, performing a reverse follow shot. The crowd ahead suddenly parts naturally like Moses parting the sea, a large elephant draped in ornate red cloth [Image 7] appears from the right side of the frame with steady steps, occupying most of the frame. 12-15 seconds (gap penetration and orbit back): At the moment the woman and the elephant are about to collide, the camera cleverly slides through the narrow gap between the elephant and the woman, orbiting back to her back. The elephant passes by, massive and quiet, mischievous children cheer and chase it. Elephant bells, laughter are deafening, yet she doesn't even slow her pace. 15-18 seconds (environmental light gradient): As she walks, the light within the long shot magically transforms—the piercing summer sunlight instantly softens, a gust of wind swirls up a sky full of golden leaves [Image 8], the season seamlessly transitions to late autumn within the same long shot. Leaves brush past her shoulder. 18-21 seconds (360-degree immersive orbit): Ahead suddenly erupts into a grand street festival [Image 9]. The air sprays confetti and shredded paper, vendors lean out cheering. At this moment, the camera executes a continuous 360-degree orbiting shot, creating an extremely strong visual tear between the quiet, lonely protagonist and the狂热 surroundings. 21-24 seconds (orbit back to side/rear): When the camera completes its orbit and returns to her side/rear, the falling confetti has quietly transformed into a sky full of falling snow—instantly winter [Image 10]. Pedestrians纷纷 put up umbrellas or pull up hoods, the woman shivers slightly, turns up her coat collar, her clothing changes to [Image 11], continuing her solitary walk in the snow. 24-26 seconds (slow push follow): As she walks towards the end of the long street, the sky visibly darkens during her progression, day seamlessly sinks into night. The dim yellow street lamps and stall light bulbs on both sides light up one after another [Image 12], vendors pack up their goods, the喧闹声 seems to be slowly absorbed and distanced by the heavy snow, her steps gradually slow. The night sky suddenly erupts with grand fireworks [Image 13], fireworks sound reference [Audio 1]五彩 light spots flicker and dance on the building walls and in her eyes. The world remains热闹, yet she looks up quietly, the camera slowly pulls back, ending gently here.
Core Instruction: A full 26-second one-shot (One-Shot) narrative short film, stable follow shot, referencing [Video 1] and smooth orbiting camera movement, referencing [Video 2] interwoven. Smooth sense of progression. Achieve day-night alternation and seasonal flow within the shot. The protagonist is a European woman [Image 1], placed in a bustling crowd full of life, highlighting an extreme sense of loneliness and cinematic photography quality. Segmented Camera Movement and Scene Description: 0-3 seconds (steady back follow): An old wooden door [Image 2] creaks open, the camera closely follows the European woman's back wearing [Image 3] as she steps out. She pauses slightly at the threshold, the street ahead dappled with light and shadow, the sounds of hawking and crowds washing over her. Her expression is detached as she slowly steps forward to merge into the street. 3-6 seconds (back/side follow): The camera maintains smooth follow, she enters a crowded morning market, atmosphere reference [Video 3]. Both sides are packed with vibrantly colored fruit stalls and spice shops, a troupe of street performers is breathing fire dragons, reference [Image 4], the firelight illuminates the crowd, but she doesn't glance sideways, walking at a steady pace through. 6-9 seconds (side smooth orbit): The camera begins a smooth orbit towards the front side, capturing the protagonist's profile. She passes a noisy butcher shop [Image 5], a young mother carrying a baby [Image 6] brushes past her, the baby stares at her curiously, but she merely lowers her eyes slightly to avoid the gaze, not pausing at all. 9-12 seconds (front reverse follow): The camera continues orbiting to the protagonist's front, performing a reverse follow shot. The crowd ahead suddenly parts naturally like Moses parting the sea, a large elephant draped in ornate red cloth [Image 7] appears from the right side of the frame with steady steps, occupying most of the frame. 12-15 seconds (gap penetration and orbit back): At the moment the woman and the elephant are about to collide, the camera cleverly slides through the narrow gap between the elephant and the woman, orbiting back to her back. The elephant passes by, massive and quiet, mischievous children cheer and chase it. Elephant bells, laughter are deafening, yet she doesn't even slow her pace. 15-18 seconds (environmental light gradient): As she walks, the light within the long shot magically transforms—the piercing summer sunlight instantly softens, a gust of wind swirls up a sky full of golden leaves [Image 8], the season seamlessly transitions to late autumn within the same long shot. Leaves brush past her shoulder. 18-21 seconds (360-degree immersive orbit): Ahead suddenly erupts into a grand street festival [Image 9]. The air sprays confetti and shredded paper, vendors lean out cheering. At this moment, the camera executes a continuous 360-degree orbiting shot, creating an extremely strong visual tear between the quiet, lonely protagonist and the狂热 surroundings. 21-24 seconds (orbit back to side/rear): When the camera completes its orbit and returns to her side/rear, the falling confetti has quietly transformed into a sky full of falling snow—instantly winter [Image 10]. Pedestrians纷纷 put up umbrellas or pull up hoods, the woman shivers slightly, turns up her coat collar, her clothing changes to [Image 11], continuing her solitary walk in the snow. 24-26 seconds (slow push follow): As she walks towards the end of the long street, the sky visibly darkens during her progression, day seamlessly sinks into night. The dim yellow street lamps and stall light bulbs on both sides light up one after another [Image 12], vendors pack up their goods, the喧闹声 seems to be slowly absorbed and distanced by the heavy snow, her steps gradually slow. The night sky suddenly erupts with grand fireworks [Image 13], fireworks sound reference [Audio 1]五彩 light spots flicker and dance on the building walls and in her eyes. The world remains热闹, yet she looks up quietly, the camera slowly pulls back, ending gently here.
查看
Replace the bare-handed fight video of two people @Video 1 with the empty-handed probing style before a cold weapon duel. Replace the scene with a medieval stone castle platform, ancient courtyard flat ground, mountain fortress outer platform, or simple stone brick dueling ground, with a background of ancient castle walls, wind, fog, distant mountain lines, and flat stone ground @Image 1. Replace the clothing of the man in dark clothes in the video with @Image 2, and replace the man in light clothes with @Image 3. Keep the actions unchanged, do not alter the original rhythm. AI effects only enhance environment and texture: wind blowing clothes, light fog, a small amount of dust at contact points, cold metallic reflective texture, slight grain, and epic color grading. Overall style is restrained, realistic, classical hardcore duel atmosphere. Background music hits the beat.
Replace the bare-handed fight video of two people @Video 1 with the empty-handed probing style before a cold weapon duel. Replace the scene with a medieval stone castle platform, ancient courtyard flat ground, mountain fortress outer platform, or simple stone brick dueling ground, with a background of ancient castle walls, wind, fog, distant mountain lines, and flat stone ground @Image 1. Replace the clothing of the man in dark clothes in the video with @Image 2, and replace the man in light clothes with @Image 3. Keep the actions unchanged, do not alter the original rhythm. AI effects only enhance environment and texture: wind blowing clothes, light fog, a small amount of dust at contact points, cold metallic reflective texture, slight grain, and epic color grading. Overall style is restrained, realistic, classical hardcore duel atmosphere. Background music hits the beat.
查看
The character in the painting has a guilty expression, eyes looking left and right, then peeks out of the frame, quickly extends their hand out of the frame to grab a cola and takes a sip, then shows a satisfied expression. At this moment, footsteps are heard, and the character in the painting quickly puts the cola back in place. Then a Western cowboy picks up the cola from the cup and walks away. Finally, the camera pushes forward and the screen gradually becomes pure black background with only top lighting illuminating the canned cola. At the bottom of the screen, artistic subtitles and voiceover appear: 'Yikou Cola, a must-try!'
The character in the painting has a guilty expression, eyes looking left and right, then peeks out of the frame, quickly extends their hand out of the frame to grab a cola and takes a sip, then shows a satisfied expression. At this moment, footsteps are heard, and the character in the painting quickly puts the cola back in place. Then a Western cowboy picks up the cola from the cup and walks away. Finally, the camera pushes forward and the screen gradually becomes pure black background with only top lighting illuminating the canned cola. At the bottom of the screen, artistic subtitles and voiceover appear: 'Yikou Cola, a must-try!'
查看
Camera slightly pulls back (revealing the full street view) and follows the female protagonist moving. The wind blows the hem of her dress as she walks on the streets of 19th century London. As she walks, a steam car drives by from the right side of the street, passing quickly by her side. The wind lifts the hem of her dress, and she looks shocked and quickly uses both hands to hold down her skirt. Background sound effects include footsteps, crowd sounds, car sounds, etc.
Camera slightly pulls back (revealing the full street view) and follows the female protagonist moving. The wind blows the hem of her dress as she walks on the streets of 19th century London. As she walks, a steam car drives by from the right side of the street, passing quickly by her side. The wind lifts the hem of her dress, and she looks shocked and quickly uses both hands to hold down her skirt. Background sound effects include footsteps, crowd sounds, car sounds, etc.
查看
Camera follows a man in black clothes fleeing quickly, with a group of people chasing behind. The camera switches to side tracking shot. The character panics and knocks over a fruit stand on the roadside, gets up and continues to flee. Sounds of panicked crowd.
Camera follows a man in black clothes fleeing quickly, with a group of people chasing behind. The camera switches to side tracking shot. The character panics and knocks over a fruit stand on the roadside, gets up and continues to flee. Sounds of panicked crowd.
查看
0-2 seconds: Quick four-panel flash cut, red, pink, purple, leopard print four butterfly bows freeze in sequence, close-up of satin luster and 'chéri' brand lettering. Voiceover 'Chéri 자석 리본으로 무궁무진한 아름다움을 연출해 보세요!' 3-6 seconds: Close-up of silver magnetic clasp 'click' snapping together, then gently pulling apart, showing silky texture and convenience. Voiceover '단 1초 만에 잠그고, 최고의 스타일을 완성하세요!' 7-12 seconds: Quick scene switching: burgundy style pinned on coat collar, commuter vibe maxed out; pink style tied in ponytail, sweet girl going out; purple style tied on bag strap, niche and sophisticated; leopard print style hung on suit collar, spicy girl aura fully open. Voiceover '코트, 가방, 헤어 액세서리까지, 다재다능하고 개성 넘치는 스타일을 완성하세요!' 13-15 seconds: Four butterfly bows displayed side by side, brand name 'chéri, 당신에게 즉각적인 아름다움을 선사합니다!'
0-2 seconds: Quick four-panel flash cut, red, pink, purple, leopard print four butterfly bows freeze in sequence, close-up of satin luster and 'chéri' brand lettering. Voiceover 'Chéri 자석 리본으로 무궁무진한 아름다움을 연출해 보세요!' 3-6 seconds: Close-up of silver magnetic clasp 'click' snapping together, then gently pulling apart, showing silky texture and convenience. Voiceover '단 1초 만에 잠그고, 최고의 스타일을 완성하세요!' 7-12 seconds: Quick scene switching: burgundy style pinned on coat collar, commuter vibe maxed out; pink style tied in ponytail, sweet girl going out; purple style tied on bag strap, niche and sophisticated; leopard print style hung on suit collar, spicy girl aura fully open. Voiceover '코트, 가방, 헤어 액세서리까지, 다재다능하고 개성 넘치는 스타일을 완성하세요!' 13-15 seconds: Four butterfly bows displayed side by side, brand name 'chéri, 당신에게 즉각적인 아름다움을 선사합니다!'
查看