Seedance 2.0 / 2.5 提示词案例

Create a South Indian commercial-cinema style alien invasion action scene. Visuals should feature saturated colors, dramatic backlight, stylized slow motion, and heroic framing. Open with a large-scale city plaza reveal as alien craft descend, then cut to low-angle hero entrance with wind-swept costume details. Move into multi-angle confrontation: wides for scale, mediums for combo choreography, close-ups for emotional intensity and impact peaks. Blend dust, sparks, smoke, and lens flares for high-energy theatrical presentation while keeping motion readable.

Style: IMAX 70mm, Denis Villeneuve-inspired epic realism, high contrast, low saturation. Multi-shot structure. Extreme wide shot: a colossal sand wall consumes the horizon while an armored convoy races across open desert. Emphasize terrifying scale and human fragility. Cockpit POV: violent vibration inside the lead vehicle, sand blasting the windshield, red warning lights pulsing, urgent shouted commands. Climax in slow motion: lead rover launches off a dune, silhouetted against a dark storm front; lightning flickers inside the dust cloud; debris streaks past lens; hard cut to black on impact. Keep transitions clean and escalation continuous.

Consistent style guideline for all shots: realistic cinematic war footage in a modern Middle Eastern desert village; dominant sandy yellow and gray-brown palette; harsh noon sunlight with hard shadows; drifting dust and gunpowder smoke; subtle handheld vibration; low-angle and ground-level framing to maximize tension and realism; modern light infantry gear without visible national identifiers; restrained, tense, and brutal atmosphere. Shot 1 : A modern infantry squad advances through narrow alleys between low adobe houses and damaged concrete walls. The camera tracks from behind at knee level, pushing forward as soldiers hug the walls and aim toward an unseen corner. Wind, distant metal clinks, and suspended dust establish dread. Shot 2 : A sudden close-quarters firefight erupts at the alley corner. Soldiers drop and press against the wall as rounds impact masonry, kicking up debris. Fast lateral camera pan with controlled shake, intermittent muzzle flashes, and silhouettes in broken windows increase claustrophobia and urgency. Shot 3 : The squad regains formation and enters a half-collapsed building. Over-shoulder follow shot into dim interior where shafts of sunlight cut through breached walls. Dust particles float in the beams; hand signals replace speech; distant gunfire echoes. Tone shifts from chaos to hyper-alert silence. Shot 4 : From a damaged rooftop, the squad secures a high vantage point over the village grid. Slow pullback in backlight, soldiers in silhouette with rifles still trained on unknown threats. Dust swirls in warm light; no clear victory or defeat. End on unresolved tension.

A grounded martial arts duel between two women in a modern urban night setting. Build with clear shot variation: wide shot to establish spacing and intent, medium tracking shots for exchange tempo, close-up inserts for impact, breathing, and footwork. Include low-angle circling moves, over-shoulder counters, and quick lateral camera motions to preserve directional clarity. Movements must follow realistic weight transfer, momentum, and recovery. Use practical street lighting, neon reflections, slight wet pavement sheen, and gritty cinematic texture.

A cinematic drone sequence over a war-torn city intersection. At the center, a destroyed armored vehicle burns continuously, emitting thick black smoke that climbs into an overcast sky. Streets are littered with rubble, twisted metal, and shattered concrete; nearby buildings show blown-out windows, scorched facades, and structural damage. Start with a high establishing aerial shot, then descend slowly into a medium-high orbit while preserving spatial scale and destruction detail. Keep color grading desaturated with documentary realism, add subtle film grain, and ensure physically believable fire, smoke turbulence, heat distortion, and airborne dust.

Create a high-pressure disaster-action sequence: during turbulent flight, a woman rushes toward the cockpit and discovers both pilots are gone. Shot 1: handheld tracking through a chaotic cabin with panicked passengers, swinging oxygen masks, and flashing emergency lights. Shot 2: cockpit close-up montage of shaking controls, warning indicators, and her focused expression as she takes command. Shot 3: exterior wide shot of the aircraft dipping through heavy clouds before recovery. Shot 4: back inside the cockpit, she stabilizes the plane with determined, precise movements. Keep pace fast, stakes clear, and editing tight.

A cinematic brand concept short. @image1 is the first frame; the picture trembles slightly, the camera pushes in to tree shadows rushing backward outside the window, their retreat accelerating, then abruptly cuts to @image2, speed easing as the camera glides slowly along a stream, birdsong and blossoms. The camera drops underwater — bubble sounds — as orange jellyfish drift gracefully past the lens @image3; the camera pulls back as small fish flit past and swim from the water into the window @image4, a girl looking around, watching them. The camera pulls back, defocuses, then refocuses sharp, switching to the music's rhythm: a Chinese-garden lattice window @image5 with light circling, church stained glass, an airplane porthole, a dome skylight, a bay window, louver blinds, a European dormer, a door peephole, a camera viewfinder, a bird's eye, a human eye close-up. It settles on the human eye; the eye closes, screen black, then suddenly opens — "seedance" appearing in the center of the eye on the accent beat.

One continuous take. The camera smoothly follows a person in a black coat (reference @image1) moving left to right through six connected rooms of different tones and moods. Every room shares the same structure: white walls, light herringbone wood floor, French floor-to-ceiling windows, white sheer curtains (reference @image2) but the outside view and mood differ each time. The protagonist walks at a constant pace, passing through every open door. 0-5s room one, American-comic fight: the protagonist fights a character (@image3), who is defeated; 5-10s room two, warmth, felt-craft style, window view a sunflower field (@image4), warm-orange soft light, a painter painting sunflowers (@image5), the protagonist turning felt-style on entering; 10-15s room three, sorrow, black-and-white comic stop-motion, rain outside, cold-grey light, a person alone on the floor hugging their knees, a phone glowing with an unanswered call; on entering, the light blinks off then on, the room turns color, flowers bursting into bloom; 15-20s room four, joy, a room submerged in the sea (reference @image6), the protagonist turning transparent among coral and fish; 20-25s room five, surprise, window view a sky of fireworks (reference @image7), colorful flickering light, the protagonist swept up in a cheering crowd; 25-30s a blank white room, the protagonist snaps their fingers — snap SFX — frame goes black, "seedance" in the middle (reference @image8). Cinematic quality, high-fashion advertising style, lighting entirely determined by the window views for strong emotional contrast, no text in frame.

Cinematic hip-hop / rap music video, photoreal quality, high-end tone, seaside setting. Build the frame from @image1: a band performs at a golden sand beach with crashing waves — a lead vocalist gripping a mic on a stand in the wet sand, one guitarist left, one right, a drummer at the back; a vast coastline behind, rolling waves, a warm golden-hour sun shimmering on the water, sea mist in the air. The lead in a red tracksuit raps to camera — lips and jaw precisely synced to every word, head punching to the beat. Bright, punchy, fast, confident rap. HARD CUT on the beat, each switch a double contrast (shot size and type change together). Lyrics (the lead sings 'hello' in each language in turn, precisely lip-synced): English "Hello", Chinese "你好", Japanese "こんにちは", Korean "안녕하세요", Portuguese "Olá", Thai "สวัสดี", Spanish "Hola", Arabic "مرحبا". 8 hard-cut shots (low-angle wide establishing; close-up rap to camera; macro guitar-string insert; 3/4 prowling orbit; lateral track at shore; drummer tilt-up; tight push on the lead; heroic full-band push-in), one language per shot. White balance 4000K, teal-and-amber grade, 35mm, shallow depth of field, film grain, sea mist, golden-hour flare. Premium feel, precise lip-sync, no subtitles, no text overlays, hard cuts only, total 20 seconds.

A 30-second tutorial video on installing and using a capsule coffee machine. 0-2s: the opening title card reads "seedance capsule coffee machine setup tutorial". 2-5s, Step 1: install the water tank, reference @image1, medium shot from a slightly high angle, rear of the machine body, align the water tank with the slot on the back of the body and push it straight down until it clicks firmly into place, clearly showing how the tank's bottom clips align with the body's slot, the water level line visible through the tank's transparent section, voiceover "First, install the water tank. Align the tank with the slot on the back of the machine; a click means it is locked in place.". 5-9s, Step 2: install the drip tray, reference @image2, close-up front view, front bottom of the body, slide the drip tray horizontally into the guide rails at the bottom until fully seated, voiceover "Next, install the drip tray. Align the tray with the bottom rails.". 9-13s, Step 3: install the used-capsule collection box, reference @image3, close-up from a slightly low angle, the cavity beneath the drip tray, align the collection box with the recess and push it in flush with the drip tray, voiceover "Then insert the capsule collection box. Used capsules will drop down here automatically.". 13-18s, Step 4: first fill with water, reference @image4, close-up side view, the water tank at the top/back of the body, open the tank lid and pour in clean water up to the MAX water level line, then close it, emphasizing the water level line, voiceover "Open the tank lid, pour in clean water, being careful not to exceed the maximum water level line, then close the tank lid.". 18-25s, Step 5: power on, reference @image5, medium shot front view, front of the body, plug in the power cord and press the power button; the indicator light goes from blinking to steady (preheating complete), voiceover "Connect the power and press the power button. The indicator light starts blinking, which means it is preheating. When the light turns steady, the machine is ready.". 25-30s, Step 6: first rinse (without a capsule), reference @image6, medium shot moving to a close-up front-side view, without inserting a capsule press the brew button directly so hot water flows out and rinses the lines, emphasizing the "no capsule needed" note, voiceover "The last step, the first rinse. Note that this step does not require a capsule; just press the brew button. Once the rinse is done, your coffee machine is ready to use."

A bright, colorful commercial style with fruity cookies as the hero, in four flavors — strawberry, apple, grape, and orange; strawberry flavor reference @image1. The cookies and their matching fruits are arranged in a strongly ordered geometric array; the overall frame is clean, premium, and high-energy. It opens with the fruits orbiting rapidly around the central cookie to quickly establish visual focus — reference the composition of @video1 — cutting in on a strong musical beat. Then cookies of different flavors advance toward the lens along spiral paths, forming clear spatial depth — reference the motion and camera work of @video2 — switching colors and flavors on the beat with the background music. The array of cookies pans left and right with fast plane-to-plane cuts, strawberry, apple, grape, and orange flavors alternating as the frame jump-cuts quickly to the rhythm — reference the movement of @video3. The mid-section adds up-and-down panning; the neat cookie array rises and falls vertically like a machine — reference the movement of @video4 — highlighting the beauty of order and the richness of the product. In the climax a cookie is snapped in two and the moment enters slow motion as the fruity filling bursts open, crumbs scattering, the juicy sensation and grainy impact amplified — reference the explosion effect of @video5 — then quickly returns to the fast-paced edit. The ending brings in the English text "Fresh on Seedance, made for viral vision", entering word by word in quick succession with strong rhythmic text motion and a product freeze-frame — reference @video6 — the four cookie flavors lined up neatly with the fruits bouncing in sync for a final brand-forward close, the frame full of a young, energetic, delicious, shareable ad atmosphere.

A 3D animated commercial style, bright and translucent colors; the pulp and juice must feel intensely refreshing and impactful. The overall vibe is like a high-quality commercial animated short with a touch of exaggerated humor. The desert horned lizard character is cute, lively and expressive, reference @image1. The image texture references that soft natural light, delicate fuzz/skin texture, dreamy macro depth of field, and a realistic-yet-slightly-childlike feel from the reference image. 0-3s: a desert scorched by the blazing sun, the air shimmering with heat and the sand searing hot; a desert horned lizard lies on the scalding sand, tongue slightly out, eyes glazed, nearly dried out, swaying with every couple of steps as if about to "evaporate". 3-6s: it suddenly stops, its nose twitches, and looking down it spots a cool, plump, dew-covered grapefruit half-buried in the sand, glistening like a desert miracle; the lizard's eyes go wide in an instant. 6-8s: it pounces over, hugging the grapefruit tightly with both hands, pressing its whole face against the rind with a blissful "I'm finally alive" expression; the frame holds for 1 second, forming an exaggerated, funny memory beat. 8-11s: it looks up, opens its mouth and takes a big bite; the grapefruit rind splits open, the plump pulp shining with a translucent gloss, and the next moment the juice erupts like a tsunami. 11-16s: orange-pink, translucent, glistening grapefruit juice gushes out wildly, pouring down the dunes and rapidly flooding the entire desert; the dry yellow sand instantly turns into a cool, sparkling, fruit-scented summer sea, cacti, rocks and small dunes swallowed by the waves of juice, the lizard's expression turning from delight to terror. 16-20s: nearly drowned by the "grapefruit sea", it frantically clutches half a grapefruit like a life buoy and floats, poking its soaked head out looking dazed. 20-24s: cut to a white screen; the brand name and slogan appear dead-center: "Seedance Grapefruit — bite in for the pulp, what pours out is summer." The voiceover reads the whole line. 24-30s: cut back from white; the desert horned lizard is now lounging on the floating grapefruit, wearing tiny sunglasses and holding a cup with a straw, drifting leisurely on the "juice sea" on vacation, surrounded by floating orange pulp, little ice cubes, cool splashes and a clear blue sky; the mood shifts from "survival" to "vacation", and finally it leans back contentedly on the grapefruit as the camera pulls out and freezes on a refreshing, bright, playful summer frame.

[Drunk Man's Rooftop Fright — falls off the edge — grabs a rope through the window — passes out on the spot | black-comedy short | about 30 seconds] One-line premise: a chubby, cute, drunk middle-aged man is eating a burger and drinking beer on the rooftop of a building; as he stands up and stretches he accidentally loses his footing and falls, in his panic grabs a lifesaving rope and immediately crashes through a window into an interior, is dazed and stunned for one second, then just lies down where he is and falls fast asleep. Reference image @image1 — a chubby, cute, drunk middle-aged man: round and stocky build with a big round beer belly, short in stature, movements loose, slow and wobbly from drinking; round face, double chin, drink-flushed cheeks and nose, eyes narrowed to slits with a bleary gaze, an untrimmed ring of short stubble, messy hair, a silly, cute, carefree expression; wearing a white tank-top undershirt stained with burger sauce hanging loosely over his round belly, old jeans, shuffling along in loose slippers, always clutching a half-eaten burger in his hand. There is only this one character in the whole film, a 100% match to the reference image. Overall look: a nighttime cyberpunk mega-city, a dense forest of glass-and-steel skyscrapers, neon signs (cyan / magenta / electric blue), holographic billboards, wet reflective ground, volumetric fog, distant flying-car light trails and drones. Real live-action texture, physical cinema lenses, no 3D rendering / game engine / anime feel. The camera mixes handheld with jib / drone; after the fall the camera plunges down with him as the building's exterior wall and the neon streak upward to convey speed, 24-35mm widescreen cinematic lens texture, 180-degree shutter motion blur. Sound design is the key to the black comedy: hard-cutting repeatedly between "a huge roar" and "total silence". Real gravity throughout. Storyboard (about 30 seconds): S1 (0-4s) opening chewing big close-up (with sound) the man's face fills the screen, chewing the burger in big bites, a satisfied drunken state; S2 (4-9s) pull to a wide shot, stretching -> losing footing and falling (with sound) he wobbles to his feet and stretches big, leans back, can't keep his balance, his foot slips and he tumbles backward over the edge of the rooftop, never letting go of the burger, with a panicked "Eh——!"; S3 (9-12s) cut to a startled facial close-up (a loud scream, huge roar) drunken eyes bulging round, double chin bunched up, mouth wide in a screaming "Ahh——!!", wind howling; S4 (12-16s) cut to a long shot at eye level (total silence) seen from the building across the way, a tiny white figure plummeting straight down from the high-rise, the neon city vast and indifferent, the total silence forming a black-comedy contrast with the huge roar a second earlier; S5 (16-21s) cut to a facial close-up (screaming) -> grabbing the rope, still screaming, hands flailing in the air, he suddenly grabs a lifesaving cable, the cable snapping taut and bending under his weight with a twang, the scream cutting off abruptly as he is jerked and swings out (a brief slow motion at the moment he grabs the rope); S6 (21-26s) cut to an interior angle (quiet) -> the glass shatters -> he crashes in, the interior first quiet with only the hum of the air conditioner, the next second the glass explosively bursts inward (a brief bullet time) as the drunk man, burger and all, smashes through the window, shards flying out radially, neon light streaming in, and he crashes heavily into the room onto the floor / sofa, broken glass clinking; S7 (26-30s) ending, a startled second -> falls asleep, the man sprawled spread-eagle on the floor, covered in broken glass, still clutching the burger, slowly opens his eyes, dazed, blank and startled for a full second, looking around as if thinking "where am I?", then the drunkenness takes over and, not caring at all, he smacks his lips, tucks the burger into his arms, rolls over, lies down right there and falls fast asleep, even snoring lightly, the camera pulls out and freezes, hard cut to black. Only on-set live sound, no music, no subtitles; the core is hard cuts repeatedly between "huge roar" and "silence".

Cinematic brand concept short film. @Image 1 as the first frame, the image slightly shaky, the lens gradually pushes in, arriving at the rapidly receding tree shadows outside the window, the speed of the shadows receding faster and faster, suddenly cuts to @Image 2, the speed suddenly slows, the lens follows the stream slowly forward, birdsong and floral fragrance. The lens moves down, underwater, sound effects include the sound of bubbles in water, a group of orange jellyfish swim gracefully past the lens @Image 3, the lens slowly pulls back, a school of small fish flashes past the lens and then swims from the water into the room through the window @Image 4, a girl looks left and right, admiring the small fish. The lens slowly pulls back, the image goes out of focus, then refocuses and becomes clear again, switching with the music rhythm: Chinese garden lattice window @Image 5 light circles, church stained glass window, airplane porthole, dome skylight, bay window, Venetian blinds, European dormer window, door peephole, camera viewfinder, bird's eye, human eye close-up. The image stays on the human eye close-up, then the eye closes, the screen goes black, then suddenly opens, the word "seedance" with a heavy accent appears in the center of the eye.

Fixed camera shot, a girl elegantly hanging clothes to dry, after finishing she takes out another piece from the basket and shakes the clothes vigorously.

Man @image1 walks wearily in the corridor after work, his steps slow down, finally stopping at the front door. Facial close-up shot, the man takes a deep breath, adjusts his emotions, puts away negative feelings, becomes relaxed, then close-up of finding keys, inserting them into the door lock. After entering the house, his little daughter and a pet dog happily run over to greet and embrace him. The interior is very warm, with natural dialogue throughout.

Reference the man's image from @image1, he is in the elevator of @image2, completely reference all camera movement effects and the protagonist's facial expressions from @video1. When the protagonist is terrified, use Hitchcock zoom, then several orbital shots showing the elevator interior perspective. The elevator door opens, follow shot walking out of the elevator. The scene outside the elevator references @image3. The man looks around, reference @video1 using robotic arm to follow the character's line of sight from multiple angles.

Replace the character in @video1 with @image1, @image1 as the first frame. The character puts on virtual sci-fi glasses, reference the camera movement of @video1, close orbital shot, from third-person perspective to the character's subjective perspective, shuttling through AI virtual glasses, arriving at the deep blue universe of @image2. Several spaceships appear shuttling into the distance, camera follows the spaceships shuttling to the pixel world of @image3. Camera flies low over the pixel mountain and forest world, where trees grow in formation. Then the perspective tilts up, rapidly shuttling to the light green textured planet of @image4, camera shuttles and sweeps past the planet's surface.

Animate @image1 from left to right, top to bottom in comic演绎 style. Keep the dialogue consistent with what's on the images. Add special sound effects for scene transitions and key plot演绎. Overall style is humorous and witty. Animation method references @video1.

@image1 @image2 @image3 @image4 @image5, one continuous take tracking shot, following the runner from the street up stairs, through corridors, entering rooftop, finally overlooking the city.

The girl in the poster keeps changing outfits, clothing references the styles of @image1 @image2, holding the bag from @image3 in her hand, video rhythm references @video.

The woman from @image1 walks to the mirror, looking at herself in the mirror, pose references @image2. After contemplating for a while, suddenly starts to collapse and scream, the action of grabbing the mirror, the emotion and expression of collapsing and screaming completely reference @video1.

A fast-paced, cinematic Match-cut short film synced to a driving electronic beat. A flawless crystal ball stays fixed dead-center throughout, a glowing "seedance" logo etched inside it. The ball holds razor-sharp focus while, on every strong musical beat, the background match-cuts seamlessly: Scene 1: macro close-up, cinematic water splashing around the ball, refracting intricate light. Scene 2: a vintage morning cafe, the ball on a raw-wood table, rising coffee steam and blurred commuters beyond the window. Scene 3: golden-hour dusk, a skater youth tosses and catches the ball one-handed, street racing backward behind them in gorgeous backlit sunset. Scene 4: a frenzied music festival, hands raise the ball high, refracting dazzling stage lasers. Scene 5: a lively family party table, the ball resting center-frame, blurred figures toasting and reaching for food. Scene 6: a dim cinema, hands cupping the ball as the giant screen's faint glow drifts across its surface. Scene 7: the ball on a violently vibrating speaker diaphragm, match-cutting on the climax to a spinning DJ turntable center. Scene 8: an outdoor camping night, background becoming warm bonfire and swaying string-light bokeh. Finale: on the final downbeat the ball is hurled up out of frame; cut to pure black, a minimal white-on-black "seedance" appearing dead-center. Beat-synced match-cut editing, top-tier cinematic color grading, photoreal glass refraction, ray tracing, global illumination. Subject razor-sharp, background heavy motion blur.

A high-end, deeply cinematic 30-second 3D motion-graphics sequence in refined steampunk and vintage-miniature style, with continuous fluid orbiting and pass-through camera moves. [0-10s] Macro close-up of an antique brass clock face that unfolds layer by layer into meshing rotating gear rings and volumetric fog. The camera pierces down through the gears; a mechanical ornithopter spirals up from a miniature canyon of stacked weathered old books. [10-20s] The camera glides forward tracking the ornithopter, seamlessly passing into a fast-spinning ornate brass zoetrope projecting galloping mechanical-horse light. The light leaps out and the scene becomes a brass floating cable car on glimmering copper rails through a forest of gears, bathed in cinematic golden-hour light. [20-30s] The camera pans elegantly down; below appears an exquisite clockwork wooden sailing ship cutting deep-blue glass-textured waves, which morph into a glowing giant moon with lantern-holding explorer silhouettes trekking a crystal-vein ridge under stars. The camera spirals smoothly back through ethereal clouds to the ticking brass clock face. Hyper-real mechanical textures, rich brass and gold tones, cinematic shallow depth of field, smooth seamless pass-through camerawork, epic fantastical adventure atmosphere.