Seedance 2.0 / 2.5 Prompt Cases

Based on the office building promotional photos provided, a 15-second film-level real estate documentary was generated, using a 2.35:1 widescreen, 24fps, and delicate picture style. The voice of the narration was referenced to @video-1, and the \"ecology of the office building\" was shot to present the operations of different companies in the building. The narration was used to explain how the office building became a vibrant business ecosystem.

Refer to all the transitions and camera movements of @video-1, one shot to the end, the picture starts with a chess game, the camera moves left to show the yellow gravel on the floor, the camera moves up to a beach, there are footprints on the beach, a girl wearing white plain clothes is gradually moving away on the beach, the camera cuts to an aerial perspective, the sea water is washing (no characters should appear), seamless gradient transition, the washed waves turn into fluttering curtains, the camera zooms out to show a close-up of the girl's face, one shot to the end

@image-1@image-2@image-3@image-4@image-5, a one-shot tracking shot, follows the runner from the street up the stairs, through the corridors, onto the rooftops, and finally overlooks the city.

Replace the girls in @video-1 with opera actresses. The scene is set on a beautiful stage. Refer to the camera movements and transition effects of @video-1, and use the lens to match the characters' movements to create the ultimate stage beauty and enhance the visual impact.

【Style】Eastern classical Xianxia aesthetics, aestheticism, cinematic quality, fluid cloth simulation, glowing particle special effects, dreamy light and shadow. 【Duration】15 seconds 【Protagonist】Exquisitely beautiful fairy, wearing multi-layered plain white celestial garments (Yuyi), with ultra-long streamers. [00:00-00:05] Shot 1: Epic Wide Shot. The location is an ancient platform on a floating immortal island above the sea of clouds. The fairy stands still with ten thousand zhang of rosy clouds behind her (Tyndall effect). The focus is on the countless long silk streamers on her body dancing extremely smoothly in the wind, spreading across the screen like water ripples, showing the ultimate flow of the fabric. [00:05-00:10] Shot 2: Slow-motion Medium Shot. The fairy begins to perform the classical "Jinghong Dance." She leaps into the air (anti-gravity Qinggong feel) and spins, throwing out her wide water sleeves. The lens focuses on the shape of the silk sleeves blooming in the air and her elegant body language. [00:10-00:15] Shot 3: Close-up \u0026 Interaction. The camera moves in for a close-up of the face. She slightly opens her vermilion lips and begins to chant (natural singing mouth shape). Along with the singing, countless glowing pink petals emerge out of thin air, forming a gorgeous particle storm vortex around her, her eyes filled with divine brilliance.88:T9c2

top down shot of the the woman taking out the all the swordsmen men with and powerful attacks, we only see her from the back - camera pan up establishing, tense, nbody is moving - avoid showing the ground, focus on upper body - then at 3 seconds, jumpcut after jumpcut with blood

Patrick Star is up against Usain Bolt in a track meet. it's very intense with an epic build up as they get ready at the start line and the gun is fired in the air to start the race as the music immediately halts and Usain Bolt takes off super fast as the camera lingers on Patrick star running very slow and huffing for breath

Photorealistic superhero cat jumps from a skyscraper at night and flies between tall buildings, red cape flowing, cinematic tracking shot, realistic physics, smooth motion, slight motion blur, dramatic.

Pirate tavern. Flamethrower on the table. Ale in hand.

A heavily modified post-apocalyptic war vehicle – a massive V8 muscle car with huge spiked tires, scrap metal armor plates, skull decorations, mounted machine guns and flame throwers on the roof, rusty barbed wire wrapped around the body, roaring through the endless orange desert

First-person POV, ultra-hyper-realistic cinematic sequence, 8k. Foreground: A hand holds a modern minimalist bluetooth speaker. Background: A modern subway station where a woman dressed in 2020s corporate fashion (beige oversized blazer, wide-leg trousers) is waiting. ⏬

Create an ultra-realistic image from a first-person camera perspective. The viewer is riding on the back of a massive, powerful dragon flying above an ancient city under siege. In the foreground, the rider’s armored hands are clearly visible, gripping the rough, scaled neck or reins of the dragon tightly. The dragon’s wings stretch out to either side, casting shadows over the burning city.

POV: You're the main character in Mont Saint Michel in the 8th century, multiple quick cuts

A 13-second POV horror sequence set in a desolate, abandoned institutional hallway with grimy, peeling walls covered in faded graffiti. The scene is shot through a fisheye lens, lit only by a stuttering, weak flashlight beam. In the center of the corridor, a weathered wooden rocking horse with chipped white paint sits alone. Suddenly, it begins to rock—slowly at first, then with violent, bone-creaking intensity, its hollow thuds echoing against the concrete. After a rapid jump-cut through total darkness, the flashlight flickers back on to reveal the entire hallway now packed with dozens of identical rocking horses, all perfectly aligned and swaying in a sinister, synchronized rhythm. The collective sound of wood hitting the floor creates a deafening, heartbeat-like roar. The sequence ends with a visceral jump scare: a giant, distorted wooden mask with a maniacal, carved grin and viscous black liquid pouring from its hollow eye sockets lunges directly into the lens, its face filling the frame as the audio peaks into a distorted screech.ac

Your dog. vs Prime Ronaldo.\ \ Champions League final.

@image-1@image-2@image-3, a one-shot tracking sequence, following a runner from the street up the stairs, through a hallway, onto a rooftop, finally overlooking the city.

First-person POV video, dimly lit abandoned room in an old house at night, 1990s aesthetic, viewer (the protagonist) kneels in front of a dusty wooden dresser with a hidden drawer half-pulled open, camera hands reach in and pull out a worn, unlabeled black VHS tape covered in faint scratches and cobwebs, close-up on the tape as fingers brush off dust revealing a handwritten label in faded marker reading something cryptic like "WATCH ALONE", camera shakes slightly with nervous breathing audible, cut to inserting the tape into an ancient top-loading VCR on a low TV stand, static snow flickers on the bulky CRT television screen as the machine whirs and clicks to life, tracking lines roll vertically before stabilizing into grainy black-and-white security camera footage timestamped in the corner (e.g., 03:17 AM, date obscured), the footage shows the exact same room from a high corner-mounted camera angle—wide shot including the dresser, the TV, the spot where the viewer is currently sitting/kneeling, and crucially, the back of the protagonist's own head and shoulders as he watches the screen in real time, the recursive loop creates an eerie infinite mirror effect, camera (POV) slowly tilts and leans forward in confusion, breathing quickens, then subtle movement in the footage draws attention: a tall, translucent, humanoid silhouette—pale gray-white, vaguely female or androgynous with elongated limbs and indistinct features—materializes silently standing right beside the seated protagonist in the video, inches from his shoulder, unmoving at first, head tilted downward as if staring at the back of his neck, faint static distortion pulses around its form like bad reception, the POV hands in real life freeze on the remote, camera jerks back in shock as realization hits that the ghost is standing in the exact same position now, just off-frame to the right in the current reality, the on-screen ghost slowly raises one ethereal hand as if to touch the protagonist's shoulder, screen glitches harder with horizontal tearing and audio warble, POV whips around frantically to look beside himself—room empty in real life but the TV footage now shows the ghost's hand almost making contact, building dread as the footage loops the moment endlessly, ash-like video noise thickens, low electronic hum rises, photorealistic with heavy VHS degradation—tracking errors, color bleed, scan lines, chromatic aberration, muted greens and grays clashing with the warm amber glow of the CRT illuminating the protagonist's stunned face reflected in the glass, continuous handheld tremor, mounting terror through recursive impossibility, sense of being watched from both past and present, no jump scares but unrelenting psychological unease.ad:Ta7a,Ea

An ultra-high-speed metric montage that switches between live-action scenery of tourist attractions and world heritage sites every 0.1 seconds.\ It starts with Tokyo Tower and ends with the Skytree, with the middle sections randomized.

The muscular man in the picture is doing a bench press with heavy weight in a gym. Side view. He is sweating a lot.

Refer to the camera movement and screen switching rhythm in Video 1, and reproduce the red supercar in Picture 1.

A beautiful young adult redhead stands at the center of a surreal Valentine’s garden, framed in an intimate portrait composition. Her copper waves fall softly over her shoulders, glowing under warm rose and blush lighting. She looks down tenderly at three cats gathered close to her, a snow-white cat with pearly reflections, a warm ginger cat with golden highlights, and a sleek black cat edged in soft magenta light.\ The entire environment is fully immersive and floral: translucent heart-shaped blossoms in saturated pink, coral, and ruby tones surround her on every side. Foreground flowers are slightly blurred for depth, while the background dissolves into glowing bokeh hearts and floating golden particles. Thin ribbons of soft luminous light arc gently between her and the cats, symbolizing affection.

@ image1 character reference2\ @ image2 use the background as the opening frame\ @ video1 take the motion and sound

Scene 1: Galloping Horse + Enthusiastic Crowd Approaching (0:00-0:08, 8 seconds) • Location: Main winding road in a Vancouver luxury residential area (wide asphalt road, large detached mansions on both sides, evergreen pines covered with light snow) • Subject: A rider in a dark suit galloping at full speed on a white horse, the horse's hooves airborne, mane flying • Environment: Light snow falling, mansions flashing past, outline of the North Shore mountains and ocean in the distance • Crowd: A large group of enthusiastic supporters suddenly appears ahead (diverse young people), waving yellow dragon flags + “Nothing” signs, shouting and cheering, surging towards the rider • Camera: Medium-speed frontal follow shot → Switches to rider's perspective (POV), crowd getting closer • Atmosphere: Climax continues, the rider smiles confidently, preparing to pull the reins (hand already raised towards the reins, relaxed posture, corner of the mouth upturned) Scene 2: Reversal—Crowd Passes Straight Through, Ignoring the Rider (0:08-0:14, 6 seconds) • Location: Same road, a Chinese steamed bun shop appears around the corner (sign “Qingfeng Baozi Shop,” warm lighting, simple plastic tables and chairs in the outdoor area, steam rising) • Subject: The rider is about to wave in greeting, but the crowd ignores him, rushing past him on both sides/around him, heading to queue/surge into the bun shop entrance • Action: The rider's smile freezes, his hand stops mid-air, his expression changes from anticipation to shock/confusion (wind messes up his hair, the hem of his suit flutters) • Details: The crowd shouts “Baozi! Baozi!”, yellow dragon flags wave chaotically, the “Nothing” sign is pushed aside; the white horse is forced to halt in small steps or turn sideways to avoid them • Camera: Quick pan/wide-angle shot, showing the crowd flowing like a tide around the rider (the horse is “passed through” in the center of the frame), the rider is left alone in the middle • Atmosphere: Absurd reversal, awkward confusion, black humor climax Scene 3: Eating Buns and Dialogue Outside the Bun Shop (0:14-0:20, 6 seconds) • Location: Outdoor area of Qingfeng Baozi Shop (plastic tables and chairs, steaming baskets, luxury residential road in the background) • Subject: Two ordinary young people (wearing down jackets) sitting in the queue seats, eating buns heartily • Action: One person takes a bite of the bun, closes their eyes in satisfaction, “Ah, so fragrant.” (Close-up shot of the bun being bitten open, showing steam/juice) • Dialogue: First person (eating while looking towards the road): Who is that guy? Second person (thoughtfully, chewing the bun, looking into the distance): Nothing. • Camera: Medium shot of two people → Slight push-in on facial expressions (satisfied + calm), the rider's receding figure is vaguely visible in the background • Atmosphere: Down-to-earth, contrasting cuteness, referencing the theme “nothing” Scene 4: Rider Self-Mockingly Continues Galloping Away (0:20-0:30, 10 seconds) • Location: Wide, extending road in the luxury residential area (straight ahead, mansions gradually receding) • Subject: The rider on the horse, his expression changing from confusion to a confident smile • Action: He reaches into his suit breast pocket, pulls out a packaged sandwich, takes a big bite (juice/crumbs splatter), then shakes his head dashingly, lightly taps the white horse with the reins, and continues galloping forward • Environment: The mansion complex shrinks in the background, the evergreen trees on both sides of the road and the supporters (now stopped) can only be seen waving from afar, the Vancouver-style mountain and sea skyline in the distance (snowy and hazy) • Details: The white horse's tail swings, hoof prints are left on the lightly snow-covered road, the bite mark on the sandwich is clear, the rider smiles confidently • Camera: From close-up (sandwich bite detail) → Slowly pulls back to an extreme long shot, low-angle perspective, emphasizing the “don't care” sense of isolated heroism; finally fades out • Atmosphere: Self-mocking yet dashing, heroic and unrestrained, symbolic ending (“Nothing” can still move forward)5b:T920,Chinese Xianxia animated film style, ultra-fine 3D CG rendering, 15-second high-energy

用一个梗图的方式总结 AI 领域的讨论氛围，要那种特别离谱、低智、能骗到 50 个点赞的那种。\ \ Prompt: Sum up the AI discourse in a meme - make sure it’s retarded and gets 50 likes.