Seedance 2.0 / 2.5 Prompt Cases

A creator standing in a dull, gray environment, bored expression. 0-3s Everything looks flat, lifeless. 3-5s He taps on invisible interface. 5-7s Colors explode into the scene. 7-9s Environment transforms city becomes cinematic. 9-12s Lights, motion, VFX appear everywhere.

Reference to image 1. Cinematic 8-second video, a beautiful woman in a lavish red traditional Chinese Hanfu and intricate golden phoenix crown. She starts with her back to the camera in a palace garden with falling peach blossoms. She slowly turns around in slow motion, her long silk sleeves fluttering in the breeze. She looks into the lens and gives a radiant, elegant smile. Soft sunlight, 4k, hyper-realistic, exquisite jewelry details, fluid movement.

Cinematic daytime scene in a modern architectural space with soft natural light Camera glides toward a floating glass-like window Inside it fragments of scenes particles and light streaks merge into one final frame Minimal environment clean reflections slow motion

An impossibly grand Victorian ballroom floats suspended above the clouds at 10,000 feet, its walls made entirely of glass revealing an endless sky in every direction. Dozens of couples in formal

time-lapse video of this character painting this room orange, when he finishes painting, the camera zooms into his face, and he waves.

determined penguin straps itself into a homemade rocket sled on an icy mountain. The rocket ignites with a massive burst and launches the penguin across the frozen landscape at insane speed, blasting through snowdrifts and leaving a fiery trail behind.

\"Every civilization begins with a dream.\" A single neuron firing → synapses connecting into a brain → a child's eye opening → hand drawing on cave wall → pyramid under construction → Renaissance city with domes and spires → industrial revolution with steam and gears → digital age with holographic displays → quantum realm with impossible architecture floating in space.

Cinematic Scene 1 (0-4s): aerial drone shot gliding low over the Thames at golden hour, Big Ben rising through a blizzard of pink cherry blossom petals, reflections shimmering on the water, slow zoom in. Scene 2 (4-8s): upward-angle close-up of Big Ben's clock face, ornate gold gothic details sharp, pink petals drifting across the frame and briefly covering the hands, clock ticks visibly. Scene 3 (8-12s): wide shot from Westminster Bridge, a lone figure in a light coat stands with their back to camera gazing up at Big Ben, cherry blossom branches frame both sides, petals swirl around them, warm morning light. Scene 4 (12-15s): extreme slow-motion single cherry blossom petal tumbling and rotating in front of Big Ben, fades to black, text \"London in bloom\" appears in elegant serif font. Mood: poetic, romantic, cinematic. Color grade: warm golden tones with soft pink accents. Audio: gentle piano, distant bell chime, string swell.

15-second continuous single-shot cartoon sequence. No cuts. No scene transitions. Soft watercolor style, pastel sky tones, fluffy textures, dreamy lighting, calm gentle animation, peaceful mood Scene: A small bear lying on grass, looking at the sky. 0–4s — setup Slow

01-00 Close-up: The hairdresser uses a comb to lift the feathers on the top of the head for precise trimming. CU, orange-headed parrot wearing a black hair salon cape, stylist hands using silver scissors and a comb to trim top feathers, professional salon lighting, ring light reflection in eyes. 02 00:01 Mid-shot: The hairdresser picks up a spray bottle and sprays a fine mist onto the parrot's head.

2.35:1 widescreen, 24fps, cinematic quality. Exterior of an ancient temple in the deep mountains. The camera overlooks the temple roof amidst surging clouds, with mottled tiles and rising mist. The scene cuts to the interior, where a middle-aged monk sits cross-legged, with an ancient Buddha statue and flickering candlelight behind him. The camera slowly rotates 360 degrees, panning from the monk's side to a front close-up, capturing his slightly closed eyes and calm breathing.

The shot opens tight on a row of cloaked figures standing along the cliff edge, all facing the sea in silence, their silhouettes striking against the wind and spray. One figure slowly steps out from the line and moves to the very tip of the precipice. The camera sweeps past the figures and tips down over the cliff, revealing the crashing ocean far below and the immense vertical scale of the rock face. Then the camera explodes upward at extreme velocity, climbing high above them and still accelerating, pulling several kilometers away into a giant orbiting sweep toward the directly opposite end of the island. The full terrain reveals itself in one fluid dramatic motion — jagged cliffs, lonely plateaus, surf lines, hidden coves, vast sea. On the far side, another reflected flash answers back, making the ritual on the cliff essential to the shot and giving the landscape reveal a clear cinematic payoff.

Wide cinematic shot of the temple entrance behind him, carved mossy stones and hanging plants gently moving in the wind while he continues eating calmly.

Shot 1 (00: 00–00:01) – MS, Dolly in + Whip Pan A white-haired sorceress stands in an ancient archive filled with hanging talismans and bells, painting a sigil. Dark mist erupts from the ground—she reacts instantly, dodging and countering with a sweeping brush strike. VFX: Distorted, pulsing shadow mist. SFX: Paper rustle, soft bells, low hum. Shot 2 (00: 01–00:02) – CU, Fast Push-in Her eyes glow. With a flick of her wrist, she draws sharp blue sigil strokes mid-air, forming blade-like trails. VFX: Intersecting cold-blue energy lines. SFX: Sharp air cuts, energy charge. Shot 3 (00: 02–00:03) – WS, Crane Up Talismans swirl violently. Layered circular sigils form beneath her feet. A shadow entity emerges but is blocked by the rotating barrier. VFX: Multi-layer rotating sigil rings, vortex of talismans. SFX: Deep resonance, swirling wind. Shot 4 (00: 03–00:04) – MFS, Orbit Tracking Scene shifts to a fractured sky. She steps on floating sigils; her brush extends into a glowing chain of runes that lashes toward the entity. VFX: Flickering rune-chain light. SFX: Air tearing, chain clinks. Shot 5 (00: 04–00:06) – LS, Chase Cam Amid storm clouds and a broken moon, she rides the rune chain through the air, pursuing the fleeing shadow. VFX: Rolling clouds, blue-white trails vs black mist. SFX: Roaring wind, distant thunder. Shot 6 (00: 06–00:07) – CU, Slide She taps nodes along the chain, activating hidden purple sigils that pulse with new energy. VFX: Sequential purple node illumination, pulse flow. SFX: Light clicks, energy hum. Shot 7 (00: 07–00:08) – MCU, Static She closes in and strikes the entity’s forehead. A burst of light—its body distorts, a complex seal appears on its chest. VFX: Purple-blue flash, rotating seal. SFX: Sharp burst, distorted screech. Shot 8 (00: 08–00:09) – WS, Dive Shot Both streak downward like meteors, piercing clouds toward an ancient stone altar. VFX: Comet-like light trails. SFX: Air screech, compression. Shot 9 (00: 09–00:10) – WS, Impact Static They crash. Dust erupts. She slams her hand down—radiating sigils crack across the ground. VFX: Glowing fractures spreading outward. SFX: Heavy impact, stone cracking. Shot 10 (00: 10–00:12) – LS, Pull Back A massive 3D sigil array rises, forming layered barriers that trap the entity at the center. She stands calmly outside. VFX: Expanding geometric barriers, drifting particles. SFX: Low steady resonance. Shot 11 (00: 12–00:13) – CU, Static She forms a hand seal and whispers: “Seal.” VFX: Light particles contract. SFX: Soft chant, energy tightening. Shot 12 (00: 13–00:15) – CU, Fade Out Eyes closed, she meditates as all light fades, leaving faint residual glow in silence. VFX: Light dissipates into darkness. SFX: Gentle wind, fading echo.2e9:T8f5,Each frame can change clothing and visual style ind

A barista in a small Tokyo café pours steamed milk into a dark espresso from 15cm height in one continuous motion. Milk stream hitting crema, creating a rosetta pattern, steam rising and curling in cold morning air, condensation on the ceramic cup, the barista's hand steady with visible tendons, apron fabric shifting, reflection of neon sign in the glass counter behind. Shallow focus pulls from the pour to the barista's concentrated eyes. Shot on Sony Venice, anamorphic lens, 4K, natural window light mixed with warm tungsten. Hyperrealistic, every droplet physically accurate.

An epic boxing match between an orange cat (in red shorts) and a poodle (in black shorts)

\"Side shot of a leopard moving gracefully through a surreal forest, the camera tracking alongside it as it prowls between tall, blue-hued trees. The background glows with deep amber light, evoking an otherworldly dusk. [cut] Close-up side shot

composite the character `image_1` and animation over the reference `video_1` The character should follow the camera pan, walking from right to left while performing parkour moves, and finish by striking a pose for the camera.

A weathered hand places a turntable needle onto a spinning vinyl, warm golden light, dust particles. Camera tracks the needle into the groove. Grooves expand into vast sandstone canyons. Miniature cloaked nomads with torches move through. The needle's shadow looms

SUBJECTS: Subject 1: First-person perspective hands (rendered in Monet impressionist oil painting brushwork, soft skin tones with no hard edges; both hands continuously hold the oar and perform extremely slow and even rowing motions, with stretched rhythm and natural pauses)

THE SEED — Amazon Rainforest, One Tree, All Time One impossible continuous shot. Through matter. Through scale. Through time. No cuts. [0s–2s] The camera floats in the canopy of the Amazon rainforest. Dense, dripping, impossibly green. Toucans call. Monkeys move through branches. The camera drifts downward through layers of leaves — each layer a different shade of green, a different species, a different world. Light falls in shifting patterns. [2s–4s] The camera reaches the forest floor. Dark, humid, teeming. A seed sits in the black soil — a Brazil nut, mahogany-colored, the size of a fist. The camera pushes in. Closer. Closer. It passes into the soil. Darkness. Roots thread through the earth like veins. Underground, the unseen network. [4s–6s] The camera shrinks. It enters the seed itself. Inside, cellular structures — green, geometric, pulsing with water. The camera witnesses germination in time-lapse. A root breaks through the seed coat. A shoot pushes upward. Cells divide in radial symmetry. Life organizes itself. [6s–8s] The shoot breaks the surface. The camera rises with it. Time accelerates. The seedling becomes a sapling. Rain falls in fast-motion streaks. The sapling thickens — a year per second. Branches extend. The trunk widens. Bark forms, furrows, hardens. A decade of growth in two seconds. [8s–11s] The tree is adult now. Enormous. The camera pulls back as the trunk widens to 3 meters across. The canopy spreads. Animals arrive — a sloth climbs the trunk, orchids bloom on the branches, a jaguar sleeps in a crook of the roots. An entire ecosystem built around one organism. The camera rises with the tree as it reaches for the canopy. [11s–13s] The tree breaks through the canopy ceiling. Sunlight. The camera emerges from the green into open sky. For the first time, the scale of the forest is visible — an unbroken ocean of green stretching to every horizon. Rivers thread through it like silver veins. Clouds build. The tree is one cell in a body the size of a continent. [13s–15s] The camera keeps rising. The Amazon basin curves with the Earth. The planet's edge appears. Blue atmosphere against black space. The forest is a green lung on a blue world. One seed. One tree. One forest. One planet. The same thing at every scale. Cut to black. Impossible continuous shot: canopy → soil → inside seed → germination time-lapse → tree growth → canopy emergence → continental aerial → orbital perspective. Lighting transitions from dappled green forest to dark underground to cellular bioluminescence to2fb:T9e6,SUBJECTS: A male street dance exp

FORMAT: live action, cinematic video, 15s, continuous rotation match cut SCENE CONCEPT A stylish woman stands at the center of the frame while the camera performs a smooth circular orbit around her. She moves naturally like a

Ultra-realistic cinematic destruction sequence, dense modern city, extreme physical danger, aggressive forward motion, handheld chase camera, collapsing architecture, debris interaction, volumetric dust, shockwaves, no stability, no safe zones, high intensity pacing, hard cuts only, no fade, no dissolve, no morph transition. Shot 1: Camera already sprinting forward through a city street, people running past, distant rumble growing fast Cut to Shot 2: A building ahead suddenly compresses inward like crushed by invisible force, sending debris outward Cut to Shot 3: Camera dodges falling glass and concrete, whipping sideways, barely avoiding impact Cut to Shot 4: Street behind begins collapsing inward, asphalt folding and pulling everything backward Cut to Shot 5: FULL ACTION entire building façade rips forward across the street, camera dives under falling debris Cut to Shot 6: The space ahead compresses distance visually shrinking, buildings bending toward each other Cut to Shot 7: IMPOSSIBLE MOMENT camera runs through a narrowing gap as two skyscrapers slam together behind Cut to Shot 8: Ground lifts upward violently, flipping cars, camera stumbles but keeps moving Cut to Shot 9: Final, everything collapses inward toward a single disaster, camera pulled into it mid-run.3

TOP GUN: PIGEON — Rooftop Dogfight A plump city pigeon with a tiny leather aviator helmet and goggles, puffed chest, strutting with absurd confidence, stands on the wing of a toy drone on a New York City rooftop. His rival, a seagull twice his