Seedance 2.0 / 2.5 Prompt Cases

aesthetic: phone camera from deep in the crowd, low angle, shaky, vertical energy audio: thumping house music, bass rattling washer doors, spin cycles as percussion, crowd screaming timeline: - \"0-3s: Phone pushes through a door into a brightly lit laundromat.

A 15-second ultra-cinematic, high-detail monster battle sequence set in a ruined futuristic city at night. Towering skyscrapers are shattered, sparks and debris floating in slow motion. Two colossal monsters face each other—one a lava-covered titan with glowing magma veins, the other an ice-armored beast emitting cold mist and crystalline shards. Camera starts with a wide aerial shot of the destroyed city, then rapidly pushes in as the ground shakes. Lightning flashes illuminate the scene as the monsters roar and charge. Mid-sequence: the lava monster swings a massive molten fist, melting surrounding concrete, while the ice monster counters with a freezing shockwave that cracks the ground into glowing blue ice patterns. Cinematic slow-motion impacts, energy bursts, dust clouds, and particle effects. Final seconds: both creatures collide in an explosive clash of fire and ice, creating a massive energy shockwave that lights up the entire skyline. Camera pulls back as the blast engulfs the scene, ending on a dramatic freeze frame of the glowing impact core. Style: photorealistic, ultra-detailed textures, dramatic lighting, IMAX cinematic look, 8K, volumetric smoke, dynamic camera movement, epic scale, high contrast lighting, realistic physics.25

FORMAT: 15s / MULTI-SHOT / TIME-LAPSE BUILD SEQUENCE STYLE: Bright, playful 3D animation, soft global illumination, vibrant colors, smooth cinematic motion, childlike warmth ⸻ CHARACTER SETUP: •@img1 = main character (MUST remain EXACTLY as reference: no mouth, no nose, same mask, same proportions, same outfit, no alterations) •@img2 = LEGO-style figurine model inspiration (final build result) ⸻ SCENE 1 (0s–3s) – ESTABLISHING Full room view, warm sunlight pouring through a window onto a clean desk. @img1 sits at the desk, posture slightly leaned forward, focused and calm. LEGO pieces scattered across the table. Camera: slow cinematic push-in. Mood: peaceful, creative, bright daytime energy. ⸻ SCENE 2 (3s–6s) – TIME-LAPSE START Time-lapse begins. @img1 rapidly assembles LEGO bricks with precise, smooth hand movements. Blocks snap together quickly, forming the base structure. Camera: quick angle cuts (front → side → over-the-shoulder). Lighting remains soft and sunlit. ⸻ SCENE 3 (6s–9s) – HAND DETAIL Close-up on hands. Fingers nimbly snapping LEGO pieces together with satisfying motion. Bricks begin to resemble @img2’s form. Camera tracks hand movement smoothly, shallow depth of field. ⸻ SCENE 4 (9s–12s) – BUILD PROGRESSION Time-lapse intensifies. The LEGO creation rapidly evolves into a clear version of @img2. @img1’s body language shows focus shifting into excitement (head tilt, subtle posture lift — NO facial change since no mouth). Camera: orbiting slow motion mixed with time-lapse. ⸻ SCENE 5 (12s–15s) – FINAL REVEAL Time-lapse ends. @img1 pauses, looks down at the finished LEGO figure (matching @img2). Subtle head lift to acknowledge completion (no smile, expression conveyed through posture only). Camera pulls back to wide shot, sunlight glowing over the desk. Final frame: completed LEGO figure centered in view. ⸻ ⚠️ STRICT CHARACTER RULES •DO NOT add a mouth or nose to @img1 •DO NOT change head shape, mask, or textures •DO NOT stylize @img1 into LEGO form •Keep @img1 fully consistent with reference image at all times22a:T556,Ultra-realistic cinematic 15-second vertical video

Leon thought he was the hero… Karl Heisenberg thought he was unstoppable… They forgot one thing — The Witcher hunts monsters.

A solitary leopard crouches on a golden savanna termite mound at first light, amber eyes locked on an unseen target; every whisker is razor-sharp against the blurred grass backdrop. Eye-level medium shot, 400 mm telephoto realism, shallow depth of field, natural dawn backlight. audio: soft rustle of grass + distant doves negative: no humans, no vehicles

A levitating monk controlling a vortex of cosmic dust in a temple courtyard.The scene starts with dust particles swirling around the still figure. Camera Motion: Circular crane motion rising above, tilting down as the vortex expands outward. Ends with the monk’s robe flowing as stars flicker within the dust spiral. Lighting: Moonlit with inner glow from the vortex, subtle rim light on the figure. Style: Mystical, high-end VFX with cosmic elements, temporal distortion, slow-motion aura ripples.

Photorealistic cinematic, ARRI Alexa, anamorphic lens, warm tungsten light, dust-lit windows, shallow DOF, 35mm grain. In an old library, a stern elderly librarian removes her glasses and dives headfirst into an ancient book. She punches through the page, shrinks to matchstick size, and sprints between giant ink letters. A paper airplane made from torn pages flies past; she jumps on and rides it across a vast text landscape while dodging erupting ink blots, falling pens, and warped magnified zones. Entering the book’s gutter canyon, floating letters and ink rain surround her in dreamy slow motion. The airplane disintegrates; she grabs a flying quill and rides it like a broomstick, carving ink trails across the page. Finally, she rockets upward through the paper, returning full-size into the real library, landing perfectly beside her desk. She calmly closes the book, picks up her glasses, and gives a subtle confident smile as a single ink droplet falls onto the desk.

A cinematic, continuous rightward panning tracking shot depicting the journey of life from birth to old age through seamless transitions. The camera slides smoothly past walls, doors, and curtains to reveal different stages of life in chronological order. It begins in a hospital room with a crying newborn baby on a medical cart, passing through a blue curtain into a bright preschool classroom where a toddler plays. The camera continues panning right into a sunny schoolyard with kids running with backpacks, then seamlessly glides through a wall into a teenager's bedroom where a boy jumps on his bed. The pan continues onto a leafy college campus with a young man walking with a backpack, then immediately transitions into a bustling city crosswalk in Times Square. Moving right, the scene shifts to an elegant wedding reception with a couple dancing amidst falling confetti, then to a green park where a middle-aged father watches children play. The camera passes through a house wall into a cozy living room where a man gently helps an elderly woman sit down. The final scene rests on the elderly woman sitting peacefully in an armchair, smiling softly as warm golden hour sunset light streams through the window.

Scene: A storm-covered mountain peak at night, black clouds rotating overhead, lightning branching across the sky, wet stone reflecting white-blue flashes, wind tearing through torn banners fixed to ancient pillars. Subject: A towering Lightning God with a muscular human form, glowing white-blue eyes, long silver hair whipping in the storm, golden armor etched with luminous runes, and arcs of electricity crawling across both arms. Action: The Lightning God stands on the edge of the peak, raises one hand toward the clouds, lightning gathers into his palm, his armor runes flare brighter, then he slams the charged hand downward into the stone as a circular shockwave of electricity expands across the mountain. Camera: Wide low-angle shot, camera pushes forward from the base of the stone platform toward the Lightning God, then tilts upward as the lightning gathers above his hand. Physics: Rain lashes diagonally in strong wind, hair and fabric react to gusts, lightning briefly overexposes nearby surfaces, loose stones lift from the shockwave then fall with gravity, electrical arcs snap between wet rocks and armor plates. Audio: Thunder cracks overhead, roaring wind, rain striking stone, deep electric hum, explosive shockwave impact. Style: Epic mythological fantasy cinema, high VFX lightning simulation, realistic storm lighting, powerful physical scale, dramatic high-contrast blue and gold color palette.

A small, glowing meteor streaks across the twilight sky and gently lands in a quiet park, leaving behind a soft shimmer. Amir stands nearby, holding a lantern, his eyes wide with curiosity. The meteor cracks open with a faint hum, revealing a tiny alien named Lumo, who blinks under the dim Earth lights. Amir steps closer, smiling warmly. Amir: Hey there… you look lost. Lumo shivers slightly, its glow flickering. Amir quickly takes off his scarf and wraps it gently around Lumo. Lumo touches the soft fabric, fascinated, then tries to wrap it tighter around itself but gets tangled. Amir chuckles and demonstrates how to wear it properly, looping it around his own neck. Amir: Like this… see? Lumo mimics him, finally getting it right. Its glow becomes brighter and steadier. Lumo spins happily, letting out soft musical chirps. Amir claps lightly, impressed. Amir: Now that suits you! Lumo gives a tiny salute, then glows even brighter in appreciation.

Live-action cinematic scene. The woman descends the staircase slowly. Camera tilts up from her feet to her face. She stops mid-stairs and looks at a portrait. Cut to the portrait: a woman who looks exactly like her. Cut to the woman , She gasps and says: \"Impossible...\". Thunder crashes outside. The candles blow out one by one. Only her silhouette remains.

Live-action cinematic sequence in real time. Aerial wide shot: a vast white mountain range, completely silent and endless. Cut to close-up of a compass in a gloved hand, needle spinning then settling. Cut to medium shot of a lone explorer trudging through deep snow, wind whipping around her. Cut to insert shot of footprints in the snow being erased by the wind almost immediately. Cut to extreme close-up of her face behind snow goggles — determined. Cut to wide shot of her stopping at the edge of a cliff, looking out. Cut to POV shot: an enormous hidden valley below, completely untouched, green and warm despite the snow above. Cut to tracking shot circling her slowly as she takes in the view. Cut to close-up of her hand pulling out a weathered journal and opening it. Cut to insert shot of a sketch in the journal — the exact valley she is now looking at, drawn decades ago. Cut to extreme close-up of her eyes: disbelief turning into triumph. Cut to final aerial wide shot pulling back slowly: she stands tiny at the cliff edge, the hidden valley vast and glowing below her.e2:T

{ \"META\": \"Live-action standalone creature attack short | Length 15 seconds | Rural American desert outskirts | 1950s to 60s grounded realism | Giant insect horror | Cinematic realism\", \"SHOT\": { \"CAM\": \"Low shoulder height tracking shot that slowly drifts into a side profile

Create a [character concept] for a 3A Unreal Engine 5 RPG inspired by The First Descendant. Using this character image as a reference, create a close-up live character animation. [Add your character action design here.]

15-second live football broadcast sequence, no slow motion, realistic stadium atmosphere, huge roaring crowd, bright stadium floodlights, television sports coverage style, fast athletic motion, authentic turf physics. Same subject throughout: an elderly grandmother football

Live IPL broadcast shot, 16:9, 1080p. Close-up telephoto crowd-cam moment of the person from the attached reference image seated beside Priyanka Chopra Jonas in the VIP audience section of a packed IPL cricket stadium during a live night match. Priyanka wears an elegant luxury stadium outfit while the reference person wears premium modern streetwear. Both sit naturally among the crowd, initially watching the cricket match with calm, focused expressions. After briefly noticing the live stadium camera, both softly look toward the lens and give a subtle natural wave with a gentle smile — minimal facial expressions, no excitement, no exaggerated reactions, maintaining a candid premium broadcast feel. Subtle realistic movements only: Priyanka lightly brushes back a strand of hair and softly raises one hand for a calm wave, while the reference person slightly shifts posture and gives a small relaxed hand wave. Spectators in the background remain naturally engaged with the match atmosphere. Shot on a 150mm live sports broadcast lens with cinematic shallow depth of field, soft stadium bokeh, realistic floodlight illumination, authentic Indian cricket crowd atmosphere, natural skin textures, subtle handheld broadcast micro-shake stabilization, cinematic sports framing, and faint IPL-style scoreboard graphics with Hindi-English sports ticker UI in the corner. High-fidelity live sports broadcast realism, no posing, no dramatic reactions, no cuts.14

Generate a short video for product promotion. A young, beautiful woman (@【@image-1】) with black hair, sitting at a restaurant table, eating Mala Tang (@【@image-2】), explaining the taste of the product. Use colloquial language and a casual, conversational tone to share her experience. Simultaneously, she uses chopsticks to pick up and showcase special ingredients from the Mala Tang (such as bursting cheese balls/tender beef). Her expression is friendly and natural, her movements are relaxed. The product is shown in medium close-up, combined with medium-long shots of the person. The camera is stable, 4K high definition, and the movements are continuous. Horizontal screen 2.0, original aspect ratio.

Create a luxurious 15-second cinematic fantasy video in vertical 9:16. A glamorous Western woman with long dark curly hair, glowing skin, and elegant makeup wears a shimmering neon turquoise sequined mini dress. She holds a fluffy Persian cat with emerald-green eyes and a matching turquoise jeweled bow. Both are posed inside an ornate turquoise crystal picture frame against a dark teal background with sparkling bokeh and floating glitter. 0–3s: Static portrait like a living painting. 3–6s: The painting comes to life—she smiles, strokes the cat, and the cat blinks and looks around. 6–9s: Turquoise particles burst as she steps out of the frame with a dramatic hair flip. 9–12s: Quick fashion cut scenes: twirl, close-up of shimmering dress, playful cat interaction. 12–15s: Final runway-style hero pose with swirling sparkles and the glowing frame behind. Style: photorealistic, magical luxury aesthetic, high-fashion editorial, cinematic lighting, realistic fur and fabric textures, 35mm film look, ultra-detailed 8K.168:T667,Sho

Create a cinematic 15-shot video sequence centered around the London Eye, capturing the transition from calm daytime elegance to vibrant, electric night energy along the Thames.\ \ Style \u0026 Tone:\ Ultra-realistic, cinematic, soft film grain, shallow depth of field, anamorphic lens flares, dramatic sky, London’s moody atmosphere with warm highlights and cool shadows.\ 🎥 Shot List:\ Aerial drone shot of London skyline at sunrise, River Thames glowing softly.\ Slow reveal of the London Eye through morning fog.\ Close-up of the rotating capsules reflecting the city.\ Wide shot from Westminster Bridge with traffic motion blur.\ Low-angle hero shot emphasizing the scale of the wheel.\ Time-lapse of clouds sweeping across the sky behind it.\ Tourists boarding capsules, natural candid movement.\ POV from inside a capsule rising above the city.\ View of Big Ben and Parliament from above.\ Rainy London scene — reflections on wet pavement near the Eye.\ Macro shot of raindrops with blurred city lights.\ Transition to dusk — skyline shifts to deep blues and oranges.\ Night illumination — the Eye glows with changing colors.\ Cinematic orbit shot capturing reflections on the Thames.\ Final aerial pull-away revealing London at night in full glow.\ 🎨 Visual Direction:\ Lighting: soft morning haze → golden hour → moody blue hour → neon night\ Camera: drone sweeps, dolly-ins, slow pans, stabilized tracking\ Color grade: cinematic teal-orange with muted tones\ Mood: calm, urban, slightly dramatic and atmospheric\ \ Settings:\ Aspect Ratio: 16:9\ FPS: 24fps\ Motion: smooth, cinematic stabilization\ Detail: ultra-realistic textures, high dynamic range27c:T52d,An ult

A lone female archer stands in a quiet mountain valley at dawn, practicing slow, controlled breathing while holding a traditional bow. She wears a flowing dark-green robe with subtle wind-reactive fabric layers. She releases a single arrow → before it lands, multiple masked attackers emerge silently from the fog. She remains still → then pivots with precision, drawing and releasing arrows in rapid succession. Combat sequence: Fluid archery combined with close-range defensive movements. She uses bow strikes, evasive footwork, and controlled spins. Arrows move with subtle motion trails, hitting targets with precise impact. overhead rotating camera shows her centered as attackers close in → arrows create a circular defensive pattern around her → brief slow-motion moment as one arrow splits mid-air into multiple trajectories (realistic, no fantasy exaggeration). Silence returns. She retrieves the first arrow she fired, plants it into the ground calmly, and lowers her bow. Lighting: soft golden sunrise, light fog, gentle wind through grass. Minimal motion trails, dust interaction, realistic arrow physics. Tone: stillness → awareness → precision → quiet control.287:T90d,A 15-

A lone hero standing still in a destroyed city, breathing heavy, body damaged but unyielding Looks up as multiple explosions ignite around him in a perfect circular sequence, debris rising as if gravity is breaking Urban ruins with fire, smoke, and particles suspended in air - Slow push-in with subtle orbit; - Explosions triggering in sequence, debris lifting; Time dilation effect, particles frozen; Crash zoom into eyes as light overwhelms frame

A female lone martial artist (Western woman) in an ancient Chinese village, interrupted while drinking tea, fights 10–20 attackers. She wears a clean white karate gi (karate uniform), slightly stylized with subtle historical-fusion elements (light fabric layering for cinematic flow). She sits calmly at a wooden tea table → attacker slams the table → she slowly rises, calmly deflects the first strike → sudden shift into hyper-fast combat using karate-based strikes, blocks, palm strikes, elbow counters, spinning kicks. Each movement is fluid and precise, with motion trails, dust bursts, and controlled impact waves. Mid-fight overhead spinning camera shot shows her white gi flowing dynamically, enemies pushed outward in a radial shock pattern → brief slow-motion moment during a mid-air clash, emphasizing balance and precision → then speed resumes as she rapidly finishes remaining attackers. Final scene: silence returns. She calmly sits back at the wooden table, picks up her tea, and takes a composed sip. Lighting: soft natural daylight, light mist across the village, glowing dust particles in air, cinematic contrast between calm and chaos. VFX: subtle motion trails, fabric flow, debris bursts, restrained energy shockwaves. Tone: calm → explosive precision → slow-motion control → calm resolution.289:T83f,image1's

Lone space soldier walking inside a destroyed futuristic spaceship, red emergency lights flashing, cinematic sci-fi atmosphere, floating debris in zero gravity, ultra realistic, dark movie scene, dramatic camera movement, emotional futuristic vibe

A lone traveler walks across a vast, glass-like ocean under a violet twilight sky. Beneath the transparent water, millions of stars twinkle and pulse as if the entire universe is submerged. Each step ripples through the cosmic depths, distorting galaxies and nebulae like liquid reflections of infinity.