Seedance 2.0 / 2.5 Prompt Cases

fast action movie scene, hand-held camera, the woman notices the pilots have disappeared and races to take control of the plane, cut to outside shot showing her inside the cockpit at the controls

1. Close-up: A man quickly pulls out a handgun and aims at the target. 2. Shooting: Firing action, but the target is missed, and the bullet flies past. 3. Security Reaction: Three security guards in suits quickly rush toward the man. 4. Subdue: The guards grab the man, pin him to the ground, and remove his jacket; the movement is tense and fast. Shots: Switching between close-up and medium shots, low angle/tracking shots to enhance combat tension, coherent action. Style: Realistic action game rendering style.

Positive Prompt: Original action game concept trailer. The protagonist travels through a neon ruined city, where the debris by the road emits faulty advertising lights, and mechanical guards fall from the faults of high-rise buildings. After dodging with a slide, the protagonist pulls out a folding energy blade. The camera is like an AAA game debut trailer, with third-person follow, rapid switching between close-up and ultra-wide shots, strong rhythm and distinct scene layers. It finally stops at the silhouette of the boss's appearance, creating a strong feeling of \"wanting to play this game\". Negative Restrictions: No Cyberpunk 2077 logos, no well-known game UI, no existing game character outlines. A strong hook in the first 2 seconds, stable main body, coherent actions, movie-level composition, real light and shadow, epic sense, strong emotion, high-definition details, suitable for social media communication, avoiding copyrighted characters, avoiding brand logos, and completely original design.

Action hero in neon ruined city, energy blade combat, cinematic camera, fast cuts, boss reveal.

Visual Style: Action-horror cinematography, fast-paced editing, volumetric sun rays, gritty texture, hyper-realistic water bubbles, and visceral blood physics, 8k resolution. 0-1: Extreme Wide Shot - The Pursuit A high-octane chase scene. The diver streaks like a torpedo through

Cinematic ultra-realistic video prompt: A stylish man in a black leather jacket and ripped jeans walks confidently under a massive flying airplane, low-angle cinematic shot, stormy dark clouds, debris and rocks flying in slow motion around him, airplane engines roaring overhead, dramatic wind blowing his coat, intense action-movie atmosphere, realistic lighting reflections on the aircraft, camera tracking backward while the man walks toward camera in slow motion, dynamic dust particles, cinematic depth of field, Hollywood action sequence, moody color grading, hyper-detailed textures, epic scale, realistic motion blur, powerful confident expression, airplane moving fast above him while he steps away in style, 4K ultra realistic, cinematic VFX, smooth camera movement, thunderstorm ambiance, high-energy trailer feel.

action movie car chase, 5 scene's, each scene different action. One shot scene. Police car following through the city streets, violent speeds. Strong consistency start frame. No music, Cinematic realism.

animated dynamic and flashy end credits to an action movie, every role done by \"fofr\", the end credits switch from scene to scene, not just a credits roll, beautifully designed end credits sequence

Create a high-quality 4K cinematic action movie storyboard with EXACTLY 8 PANELS ONLY (no more, no less), showing a female protagonist in a realistic fight sequence where she wins. Use dramatic lighting, high contrast shadows, realistic environments (abandoned warehouse, rooftop, or underground fight arena), and a gritty film tone. No text anywhere. The storyboard must include exactly these 8 scenes: Wide establishing shot of a dark, intense location (rain, dust, or low light atmosphere), both fighters facing each other Close-up of the woman’s focused expression, controlled breathing, tension building Opponent attacks first with aggressive movement (punch or kick) She narrowly dodges—dynamic motion, fast reaction, camera tracking Close combat exchange—blocks, counters, and impact moments with cinematic slow motion Turning point—she reads the opponent and lands a clean, powerful counter move Decisive takedown—opponent falls hard, dramatic impact, environment reacting (dust, water splash, etc.) Final frame—she stands strong and calm, slightly injured but dominant, looking forward under dramatic lighting, clear victory Use varied camera angles (wide, close-up, over-shoulder, low angle), realistic fight choreography, motion blur, and physical impact details. Tone should feel like a Hollywood action film, focusing on tension, realism, and character strength—not stylized or social media aesthetic. Strict rule: only 8 panels, no repetition, no extra frames.1dc:T53d,Creat

A stylish anime woman in a long coat, holding two pistols, confronts multiple armed enemies on the dark, neon-lit rooftop of a skyscraper. [0–2 seconds] She sprints straight toward the group of shooters. She dodges bullets with a low slide while rapidly firing both pistols.

A man with a massive purple energy blade, in the rain. Action: Instant dash forward, ultra-fast horizontal slash. Afterimage movement to the back, rapid consecutive strikes. Spinning attack, blade releasing electric arcs. Final jump → fast dive → ground slam. Camera: Low angle follow → side tracking → orbit → spin sync rotation → fast rise → dive follow No cuts Motion: extremely fast, strong motion blur, high impact Effects: purple energy only

Using the uploaded reference image as the subject: (0–2.5s) A frantic, vibrating handheld tracking shot follows her as she sprints across a shattered bridge, wearing a pink hoodie. The footage speed-ramps from fast-forward into ultra slow motion. Behind her, a colossal leviathan—formed from bioluminescent water and jagged ice scales—surges forward. The camera violently jerks downward as she dodges flying rebar and chunks of concrete. (2.5–4s) The camera whip-pans 180 degrees, briefly overshooting her face before snapping into sharp focus. She skids, black sneakers carving trenches into wet asphalt. Speed ramps back to real-time chaos. She squares her stance—glowing crimson energy blasts erupt from her palms. Raindrops vaporize around her fists. (4–6s) The water leviathan unleashes a spiraling hydro-cannon. In extreme slow motion, the crimson laser collides with the roaring torrent. The camera flinches sideways. A sizzling shockwave erupts—scalding steam and boiling water splatter across the frame. The bridge fractures under the recoil. (6–8.5s) Speed ramps into a brutal back-and-forth barrage. The camera shakes in hurricane-force winds. The leviathan lashes out with a water tendril—she ducks, but a glancing blow spins her, visible agony on her face. The camera nearly loses track. She recovers, igniting hard-light energy wings. Her hoodie sleeves char black. (8.5–12s) The camera pushes through dense fog. She tucks her wings and launches straight into the leviathan’s chest. Time locks into slow motion at impact. A concentrated crimson hyper-laser channels through her right fist, driving into the creature’s glowing core. A concussive sonic boom warps the air—the leviathan detonates. (12–15s) The camera scrambles from the ground, tilting. The shockwave has flattened the monsoon rain. Millions of glowing bioluminescent droplets fall like embers. She lands on a floating slab of concrete—knees buckle, then lock upright. Her chest heaves. The scorched pink hoodie smolders.2ca:T62f,16:9, 15-second ultra

Man in suit fights in an extreme speed with 100s of extraordinary Ninja assassins waiting for him outside the elevator door in a dynamic Hollywood action thriller, Continues handheld camera shot.

The actor says \"you never tried anything as good!\". Then opens the bottle, takes a sip with his eyes closed, and after that breathes out with satisfaction. In the end he says \"Prime? naaah, this is a champion's drink!\"

ADVENTURE ENERGY: Columbus looks at his phone's GPS navigation and excitedly says: \"Discovering the New World, I'm the best! Navigation positioning prevents getting lost! Exploration journey is guaranteed, Columbus Navigation leads the way!\" Ocean wave sailing special effects - satellite positioning animation - Columbus pointing into the distance action. Adventure navigation advertisement.

An adventurer, mounted on her dragon, soars through the sky, the massive creature's wings beating fiercely as it nears a pirate ship on the horizon. The ship, perched on the choppy sea, seems unaware of the looming threat. The dragon, with scales shimmering in the

Hyper-realistic cinematic 15-second continuous video of a women's championship finale in a sold-out arena. Featuring Riho (Japanese, idol-like cuteness, black hair, very petite, light blue and white gear) vs Mercedes Moné (American, powerful and charismatic physique, gold-themed gear). Follow the storyboard sequence precisely: exhausted mid-match staredown → hard clothesline → submission struggle → DDT reversal → near fall → German suplex → top-rope moonsault finisher → three-count pin → championship victory moment. Maintain consistent facial identity and body proportions throughout. Realistic sweat, impact physics, and intense crowd reactions. Use slow motion for key moments. End with confetti and corner pyrotechnics as a cinematic crane shot rises on the winner. Photorealistic, AEW broadcast quality, 60fps, high-contrast lighting.

A sweet and delicate young girl, with clear facial features and stable face, eyes showing an innocent look of asking for help. Action: The girl acts coquettishly towards the camera, lips slightly parted, making the mouth shape of saying, \"Can you help me peel the lobster? I can agree to anything you want,\" then gently pulls the audience's (first-person perspective) sleeve and shakes it. The action is slow, gentle, and naturally continuous. Scene: A highly technological home studio, with soft light from the computer screen in the background, creating an ambiguous side-backlight effect and soft light and shadow. Camera movement: First-person perspective (POV), slow push and smooth pan to a close-up shot of the girl, stable follow-up, no shaking. Style/Quality: 4K ultra-high definition, natural colors, rich details, clear sharpness, cinematic texture. Constraints: Normal human structure, stable and non-distorted face, not stiff, smooth and non-shaking movements. Model 2.0, aspect ratio 9:16, duration 10s.

Ultra-realistic AI influencer in a neon-lit podcast studio, modern aesthetic, soft purple-blue LED glow, cinematic yet authentic UGC vibe. 0–2s (HOOK): Extreme close-up, direct eye contact, neon reflection in eyes. She leans slightly forward and says: “AI is about to change your life… faster than you think.” 2–4s: Jump cut — side angle, adjusting podcast mic (Shure SM7B style), confident tone: “Not in 10 years… I’m talking months.” 4–6s: Medium shot — expressive hand gestures, natural speech: “Content, jobs, business — everything is shifting.” 6–8s: Over-the-shoulder — laptop glow, fast typing, blurred futuristic UI: “If you’re not using AI already…” 8–10s: Close-up — slight smirk, leaning into mic: “You’re already behind.” 10–13s: Front-facing shot — calm but powerful delivery: “But the opportunity? It’s insane right now.” 13–15s (ENDING HOOK): Pause, soft smile, neon flicker: “Question is… are you ready?” Style \u0026 Direction: Hyper-realistic skin texture, no CGI/plastic look, natural micro-expressions, confident but relatable energy. Fast jump cuts, subtle motion blur transitions, handheld feel. Shallow depth of field, crisp subject focus, blurred neon background. Trendy outfit (smart casual), minimal jewelry.1d1:T401,[Video Content] A 2D anime-style character acts in the r

A fast-paced, emotional cinematic montage showing how AI helps animals. Start with a lost puppy in a dense forest, looking scared. Cut to an AI-powered drone scanning from above, highlighting the puppy’s location with a digital overlay. Transition to a wildlife rescue team receiving real-time data on a tablet and rushing to the spot. Next scene: an injured elephant in the wild—AI analyzes its condition through thermal imaging and alerts veterinarians. Quick cut to poachers detected at night through AI surveillance, triggering an instant response from rangers. End with rescued animals safe and healthy, running free in nature. Warm sunlight, hopeful tone. Text on screen: “AI is giving animals a second chance.” Style: cinematic, realistic, emotional, soft dramatic music, high contrast lighting, smooth transitions

SUBJECTS: Subject 1 (Alice): A beautiful young girl reminiscent of Alice in Wonderland, wearing a classic elegant blue dress with a white pinafore. Subject 2 (Mermaids): Elegant underwater mermaids wearing intricate, beautiful costumes designed like layered green and black tea leaves.ENVIRONMENT: Starts in a majestic, high-end afternoon tea setting. It dynamically transitions into a vast, magical golden-brown tea ocean featuring a breathtaking underwater submarine palace built entirely of sparkling, translucent sugar candies and crystals.MOOD: Awe-inspiring, magical, whimsical, and purely blissful. TIMELINE: [00:00-00:05] Shot 1: Close-up on the delicate teacup to Medium shot (Fast Dolly-out). Alice is positioned on the right using the rule of thirds. A slight Dutch angle adds a sense of magical anomaly as a visual hook. Suddenly, swirling liquid black tea elegantly flows out of the cup on the left, forming a magical vortex that completely envelops her. Audio: An exciting, uplifting piano prologue that acts as a strong emotional hook to build anticipation. [00:05-00:10] Shot 2: Seamless transition to a cinematic underwater tracking shot with a subtle camera roll. Alice drifts deeper into a beautiful golden-brown tea torrent, placed centrally to guide the viewer's focus. The camera pans to reveal a massive, breathtaking underwater palace made of sparkling sugar candies in the background. Audio: A majestic orchestral swell combined with gentle underwater bubble sounds. [00:10-00:15] Shot 3: Medium close-up, Eye-level shot. Alice and the tea-leaf mermaids are positioned on opposite sides, creating a balanced composition. They look at each other and exchange warm, joyful smiles. Sparkling tea bubbles float around them (an image system connecting to the tea vortex in Shot 1), creating a moment of pure bliss. Audio: A heartwarming, joyful orchestral climax with magical chiming sounds.CONSTRAINTS \u0026 STYLE: 16:9 aspect ratio, 8K resolution, Hollywood movie-style cinematic lighting, cinematic color management, high-end VFX fluid simulation, hyper-realistic fantasy, highly detailed, stable motion, consistent character identity, no deforma

A crowded apartment party is in full chaos when a massive BOOM shakes the floor. Drinks spill. Everyone freezes. Another explosion erupts from the apartment below — screams echo upward. Then another. Something huge is smashing vertically through the building floor by floor toward them. Panic erupts. Everyone sprints upstairs as entire sections of flooring explode upward behind them. Just as people reach the stairwell, a gigantic alien creature bursts through the floor and snatches two people mid-run. ⸻ Shot 1 (0s–2s) Inside loud apartment party. Music blasting. Suddenly the FLOOR EXPLODES upward beneath a dancing guy, launching him sideways as concrete and dust blast everywhere. People scream instantly. LOUD monstrous roar from below. ⸻ Shot 2 (2s–5s) Another violent BOOM from the apartment beneath. The floor caves inward. People start stampeding toward the staircase. Below them: another floor explodes upward through the hole like something gigantic is punching vertically through the building. ⸻ Shot 3 (5s–8s) Handheld panic. Everyone sprinting upstairs. Floor sections behind them keep ERUPTING upward one after another in sequence like a shockwave chasing them. Walls crack. Lights flicker. Someone falls through a collapsing step. ⸻ Shot 4 (8s–11s) The staircase shakes violently. A woman turns back — A massive alien limb punches through the stairwell wall behind the crowd. Concrete rains down. The creature’s glowing eyes become visible through dust as it forces itself upward. ⸻ Shot 5 (11s–15s) — PAYOFF People reach the next landing thinking they escaped. Suddenly the ENTIRE FLOOR beneath two runners detonates upward. The creature bursts fully through the floor in a shower of debris and grabs them mid-air. The remaining survivors keep running upward screaming while below them the alien continues smashing vertically through the building toward camera.1b3:T840,Image1 [exact chara

Ultra-fast FPV shot skimming the street through a burning city at night. Alien ships drop into frame from above, flying low between skyscrapers and staying directly ahead. Their cannons charge and fire, explosions erupt in sequence along the road. The camera tilts sharply upward mid-flight, bringing the ships into full view overhead. It then banks hard into a side angle, racing alongside them as they blast the street below. The camera whips into a backward tracking motion, ships pushing forward toward the lens, firing relentlessly, shockwaves chasing the camera. A final snap into a tight follow shot behind a ship locks the motion as it continues firing into the city. Continuous motion, no cuts, ships always visible, high tension.

Cinematic sci-fi scene at dusk in an empty open landscape. Two people sitting on the hood of a parked car, a laptop placed between them. The laptop screen glows in the dark, showing breaking news about a mysterious unknown threat. They are mid-conversation, slightly tense, illuminated by the soft blue light of the screen. Suddenly, they both look up. A massive alien creature begins descending from the cloudy sky above. The creature is enormous, slowly emerging from dark storm clouds, casting a gigantic shadow over them and the car. Dramatic lighting, volumetric clouds, wind blowing dust around, cinematic composition, ultra-realistic scale, high detail textures. Wide-angle shot, low camera angle to emphasize scale, dark atmospheric tone, slow reveal feeling, film still from a high-budget sci-fi movie, 8K realism, depth of field, moody color grading.