Community · Seedance prompt cases

A 2x2 cinematic grid showing different time travelers experiencing modern street food in a neon-lit night market. Each panel represents a different era character reacting to food, ultra realistic, cinematic lighting, highly detailed, vibrant colors, storytelling composition, 8K quality, shallow depth of field, dramatic atmosphere, steam and neon glow, cohesive visual style across all panels. Top left: Mughal-era prince holding a modern burger, confused expression, neon food stall background. Top right: medieval knight eating french fries, humorous reaction, street night lights. Bottom left: Victorian lady tasting spicy street taco, surprised expression, cinematic lighting. Bottom right: futuristic cyborg drinking chai, glowing blue eyes, neon cyber street food setting. consistent lighting, unified color grading, cinematic grid composition, ultra-detailed faces, storytelling coherence Animate this image into a single continuous cinematic scene. The 2x2 grid layout should dissolve into one unified street food night market where all characters exist in the same space and interact naturally. Transform the scene so the Mughal-era prince, medieval knight, Victorian lady, and futuristic cyborg are all standing in the same neon-lit street food market at night. Remove the grid separation completely and merge all panels into one cohesive world. Camera slowly pans across the scene in a smooth cinematic motion, revealing each character one by one. The Mughal prince examines a modern burger with curiosity. The medieval knight eats fries with exaggerated confusion. The Victorian lady reacts to spicy street food with surprise. The futuristic cyborg calmly drinks chai with glowing eyes. Add subtle natural movements: blinking, chewing, steam rising from food, neon reflections shifting, soft crowd motion in background. Maintain cinematic lighting, ultra realistic style, shallow depth of field, vibrant neon night market atmosphere, film-like color grading. Smooth camera movement, slow cinematic reveal, no grid lines, no panel separation, fully merged world, consistent environment, high detail, 8K cinematic realism.

Crowded nightclub with flashing lights and bass-heavy atmosphere. Camera weaves through people dancing, then locks onto the main performer. She performs confident, bold choreography on a small stage. Neon lights flicker, crowd reacts, fast cuts and zooms, moody lighting, high energy, 60fps.

FORMAT: 15s / 155 BPM / 15 SHOTS SUBJECT: @[image1] WARDROBE: Black tactical suit ENVIRONMENT: Long neon-lit corridor MOOD: Precise → deadly → unstoppable STYLE: Gun-fu cinematic CORE IDEA: Clean, stylish close-range combat with firearms SHOT FLOW: Slow walk into corridor Gun draw First enemy appears Double tap Quick reload Second attacker rushes Close-range takedown Spin + shot Third enemy from behind Mirror reflection shot Perfect headshot Shell casings drop Silence She lowers gun Walk forward

The young woman from @image-1 walks slowly down a rain-drenched city street at night, stopping to gaze up at the flickering neon lights with a pensive expression - she wears her school uniform from @image-1, her white shirt clinging slightly to her shoulders from the mist - Cinematic tracking shot at eye level, narrow Tokyo alleyway with vibrant neon signs reflecting in deep puddles, moody noir aesthetic with blue and pink lighting - Ambient sound of falling rain and distant sirens, accompanied by a soft, lo-fi hip-hop beat.

Ultra-realistic post-apocalyptic city ruins at night, acid rain, flickering neon signs still barely alive. Female scavenger walking through toxic streets. Bio-electric armor activates under her skin and glows through cracks in clothing. Mutant raiders emerge from alley shadows. Camera circles through rain and sparks. She grabs one attacker and throws them through a neon sign. Final frame: lightning reveals the ruined skyline behind her.

Duration: 10 seconds Style: Ultra-realistic cinematic sci-fi destruction, live-action realism, hyper-detailed visuals, brutal high-speed chaos, grounded physics, catastrophic cyberpunk apocalypse, explosive action, blockbuster-scale destruction, aggressive pacing, premium VFX overload. Camera: Highly dynamic chaotic cinematic movement, aggressive pursuit tracking, destruction-heavy street shots, impact shakes, tunnel chase, low-angle action shots, tactical landing shots, full mechanical transformation close-ups, explosive final combat framing. Main character: A slender young man (based on reference image, maintain exact facial identity), wearing a maroon red t-shirt, olive green cargo pants, sneakers, futuristic wristwatch, futuristic headphones, riding a futuristic hoverboard from the beginning. Environment: Neo-Tokyo futuristic megacity in full-scale chaos, overcrowded roads, collapsing traffic systems, panicked civilians, glitching holograms, exploding vehicles, shattered streets, digital destruction, collapsing infrastructure. Scene: 0.0–1.5s: The young man aggressively rides his futuristic hoverboard in low-hover mode through a packed Neo-Tokyo city street, speeding between vehicles, crowded intersections, and dense pedestrian zones. 1.5–3.0s: Sudden citywide digital catastrophe erupts. Giant holographic systems violently glitch, roads rupture, vehicles crash, explosions erupt, pedestrians scatter, skyscraper billboards distort, and a colossal hyper-realistic yellow digital Pac-Man entity materializes from the corrupted holographic network. Pac-Man aggressively tears through the city, devouring cars, roads, traffic lights, billboards, and entire chunks of infrastructure in massive explosive chaos. 3.0–7.0s: Full survival chase. The young man pushes his hoverboard to maximum speed through total urban destruction, narrowly escaping collapsing highways, exploding vehicles, debris storms, tunnel collapses, and entire streets being consumed behind him by the giant Pac-Man. Pac-Man relentlessly destroys everything in pursuit, causing shockwaves, digital fragmentation, massive explosions, and citywide devastation. 7.0–8.0s: At extreme speed, the young man launches himself off the hoverboard forward into the main roadway, then performs a brutal realistic combat roll across shattered asphalt, sliding, flipping, and grinding across debris-covered pavement while chaos erupts around him. 8.0–9.0s: While he is actively rolling across the street, the hoverboard remains in synchronized motion beside him and visibly transforms in full mechanical detail into a gigantic white-and-gold super laser cannon: anti-gravity engines split apart, metallic body panels rotate and expand, weaponized structures deploy, internal energy chambers ignite, cyan plasma core overloads, glowing energy rings form, and the complete transformation happens on-screen during the roll. 9.0–9.7s: The young man rises directly from the final206:T4f1,Cre

New Amsterdam (current day New York City) Simulator

New Chinese Style cinematic quality promotional video, the picture is fresh and romantic, the music is ethereal and melodious. 0-4 seconds: Early morning, golden sunlight sprinkles on Gulangyu Sunlight Rock, the sea surface sparkles like shattered gold. An ultra-high altitude drone slowly descends vertically for an overhead shot, the skyline of Xiamen Island in the distance is faintly visible in the morning mist, the sea and sky merge into one color, the picture is peaceful and magnificent. 4-8 seconds: The camera cuts to the interior of a century-old villa in Gulangyu, an extreme macro close-up, a pair of hands is playing an ancient grand piano, fingers elegantly leaping on the keys. Sunlight streams through the blinds, dust slowly floats in the light beams, and the piano sound echoes melodiously in the old building. 8-11 seconds: Shapowei old fishing port, low-angle follow shot, a young girl rides a bicycle speeding past a colorful graffiti wall, her skirt blown up by the sea breeze. The camera quickly pans horizontally to the side of the typhoon shelter, old fishermen sit on the bow of the boat weaving nets, the sunset dyes the sea golden, the old fishing port coexists with creative shops, the picture is full of life. 11-15 seconds: The camera rapidly pulls up vertically from Jimei Dragon Boat Pool, sweeping past the red roofs of the Jiageng architectural complex, cutting to a panoramic view of Xiamen Twin Towers and Yanwu Bridge, the modern city and the sea reflect each other, the city skyline forms a magnificent silhouette in the sunset glow, the picture freezes in slow motion. Ending text: Xiamen: A Garden by the Sea. XIAMEN: A GARDEN BY THE SEA.

Animate the reference image_1 into a dynamic 15-second hyper-realistic live NHL hockey TV broadcast clip. Visuals: Professional multi-camera broadcast sequence — start with wide high-angle tracking shot following the puck, quick cut to side medium shot of players stickhandling and battling along the boards, fast skate into offensive zone, dramatic shot on goal with goalie save and ice spray explosion, subtle handheld camera shake during intensity, crowd standing and cheering, perfect character consistency, realistic physics on skates/puck/sticks, authentic broadcast color grading and lens effects. On-screen graphics: Live-updating scorebug (TOR 3 - BOS 2, time counting down), player stats pop-ups, channel logo top-right, lower-third ticker. Audio \u0026 Dialogues (synchronized perfectly with action, energetic sports commentator style, clear male voices, background arena noise): - 0-3s (wide tracking shot): Play-by-play announcer (excited, fast): "Here we go! Matthews with the puck, entering the zone... he drops it back to Nylander!" - 3-7s (board battle + shot): Color commentator (deeper voice): "Oh what a battle along the boards! Boston trying to clear but Toronto's forecheck is relentless... wrist shot! Save by Ullmark!" - 7-10s (after save, crowd roar): Play-by-play: "Big save! The Maple Leafs keep the pressure on... crowd is on their feet here at Scotiabank Arena!" - Background: Loud arena crowd roar building, ice skate scratches, puck impacts, stick clacks, faint on-ice player shouts ("Pick it up!", "Screen!"). Photorealistic broadcast quality, 1080p 60fps, perfect lip-sync if any close-ups, no AI artifacts, maximum realism, cinematic sports documentary sty

Hyper-detailed nightclub event flyer, a Black woman with sleek long braids and bold red lipstick photographed in a confident chin-up power pose looking directly at camera, wearing a fitted black blazer with gold chain, dramatic red rim light from behind creating glowing edge, harder key light from front-left. Subject cut out over deep oxblood-red textured background with heavy film grain and subtle smoke haze. Behind her the massive display word "FRIDAY" in tall condensed slab serif, cream-white with grungy distressed edges, partially occluded by her shoulders and hair. Secondary script tagline "the night belongs to you" in elegant gold cursive. Bottom info block: "NOV 14 · 10PM · DOORS AT 9 · UPTOWN CLT". Scattered accents: small gold sparkle stars, one circled date stamp, thin gold scribble line. Palette strictly oxblood red, cream-white, gold, deep black. Warm cinematic grade. 4:5 vertical, 2048x2560, club poster quality. Negative: smooth AI skin, generic stock, watermarks. Animate only the background and atmospheric elements — subject, typography, and outfit remain completely locked. Slow rolling smoke haze drifts horizontally across the lower third of the frame behind her, low-opacity, dreamy. Red rim light behind her subtly pulses brighter then dimmer once over 5 seconds, like a slow heartbeat. Tiny gold sparkle particles float upward slowly from bottom edge. Film grain flickers naturally. Cream "FRIDAY" letters behind her have an almost imperceptible texture shimmer. Camera fully locked off, no pan, no zoom. 24fps, 5 seconds, cinematic nightclub mood. Negative: subject moving, face changing, lips moving, hands deforming, text warping.246:T

Hyper-realistic cinematic 22s continuous shot of a New Japan Pro-Wrestling women’s championship match between two athletic Japanese wrestlers inside a packed Japanese arena. Strict sequence: pyro entrance → belt presentation → opening bell → lockup → strong-style strike → dragon screw → figure-four attempt → rope break → vertical suplex → spinning lariat → top-rope crossbody → crossface submission → refusal to tap → finisher → three-count → championship celebration with streamers. Photorealistic NJPW broadcast style, 60fps, continuous motion, dramatic ring spotlight, realistic sweat and impact physics, intense crowd reactions, cinematic handheld/ringside camera work, occasional slow motion on major impacts, authentic Japanese wrestling atmosphere.

TITLE: “No Ticket, No Problem” Seedance 2 | 15-second cinematic action-comedy | jungle adventure parody | high-speed chaos | dark American humor dialogue | exaggerated reactions | dynamic camera | punchy sound design A rugged jungle theme park entrance. Primitive wooden fences, tall gates, and a massive hanging wooden sign reading “CAT UNIVERSE.” Lush overgrown jungle beyond. Mist in the air. Subtle ominous ambiance. An orange cat wearing khaki explorer gear, binoculars hanging around his neck, sits in a dusty jeep. A white cat in a pink dress sits in the back seat, clearly unimpressed. 0–3 seconds: Wide shot. Jeep rolls to a stop at the gate. Jungle sounds echo. A hyena guard in camouflage uniform and sunglasses steps forward, stern and silent. He leans toward the driver side. Hyena guard (flat, intimidating): "Ticket." Close-up on orange cat. Confident smile… slowly fades. He starts searching frantically. 3–6 seconds: Interior chaotic close shots. Glove compartment bursts open—papers, snack wrappers, empty cans flying everywhere. Orange cat digging everywhere. Increasing panic. Orange cat (nervous laugh): "Okay… funny story… I definitely had it… spiritually." Cut to white cat in backseat, staring out the window, bored and annoyed. White cat (dry): "I knew this date was illegal." Orange cat freezes. Looks at guard. Orange cat (awkward): "Yeah so… about the ticket… I don’t have it." Beat. Silence. 6–9 seconds: Sudden shift. Orange cat slams the gas pedal. ENGINE ROARS. The jeep EXPLODES forward— SMASHES through the wooden gate. Splinters fly in slow motion. Hyena guard jumps back shouting. Hyena guard: "HEY— THAT’S NOT A VALID—" Cut off by chaos. The jeep speeds into the jungle. White cat SCREAMS as she grabs the seat. White cat: "OH GREAT NOW WE’RE CRIMINALS—" 9–12 seconds: Deep jungle. Camera racing alongside jeep. Glowing floating bubbles fill the air—each one softly pulsing with different colors. Inside each bubble: a sleeping tiny green baby T-rex. The jeep rushes past— Wind pressure disturbs the bubbles. POP—POP—POP— Bubbles burst rapidly. Tiny T-rexes drop, wake up instantly—eyes glowing, teeth bared. They SCREECH and begin chasing the jeep. Fast chaotic pursuit. White cat sighs, completely over it. White cat (annoyed, deadpan): "See? This is why I can’t let you make decisions." 12–15 seconds: She reaches behind the seat— Pulls out a ROCKET LAUNCHER casually. Orange cat glances back, concerned. Orange cat: "...you brought that on a date?" White cat shrugs. White cat: "I like options." She fires. WHOOSH— Rocket splits mid-air into multiple flaming fragments. Each fragment targets a different baby T-rex. Rapid impacts—tiny explosions. The T-rexes yelp, panic, scatter and flee in all directions. Silence returns except for engine hum. Final shot: Inside jeep.2b9:T688,[0s–3s] Dramatic close-up of the character from [@ Image1

Noir fantasy film sequence. Opening shot: The camera enters a house. On a perch sits a futuristic mechanical bird with glowing eyes and intricate metallic feathers. A shelf in a dark study is filled with antique apothecary jars and glass vials containing shimmering, bubbling potions in neon amber and violet. A smooth camera transition moves through atmospheric smoke and floating golden particles to Shot 2: A dramatic close-up of a distinguished man with a pale face and black hair covered by a hat, wearing a vintage dark high-collared coat. He is writing in a book with a white quill pen. He has a mysterious and introspective expression. He looks up, smiles, and casts a spell with his hands. High-contrast chiaroscuro lighting, deep shadows, 4K resolution, hyperrealistic textures.

15-second continuous single-shot cinematic sequence. No cuts. No scene transitions. Dark noir futuristic city at night, wet streets reflecting dim yellow streetlights, heavy fog drifting between buildings, 1940s-inspired architecture mixed with subtle sci-fi elements, atmosphere

Low angle tracking through blowing dust toward a lone nomad facing massive scrap-metal city gates at sunset. Camera rises as wind intensifies. Hard cut: side orbit. Gates begin closing with heavy metallic force. Nomad steps forward into the storm, coat whipping. Watchtower lights snap on one by one, scanning. Hard cut: telephoto from behind. Spotlight instantly locks onto him. In the distance, a massive sandstorm rapidly approaches, wind shifts violently toward the city. Hard cut: tight front close-up. Goggles reflecting gates and storm. Dust hits lens. Sound peaks. Cut to black just before the gates fully shut.

15 seconds, 9:16 vertical screen, deliberately imitating low-quality mobile phone recording, handheld POV, high noise + motion blur + digital compression distortion + timestamp watermark (top left corner, 2007 style), 0-5 seconds: Handheld, following the girl in the rainy night from behind [Image 1], the overall picture quality is deliberately aged—like it was shot with a 2007 Nokia, but the protagonist herself is stunning, oversized thick sweater, neon wet ground reflection, details are all in the contrast difference; 5-9 seconds: She stops and turns back, delayed focus from blurry to sharp, looks directly at the camera, expression changes from confused to slight smile, casual and sweet; walks closer to the camera, tucks wet hair behind her ear; 9-13 seconds: She leans close to the camera, pokes the camera with her finger—the screen instantly shows blur and vibration caused by the touch—then steps back two steps, hands in pockets, looking at you slightly proudly against the neon backlight; 13-15 seconds: She turns around and walks into the rainy night, stops after two steps, doesn't look back, just raises one hand and waves, then disappears into the neon rain mist, the camera stops on the empty street for 2 seconds, digital noise slowly consumes the screen. Sound effects: City rain noise floor throughout + slight current noise floor from mobile phone internal recording, ambient sound fades out at the end. Forbidden: Subtitles, external watermarks (except timestamp), any modern UI elements3df:T7

Use the uploaded 2x2 @image-1 grid as a contact sheet of memories, not as a literal grid. Transform the individual photos into one cohesive nostalgic music video sequence about the same young man and young woman falling in love through candid iPhone moments. Create a 12–15 second emotional indie-pop MV montage. Preserve the same couple’s faces, age, hair, clothing style, and relationship energy across all shots. The video should feel like real iPhone footage from a private camera roll: imperfect, intimate, handheld, slightly shaky, amateur framing, accidental zooms, motion blur, blown highlights, soft grain, muted vintage colors, warm sunset tones, and tiny focus mistakes. The sequence should flow like fragmented memories: Editing style: cohesive music video montage, romantic but not cheesy, dreamy memory fragments, rhythmic cuts synced to an imagined melancholic indie-pop song, natural handheld movement, soft whip-pan transitions, phone-camera flash transitions, match cuts between similar poses from different photos. Visual style: candid iPhone photography, 2010s camera roll nostalgia, vintage emotional aesthetic, amateur home-video realism, soft film grain, subtle VHS-like imperfection, warm faded colors, realistic skin texture, natural expressions. Important rules: do not show the original grid layout, do not create a collage, do not add text, do not add watermarks, do not introduce new people, do not make them look like fashion models, do not over-cinematize, do not make the camera too smooth, do not change their identities between shots. Keep it intimate, messy, romantic, and emotionally real.25f:

Based on the storyboard of the reference image, edit it into a fast-cut memory montage. This is a nostalgic love movie set in Sanya, Hainan, filmed in 35mm film style like Kodak Portra 800. Soft grain, dreamy bokeh, warm highlights, and slight color shifts create a vintage cinematic atmosphere. Background BGM uses Chinese songs.

A collage of 12 photos capturing a young Taiwanese couple traveling in Kenting, Taiwan. The images feel spontaneous, as if casually taken on a phone, with an emotional and nostalgic tone. The overall aesthetic has a faded film look, like fragments of memories. Scenes include: riding a scooter together along a coastal road, a distant view of the Eluanbi Lighthouse, neon lights on Kenting Night Market street, and a sunset at Baisha Bay. Each frame resembles cinematic moments, with slight camera shake, imperfect composition, and a raw, everyday feel filled with grain and noise. Follow the storyboard sequence of the reference images, edited as a fast-cut memory montage. A nostalgic seaside romance film set in Taiwan, shot on 35mm film in Kodak Portra 800 style. Soft grain, dreamy blur, warm highlights, and slight color shifts create a vintage cinematic atmosphere.

Novel opening: \"The husband reported the gatekeeper, the wife went to work, and he was very pleased...\", automatically associate and expand the novel plot and character dialogue based on the opening, generating a video in the style of a TV drama.

Obelisk The Tormentor Punch, best quality, perfect physics, perfect anatomy, masterpiece

\"Epic long shot of an ocean horizon: a huge colossus emerges from water as a city-sized storm approaches; waves explode against its legs, ships scatter like toys; the titan braces and slams a glowing anchor-spear into the seabed, redirecting the storm surge in a spiraling whirlpool. Moody teal palette, lightning, mist, insane scale\" Camera movement: ultra-wide cinematic tracking shot with slow orbital drift around the titan, emphasizing scale difference between storm, ocean, and entity. Lighting: high contrast lightning bursts, reflective wet surfaces, glowing energy from spear, mist-heavy atmosphere. Style: hyper-real cinematic 3D, mythic sci-fi ocean fantasy, extreme scale composition, dynamic environmental simulation, 4K detail, volumetric rendering.

Office Coffee Break Gone WrongShot 1: Tired office worker in a button-up shirt sips coffee at his desk in a modern open-plan office. Calm medium shot, fluorescent lights, papers everywhere.Shot 2: He spills a drop — the coffee suddenly animates into a hyper-caffeinated coffee monster with espresso eyes and foam tentacles.Shot 3: Low-angle shot: The monster rampages across desks, flinging staplers and keyboards in realistic arcs while the worker dodges in panic.Shot 4: Fast-paced tracking shot through the office as coworkers scream and dive under tables, papers flying like confetti with accurate physics.Shot 5: Climax: Worker grabs a fire extinguisher and blasts the monster, turning it back into harmless foam. He sits exhausted, now covered in foam, as everyone claps slowly

Close-up, dark alien skin, wet leathery texture, misty background, white glowing lines carving the logo slowly, sparks of energy, cinematic lighting. Medium Shot, spindly alien creature silhouette in thick fog, the complete white logo pulses on its chest, glowing bright, smoke rising, eerie atmosphere. Wide Shot, the alien entity towers in the blizzard, the white logo on its body becomes the primary light source, fading into deep fog, epic scale.