Seedance 2.0 / 2.5 提示词案例

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Fixed camera. The standing burly man (captain) clenches his fist and waves his arm saying in Spanish: 'Raid in three…
Seedance 2.0音频与语音合成

Fixed camera. The standing burly man (captain) clenches his fist and waves his arm saying in Spanish: 'Raid in three minutes!' The knife holder sheathes the knife, the blonde team member stands checking firearms, the green-haired team member grips the tactical flashlight. The Black team member puts his hand on his companion's shoulder and asks in Spanish: 'Flank?' The captain nods and says in Spanish: 'Old rules, leave survivors for interrogation.' Everyone is solemn, completing tactical gestures amid equipment collision sounds, standing up in tacit understanding. Everyone is on high alert, the two boys on the left also rush to stand up ready for battle.

Fixed camera. The standing burly man (captain) clenches his fist and waves his arm saying in Spanish: 'Raid in three minutes!' The knife holder sheathes the knife, the blonde team member stands checking firearms, the green-haired team member grips the tactical flashlight. The Black team member puts his hand on his companion's shoulder and asks in Spanish: 'Flank?' The captain nods and says in Spanish: 'Old rules, leave survivors for interrogation.' Everyone is solemn, completing tactical gestures amid equipment collision sounds, standing up in tacit understanding. Everyone is on high alert, the two boys on the left also rush to stand up ready for battle.

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0-3 seconds: Opening alarm clock rings, hazy screen shows scene 1; 3-10 seconds: Quick pan camera, turn to opposite s…
Seedance 2.0音频与语音合成

0-3 seconds: Opening alarm clock rings, hazy screen shows scene 1; 3-10 seconds: Quick pan camera, turn to opposite side close-up of man's face, man helplessly calls the girl to wake up, tone and voice reference @video1; 10-12 seconds: Girl pouts and hides in the blanket; 12-15 seconds: Cut to full body shot of male protagonist, he sighs and says: 'I really can't do anything with you!'

0-3 seconds: Opening alarm clock rings, hazy screen shows scene 1; 3-10 seconds: Quick pan camera, turn to opposite side close-up of man's face, man helplessly calls the girl to wake up, tone and voice reference @video1; 10-12 seconds: Girl pouts and hides in the blanket; 12-15 seconds: Cut to full body shot of male protagonist, he sighs and says: 'I really can't do anything with you!'

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@image1's monkey walks toward the bubble tea shop counter, camera follows behind him. A Bichon Frise staff member fro…
Seedance 2.0音频与语音合成

@image1's monkey walks toward the bubble tea shop counter, camera follows behind him. A Bichon Frise staff member from @image2 is wiping preparation tools at the bar. The monkey orders from the staff in Sichuan accent: 'Little sister, do you have Bawang Bieji?' Cut shot, close-up. The staff puts down what they're doing, looks at the old man strangely and replies: 'Don't have it, do you want Americano?' Cut shot, camera on the monkey. He scratches his head muttering: 'Nothing...? I have something! My grandson asked me to buy bubble tea, just called something Bawang Bieji'

@image1's monkey walks toward the bubble tea shop counter, camera follows behind him. A Bichon Frise staff member from @image2 is wiping preparation tools at the bar. The monkey orders from the staff in Sichuan accent: 'Little sister, do you have Bawang Bieji?' Cut shot, close-up. The staff puts down what they're doing, looks at the old man strangely and replies: 'Don't have it, do you want Americano?' Cut shot, camera on the monkey. He scratches his head muttering: 'Nothing...? I have something! My grandson asked me to buy bubble tea, just called something Bawang Bieji'

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Using documentary style and voice, present the content from image 1, including the story of Wukong trying to cross th…
Seedance 2.0音频与语音合成

Using documentary style and voice, present the content from image 1, including the story of Wukong trying to cross the Flaming Mountain, going to Cuiyun Mountain to borrow the Banana Leaf Fan from Princess Iron Fan. Princess Iron Fan refuses to lend the fan and wants revenge because her son Red Boy was subdued by Wukong and became Guanyin's child attendant, separating mother and son. Wukong's good words of persuasion fail, and the two immediately start arguing. Explain this short story.

Using documentary style and voice, present the content from image 1, including the story of Wukong trying to cross the Flaming Mountain, going to Cuiyun Mountain to borrow the Banana Leaf Fan from Princess Iron Fan. Princess Iron Fan refuses to lend the fan and wants revenge because her son Red Boy was subdued by Wukong and became Guanyin's child attendant, separating mother and son. Wukong's good words of persuasion fail, and the two immediately start arguing. Explain this short story.

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Using @image1 as the first frame, screen zooms into airplane window exterior, clouds slowly drift into the frame, one…
Seedance 2.0一镜到底

Using @image1 as the first frame, screen zooms into airplane window exterior, clouds slowly drift into the frame, one cloud decorated with colorful candy beans stays centered in the frame, then slowly transforms into the ice cream from @image2. Camera pulls back to cabin interior, @image3 sitting by the window reaches out from outside the window to bring in the ice cream, takes a bite, mouth covered with cream, face beaming with sweet smile. At this moment the video audio is @video1.

Using @image1 as the first frame, screen zooms into airplane window exterior, clouds slowly drift into the frame, one cloud decorated with colorful candy beans stays centered in the frame, then slowly transforms into the ice cream from @image2. Camera pulls back to cabin interior, @image3 sitting by the window reaches out from outside the window to bring in the ice cream, takes a bite, mouth covered with cream, face beaming with sweet smile. At this moment the video audio is @video1.

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Spy thriller style, @image1 as the first frame, camera front tracking shot of female agent in red trench coat walking…
Seedance 2.0一镜到底

Spy thriller style, @image1 as the first frame, camera front tracking shot of female agent in red trench coat walking forward, camera full shot following, constantly with pedestrians blocking the woman in red. Walking to a corner, reference the corner architecture of @image2, fixed camera as the woman in red leaves the frame, disappearing at the corner. A masked girl hides at the corner viciously staring at her, masked girl image references @image3, only reference the image, girl stands at the corner. Camera pans forward toward the female agent in red, she walks into a mansion and disappears, mansion references @image4. No camera cuts throughout, one continuous take.

Spy thriller style, @image1 as the first frame, camera front tracking shot of female agent in red trench coat walking forward, camera full shot following, constantly with pedestrians blocking the woman in red. Walking to a corner, reference the corner architecture of @image2, fixed camera as the woman in red leaves the frame, disappearing at the corner. A masked girl hides at the corner viciously staring at her, masked girl image references @image3, only reference the image, girl stands at the corner. Camera pans forward toward the female agent in red, she walks into a mansion and disappears, mansion references @image4. No camera cuts throughout, one continuous take.

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Based on the exterior shot of @image1, first-person subjective perspective quick push camera to the interior environm…
Seedance 2.0一镜到底

Based on the exterior shot of @image1, first-person subjective perspective quick push camera to the interior environment close-up of the wooden cabin. A small deer @image2 and a sheep @image3 are drinking tea and chatting by the fireplace. Camera pushes in for close-up, teacup style references @image4.

Based on the exterior shot of @image1, first-person subjective perspective quick push camera to the interior environment close-up of the wooden cabin. A small deer @image2 and a sheep @image3 are drinking tea and chatting by the fireplace. Camera pushes in for close-up, teacup style references @image4.

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Video 1 camera pans right, fried chicken shop owner busily hands fried chicken to queuing customers, saying in Mandar…
Seedance 2.0视频剪辑与二创

Video 1 camera pans right, fried chicken shop owner busily hands fried chicken to queuing customers, saying in Mandarin 'Finish his, do yours, everyone queue civilly.' As soon as finished speaking, goes to get paper bag to pack fried chicken. Close-up showing owner taking paper bag printed with image 1, close-up showing hand-off to customer.

Video 1 camera pans right, fried chicken shop owner busily hands fried chicken to queuing customers, saying in Mandarin 'Finish his, do yours, everyone queue civilly.' As soon as finished speaking, goes to get paper bag to pack fried chicken. Close-up showing owner taking paper bag printed with image 1, close-up showing hand-off to customer.

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@image1 @image2 @image3 @image4 @image5 @image6 @image7 images sync to the keyframe positions and overall rhythm of @…
Seedance 2.0音乐卡点

@image1 @image2 @image3 @image4 @image5 @image6 @image7 images sync to the keyframe positions and overall rhythm of @video, characters in the frame more dynamic, overall visual style more dreamy, strong visual tension. Can change the shot scale of reference images according to music and visual needs, and supplement lighting changes in the frame.

@image1 @image2 @image3 @image4 @image5 @image6 @image7 images sync to the keyframe positions and overall rhythm of @video, characters in the frame more dynamic, overall visual style more dreamy, strong visual tension. Can change the shot scale of reference images according to music and visual needs, and supplement lighting changes in the frame.

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This is a range hood advertisement. @image1 as the first frame, woman elegantly cooking, no smoke. Camera quickly pan…
Seedance 2.0情绪表演

This is a range hood advertisement. @image1 as the first frame, woman elegantly cooking, no smoke. Camera quickly pans right, shooting @image2 man sweating profusely and flushed cooking, thick smoke rolling. Camera pans left and pushes in to shoot a range hood on the table of @image1, range hood references @image4, range hood frantically extracting smoke.

This is a range hood advertisement. @image1 as the first frame, woman elegantly cooking, no smoke. Camera quickly pans right, shooting @image2 man sweating profusely and flushed cooking, thick smoke rolling. Camera pans left and pushes in to shoot a range hood on the table of @image1, range hood references @image4, range hood frantically extracting smoke.

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@image1 as the first frame of the screen, camera rotates and pushes in, character suddenly looks up, character's faci…
Seedance 2.0情绪表演

@image1 as the first frame of the screen, camera rotates and pushes in, character suddenly looks up, character's facial features reference @image2, starts to roar loudly, excited with some comedic color, reference the expression and demeanor of @image3.

@image1 as the first frame of the screen, camera rotates and pushes in, character suddenly looks up, character's facial features reference @image2, starts to roar loudly, excited with some comedic color, reference the expression and demeanor of @image3.

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Referencing the 9-panel grid image, covering all shots from left to right and top to bottom, with a total duration of…
Seedance 2.0社区精选

Referencing the 9-panel grid image, covering all shots from left to right and top to bottom, with a total duration of 15 seconds.\ \ 0-2 seconds/Shot 1: [Establishing Shot] The camera slowly pans right, showing the Blue Girl and Red Girl in a standoff on a modern street filled with cherry blossom petals, utilizing a Hitchcock zoom (Dolly Zoom) to enhance the sense of spatial compression and tension between them; 2-3 seconds/Shot 2: [Quick Cut

Referencing the 9-panel grid image, covering all shots from left to right and top to bottom, with a total duration of 15 seconds.\ \ 0-2 seconds/Shot 1: [Establishing Shot] The camera slowly pans right, showing the Blue Girl and Red Girl in a standoff on a modern street filled with cherry blossom petals, utilizing a Hitchcock zoom (Dolly Zoom) to enhance the sense of spatial compression and tension between them; 2-3 seconds/Shot 2: [Quick Cut

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Generate a 15-second MV video. Keywords: Steady framing / light push and pull / low-angle heroic sense / documentary…
Seedance 2.0社区精选

Generate a 15-second MV video. Keywords: Steady framing / light push and pull / low-angle heroic sense / documentary but high-end A super wide-angle shot, low camera angle shot slightly, the cliff dirt road and retro station wagon occupy the lower third of the screen, the sea and the horizon in the distance open up space, the volumetric light of the sunset side passes through the dust particles, film-level composition, real film grains, the breeze blows the corners of the clothes.

Generate a 15-second MV video. Keywords: Steady framing / light push and pull / low-angle heroic sense / documentary but high-end A super wide-angle shot, low camera angle shot slightly, the cliff dirt road and retro station wagon occupy the lower third of the screen, the sea and the horizon in the distance open up space, the volumetric light of the sunset side passes through the dust particles, film-level composition, real film grains, the breeze blows the corners of the clothes.

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1969 Hollywood, Tarantino-style night scene by a backyard pool, will smith picks up a flamethrower and unleashes a bu…
Seedance 2.0社区精选

1969 Hollywood, Tarantino-style night scene by a backyard pool, will smith picks up a flamethrower and unleashes a burst of fire toward a hippie intruder that is inside the pool, the hippie burns alive in the pool screaming, diffrent cuts, 35mm gritty film, high contrast, warm firelight, tense cinematic mood

1969 Hollywood, Tarantino-style night scene by a backyard pool, will smith picks up a flamethrower and unleashes a burst of fire toward a hippie intruder that is inside the pool, the hippie burns alive in the pool screaming, diffrent cuts, 35mm gritty film, high contrast, warm firelight, tense cinematic mood

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High in the rugged 1975 Ladakh mountains, Indian engineers harness newly discovered anti-gravity minerals nicknamed “…
Seedance 2.0社区精选

High in the rugged 1975 Ladakh mountains, Indian engineers harness newly discovered anti-gravity minerals nicknamed “Shakti Stones.” \ \ In hidden shipyards, they construct floating vessels that fuse Himalayan architectural design with advanced levitation. \ \ Pilgrims from the plains, UFO spotters, and quantum physicists come, each with a motive: from spiritual journeys to militaristic power. \ \ A line of monks watches in silent contemplation. Ethereal chanting merges with whirring mechanical noises, building anticipation.

High in the rugged 1975 Ladakh mountains, Indian engineers harness newly discovered anti-gravity minerals nicknamed “Shakti Stones.” \ \ In hidden shipyards, they construct floating vessels that fuse Himalayan architectural design with advanced levitation. \ \ Pilgrims from the plains, UFO spotters, and quantum physicists come, each with a motive: from spiritual journeys to militaristic power. \ \ A line of monks watches in silent contemplation. Ethereal chanting merges with whirring mechanical noises, building anticipation.

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1980s TV studio interview, blonde female journalist with long hair and low-cut dress asking vampire 'before we end th…
Seedance 2.0社区精选

1980s TV studio interview, blonde female journalist with long hair and low-cut dress asking vampire 'before we end the show, would you like to say anything else, Count Dracula?', elegant vampire in suit leans forward saying 'what a beautiful neck you have', she laughs nervously showing garlic and crucifix, vampire smirks saying 'those are old myths, they do nothing to me', retro 80s TV set with vintage cameras, warm studio lighting, talk show atmosphere, cinematic

1980s TV studio interview, blonde female journalist with long hair and low-cut dress asking vampire 'before we end the show, would you like to say anything else, Count Dracula?', elegant vampire in suit leans forward saying 'what a beautiful neck you have', she laughs nervously showing garlic and crucifix, vampire smirks saying 'those are old myths, they do nothing to me', retro 80s TV set with vintage cameras, warm studio lighting, talk show atmosphere, cinematic

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