Seedance 2.0 / 2.5 提示词案例

Figure 1 (@図1) refers to the text on the store signs appearing in the scene. The glyphs written in Figure 1 should be faithfully reproduced and used on the signs. The first line of text is used for the first store's sign, the second line for the second store's sign, the third line for the third store's sign, and the fourth line for the fourth store's sign. ~ ~ There are the first and second stores on the left and right sides of the street. The first line of text from Figure 1 is written exactly on the sign of the store on the left, and the second line of text from Figure 1 is written exactly on the sign of the store on the right.

1. The person initiates walking forward, starting with a natural step. Arm swing, head movement, and gait are realistic and continuous. No sudden acceleration or sliding. 2. A massive game of Jenga reaching its structural limit. The tower leans dramatically, defying physics through sheer tension. A player's hand trembles as they attempt to remove a critical middle piece. The tower sways. Other players lean back instinctively. The piece comes free impossibly, and the tower survives another round. Everyone exhales simultaneously. The next player looks terrified. Audio: Tense silence, wood sliding against wood, collective gasp, relieved laughter. 3. Pixar-style animation showcasing advanced hair and fur simulation as a young girl with wildly curly red hair runs through a windy meadow filled with wildflowers. Each individual curl bounces and interacts independently with its neighbors, demonstrating proper clumping behavior and strand separation as the wind catches different sections at different moments. The hair catches direct sunlight with accurate anisotropic highlights that shift and shimmer as the angle changes. When she stops suddenly to look at a butterfly, the hair continues moving with realistic secondary motion, overshooting her head position before settling back with natural dampening. Her freckled skin shows warm subsurface scattering in the bright afternoon daylight, giving her cheeks a healthy, lifelike glow. Audio: Joyful, uninhibited childhood laughter, wind rushing through the tall grass, meadow plants swishing against her legs, and an uplifting orchestral score building with her joy.

A majestic griffin weaves an impossibly perfect nest of golden feathers, ancient runes and glowing crystals in the fork of an enchanted oak in a sun-drenched fantasy forest, every strand placed with architectural intention. The camera orbits slowly like a nature documentary — golden backlit feathers glowing like cathedral glass, dramatic close-ups of each delicate connection point. Soft orchestral music swells. The griffin finishes, hovers at the center, and spreads its wings proudly to admire its creation. A single tiny goblin drifts in and lands delicately on the nest. Tense pause. The goblin looks around, looks at the camera, pulls out an impossibly small phone, takes a selfie with flash — then gently lifts off and flies away completely unharmed. The griffin stares. Long silence. Style: Pixar-inspired 3D animation, warm enchanted forest lighting, hyper-detailed textures, nature documentary pacing with comedic payoff.

Create a hyper-realistic, cinematic 14-second aerial adventure video in 4K, shot on RED camera with anamorphic lenses, vibrant color grading, golden sunlight, and crystal-clear turquoise water. Style: mix of National Geographic documentary and Hollywood action (think Top Gun meets Maldives travel film). Dynamic drone-style camera movement, motion blur on fast passes, lens flares, and sparkling water reflections. Location: pristine tropical island with vibrant coral reefs, white sand beaches, rocky outcrops, lush green jungle coastline, and distant mountains under a bright blue sky with scattered clouds. 0-2 seconds: Sweeping high-angle aerial shot over a stunning turquoise lagoon. A bright yellow vintage seaplane (classic yellow biplane with floats) enters from the top right, flying low and steady just above the water. Camera tracks alongside it revealing intricate coral reef patterns below in shades of emerald, turquoise, and deep blue. Gentle waves lapping on sandy beaches and rocky shores. 2-4 seconds: The yellow seaplane banks smoothly and descends lower. Camera follows from above as it flies directly over shallow coral heads. It skims extremely close to the water, starting to kick up a thin white water spray trail from its floats. Sunlight glinting off the wings and fuselage. 4-6 seconds: Intense low-level pass. The seaplane touches the water surface at high speed, creating a massive explosive rooster tail of white spray and foam behind it. Camera dives closer, dynamic tracking shot from slightly behind and above, capturing the powerful water displacement and the plane’s reflection in the clear water. Motion blur on the spinning propeller. 6-8 seconds: Close dramatic tracking shot from behind and slightly below the plane as it continues skimming and bouncing lightly on the water. Huge billowing white wake and spray arcs high into the air. The plane’s bright yellow color pops against the turquoise sea. Camera moves fluidly with the action, showing the intricate coral reef visible beneath the surface. 8-10 seconds: The seaplane flies even lower, directly over a large school of black manta rays and stingrays gliding gracefully just below the surface. It continues carving a dramatic curving white water trail. Camera circles dynamically to show both the plane above and the rays below in the same frame. Intense speed and energy, water spray catching the sunlight. 10-12 seconds: Wider epic shot as the seaplane pulls into a sweeping turn, still skimming the lagoon. Massive curving white wake trails behind it like a signature in the water. Camera pulls back to reveal more of the coastline — white sand beaches, black volcanic rocks, and dense green jungle. Multiple water splashes and spray explosions from the floats. 12-14 seconds: Final majestic pull-back and climb shot. The yellow seaplane rises slightly while still low, flying parallel to the beautiful tropical islan2e0:T9

Subject: Giant middle-aged Asian male from Image 1, black hair neatly slicked back with silver-grey strands, goatee, sharp facial features with cinematic detail, eyes full of anger and killing intent, wearing a white high-end suit jacket, white shirt, black tie, dark trousers, right hand tightly gripping a giant handgun, extremely realistic muscle contours. [Action]: The giant man slowly rises from the deep Red Sea, water violently sliding off his white suit and strong body. He lets out a thunderous roar of anger, raises the giant handgun in his right hand, and fires continuously and accurately, causing multiple warships to explode. Then, he violently grabs the sides of an Iranian cruiser with both hands, muscles bulging as he tears it apart, ripping the entire warship in half down the middle, with steel twisting, breaking, and explosions erupting; immediately after, he raises his right foot and stomps hard onto the deck of another cruiser, directly breaking the hull into two pieces which sink into the sea; finally, he reaches up to the sky, firmly grabs an Iranian fighter jet flying low, and crushes it with five fingers, directly exploding the fighter jet into a fireball. The entire sequence of destruction is coherent, violent, natural, and powerful, full of oppression. [Style/Quality]: 4K ultra-high definition, sharp clarity, rich detail, no blur, no ghosting, blockbuster movie style. [Constraints]: Normal human anatomy, stable face without distortion, clear details on the suit and tie, no screen flickering, strictly adheres to the original appearance of @image-1. Duration 15s.

A runner sprinting through a crowded market, pushing past people and objects. Knocks over crates and slides under a hanging tarp without stopping. Dense street market with vibrant colors, movement everywhere, Continuous tracking shot weaving through obstacles, objects passing close to lens, slight occlusion effects, hyper-immersive realism.

Old man sitting alone, holding a bowl with a taco and eating slowly with chopsticks. Warm golden sunlight from the side, soft wind moving his hair and loose clothes, small leaves drifting in the air.

Black warrior cat in a desert swept by a sandstorm, slow motion + quick cuts, cinematic lighting, martial arts choreography.

A female astronaut in a white EVA suit sprints across the outer ring of a damaged orbital station above Earth. The station slowly rotates while massive solar panels break apart and drift into space. At the 2-second mark she jumps from the rotating ring toward a drifting cargo module. Camera floats beside her as Earth spins in the background. She grabs a handle, swings through the airlock hatch, and seals the door just as debris slams into the station behind her. Orbital debris field, zero-gravity leap, rotating space station exterior run, cinematic space lighting, 4K.

Sci-fi action film style, 15 seconds, one continuous take. The camera enters a white high-tech transport ship corridor. Red warning lights begin to flash, the gravity system suddenly malfunctions, and the entire corridor slowly begins to rotate. The camera closely follows an agent in a dark gray tactical suit at medium-close range as he engages in extremely close-quarters combat with an enemy security guard in a state of weightlessness. As the cabin continues to rotate, the floor, walls, and ceiling constantly swap positions. The two fighters tumble through the air, grabbing handrails, pipes, and door frames for leverage, with tight, fierce movements including punches, elbow strikes, knee strikes, and weapon disarms. The camera follows the character through the rotating hatch, past floating debris, toolboxes, and flickering light tubes. The spatial orientation constantly changes, yet the action remains clear. Finally, the agent throws the enemy toward a transparent observation window, outside of which are slowly rotating planets and fragmented space debris. The shot freezes during the weightless rotation at the moment the character regains stability, conveying a high-budget mechanical set and stunt feel.

Two elite warriors fighting in zero gravity inside a shattered space station orbiting Earth. Broken metal panels and floating debris drift slowly around them while the blue planet glows through the destroyed walls. The fighters push off floating debris and launch toward each

15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue. Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply. Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression. Background: one distant sloth clerk at a far desk only, never entering foreground. Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick’s small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors. Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable. 0:00–0:03 Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy’s ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground. 0:03–0:06 Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion. 0:06–0:09 Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible. 0:09–0:12 Frontal medium-close shot. The donut rolls toward camera. Nick’s paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly. 0:12–0:15 Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut397:T44d,Photore