Seedance 2.0 / 2.5 提示词案例

ARGUMENT - WHIP PAN FOLLOWS SPEAKER 15 Seconds / Continuous Shot / Dynamic Camera SHOT DESCRIPTION: Interior. Apartment. Day. WOMAN (30s) and MAN (32) mid-argument. Camera WHIP PANS to follow WHOEVER IS SPEAKING. Clean sequence, no character appears twice in same position. 0:00-0:02 Woman near door. WOMAN You promised. You said you'd be here. 0:02-0:04 WOMAN (CONT'D) Our appointment was at three o'clock. Where were you? She steps forward. Man turns away. MAN I got held up at work. It's not a big deal. 0:04-0:06 Eyes wet but controlled anger. WOMAN Not a big deal? I took off work. I rearranged everything. Shoulders tense. He responds. MAN You think I don't know that? You think I don't feel like shit about it? 0:06-0:08 Voice drops, sharper. WOMAN Feeling like shit doesn't change anything. It doesn't undo it. man moves toward her. Defensive posture breaking. MAN What do you want from me? An apology? Fine. I'm sorry. 0:08-0:10 Her face hardens. Sadness beneath anger. WOMAN I don't want apologies anymore, David. man stops moving. Her words hit different. WOMAN (CONT'D) (from off-screen, but camera on man) I want you. Silence stretches. His face changes. 0:10-0:12 Man opens mouth to respond. OVERSHOOTS past woman, continues past apartment door into hallway beyond. 0:12-0:15 WHIP PAN CONTINUES, unmotivated, chaotic, through open doorway across hallway. Lands on: Apartment door cracked open. Inside: GOLDEN RETRIEVER PUPPY (4 months, fluffy, confused). PUPPY's head tilts. One ear up, one ear sideways. Looking directly at camera. Confused. Concerned. Like it heard the argument and doesn't understand why two humans are sad. HOLD on puppy's face. Blinks slowly. Eyes innocent. SOUND: Argument stops. Only puppy's small breathing. Silence. TECHNICAL: - Camera: Whip pans ONLY, follow speaker's voice - Pan motivation: Who is speaking determines camera movement - Final pan: Unmotivated (emotional breakdown of camera discipline) - 8K, Ultra High Quality SOUND LAYERS: 0:00-0:04: Normal breathing, measured voices 0:04-0:08: Volume rising, frustration peaks 0:08-0:10: Emotion drops to sadness 0:10-0:15: Argument fades, puppy breathing only

Scene 1: Galloping out of a luxury mansion gate (0:00-0:05, 5 seconds) • Location: In front of the main entrance of a top-tier luxury estate in Vancouver West Side (large manor-style villa, stone/wood structure gate, wide driveway entrance, surrounded by evergreen hedges) • Subject: A figure in a dark suit galloping out of the mansion gate on a horse • Horse Action: White horse with all four hooves off the ground, mane flying, charging out in a fast trot or gallop • Environment: Winter, light snow kicked up by horse hooves, the mansion architecture is clearly visible (large floor-to-ceiling windows, wood and stone combination, multi-level terraces), North Shore Mountains or ocean silhouette faintly visible in the distance, evergreen pines covered in light snow • Crowd: Supporters on both sides dodge to make way while waving yellow dragon flags (blue dragon pattern + Hinomaru elements) cheering, holding white "Nothing" signs • Camera: Frontal shot, white horse charging directly at the camera, strong sense of motion (slight low angle to reinforce impact) • Atmosphere: Fierce entrance, unstoppable, a shocking debut in a high-end private community Scene 2: Close-up of chasing crowd (0:05-0:09, 4 seconds) • Location: Beside a private winding tree-lined road in a luxury residential area • Subject: A group of supporters chasing after the horse (mostly young people, wearing winter down jackets/coats) • Action: Running while raising hands high, shouting, and pumping fists, trying to keep up with the horse's speed; some almost trip but continue the chase excitedly • Identifiers: Yellow dragon flags + white "Nothing" signs being carried while running (signs shaking) • Background: Mansion outer walls and evergreen pines flashing by, light snow mist or tree shadows blurring, distant mountains passing by • Camera: Tracking close-up, slight camera shake to create a sense of urgency and speed (handheld or fast zoom/pull) • Atmosphere: Pursuit frenzy, urgent and excited, fanatical response from community residents Scene 3: High-speed lateral gallop past the mansion (0:09-0:15, 6 seconds) • Location: Landscape driveway or lawn extension area at the side of the mansion (side view shows large terraces, poolside, or garden, evergreen hedges) • Subject: Figure on a white horse crossing the frame at a full gallop • Horse Action: Running at full speed, movements of all four hooves leaving the ground are clearly visible, horse tail fluttering like a flag, snowflakes kicked up • Environment: The side of the mansion flashes by (blurred wood and stone walls, multi-level windows), adjacent luxury homes and evergreen forests to the left, mountain and sea skyline passing in the background • Crowd: Supporters in the rear holding "Nothing" signs + yellow dragon flags chasing but gradually falling behind, some stop to wave and shout • Camera: High-speed side tracking shot, motion blur to enhance the sense of speed (horse sweeps across the frame, background blurred) • Atmosphere: Lightning-fast, unstoppable, a heroic gallop through a luxurious neighborhood90:T8d3,Live-Action Anime Adaptation: Brea

Cartoon interpretation of @image-1 is carried out from left to right and top to bottom, keeping the lines spoken by the characters consistent with the pictures. Special sound effects are added to the storyboard switching and key plot interpretations. The overall style is witty and humorous; the interpretation method refers to @video-1

Based on the exterior shots of @image-1, the first-person subjective perspective zooms in to a close-up of the environmental scene in the wooden house. A deer @image-2 and a sheep @image-3 are drinking tea and chatting by the fire. The camera moves forward to close-up the style of the tea cup for reference @image-4.

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Use popular science style and tone to interpret the content in picture 1, including Wukong going to Cuiyun Mountain to borrow a banana fan from Princess Iron Fan in order to cross the Flame Mountain. Princess Iron Fan wanted to take revenge because her red boy was surrendered by Wukong and worshiped Guanyin as a child. Mother and son were separated and she refused to borrow the fan in return. Wukong tried to persuade him to no avail, and the two immediately began to tell a story about their dispute.

【Director Style】: King Hu style, Wuxia film aesthetics, 70s film grain, Peking Opera movements, Zen philosophy, negative space.\ \ 【Video Duration】: 10 seconds\ 【Shot Logic】:\ \ [00:00-00:03] Shot 1: Extreme Wide Shot.

A Wuxia-style audiovisual blockbuster. A white-clad swordsman and a straw-caped blademaster face off in a bamboo forest. The camera slowly pushes in between them, shifting focus between raindrops and sword hilts. The atmosphere is extremely oppressive; only the sound of rain can be heard. Suddenly, a crack of thunder flashes, and both charge simultaneously. A fast-panning profile shot captures their mud-splattering footsteps. The precise moment their weapons clash, the footage switches to ultra-slow motion, clearly displaying the ring-shaped shockwaves of rainwater blasted away by the blades, along with bamboo leaves sliced by sword aura. Normal speed resumes as they land back-to-back. The straw-caped blademaster's bamboo hat splits open, and the scene cuts abruptly.

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UGC video: A girl around 20 years old introduces this pair of stockings in a dressing room and demonstrates how to wear them.

Retain the composition, camera position, lighting, and performance rhythm of @Video 1, only rewrite the appearance and expression of the female lead in the frame: let her age naturally from her twenties to her sixties, the hidden forbearance in her eyes slowly dissolves, tears slide past the corner of her eye, the corners of her mouth gradually lift, finally breaking into a smile through tears. The entire process is a single continuous shot, no jump cuts, no flickering, facial features gradually change with age without drifting.

Maintain the camera movement and rhythm of @Video 1, change the visual style sequentially to: black and white comic style, Japanese anime style, American hardcore style, ink wash animation style.

Based on @Video 1, extend the video by 5 seconds, telling the story of a bee flying over and landing on a painting, then a macro close-up shows golden pollen particles covering the bee's legs and abdomen, the bee flaps its wings and takes off, the camera follows it flying to another flower of the same species, in slow motion, pollen shakes off from the bee's fuzz, precisely falling into the pistil—the pollination moment is magnified. Based on @Video 2, extend the video by 5 seconds, with time-lapse photography quality: the original yellow petals slowly wither, the pistil position begins to swell, growing from an unripe small fruit, changing color, becoming plump, eventually becoming a mature pod. The pod surface is covered with morning dew, shimmering with soft highlights in the sunlight. Based on @Video 3, extend the video by 5 seconds with time-lapse photography, the background flashes through day and night, the mature fruit naturally splits open, a seed slides out and falls, the camera follows it through the air, falling into the moist soil in @Image 1. Based on @Video 3, extend the video by 5 seconds with time-lapse photography, the background flashes through day and night, the mature fruit naturally splits open, a seed slides out and falls, the camera follows it through the air, falling into the moist soil in @Image 1.

Change any English in the sound, dialogue, narration, and title subtitles to French/Japanese, keep everything else consistent.

Produce a 30-second vertical home furnishing advertisement. The main product is a light gray-green modular sectional sofa with rounded curved lines, low thick cushions, paired with a beige blanket and brown pillows. The first 15 seconds are a pure white seamless studio product showcase: the sofa is displayed completely, the camera slowly pushes in close, pans horizontally, and moves laterally to show the outline and form, finally pulling back to a full shot and freeze. Lighting is even and soft, background is pure white and clean, no sweeping lights, no flash whites. The last 15 seconds transition into a warm-lit living room at dusk: the hostess, wearing beige knit loungewear, sits on the sofa reading a book, legs on the beige blanket; she gently places a coffee cup, a cat jumps onto the sofa; a child runs in and leans on her shoulder, the hostess looks down and smiles; at night, a floor lamp lights up, the three quietly lean on the sofa, the camera slowly pulls back and freezes, leaving space for the brand logo. The overall style is restrained, gentle, clean, with authentic and natural visuals.

Please generate a 30-second one-take video. Script: 6 models enter the frame one after another in a relay, the entire shot moves seamlessly through, with music beats switching outfits. @Image 1 wearing @Image 2 in the scene of @Image 3, sound effect reference @Audio 1. @Image 3 wearing @Image 4, wearing the hat from @Image 5, putting on @Image 6 sunglasses, walking out holding coffee, background is @Image 7 displaying @Image 8, sound effect reference @Audio 2. @Image 9 in the scene of @Image 10, wearing @Image 11 and @Image 12 striking a pose. @Image 13 carrying @Image 14, wearing @Image 15 walking in @Image 16, sound effect reference @Audio 3. @Image 17 wearing @Image 18 on head, carrying @Image 19, walking in @Image 20, sound effect reference @Audio 4. @Image 21 wearing @Image 22 walking the runway in @Image 23, sound effect reference @Audio 5.

The soda beverage image is @Image 1, and the scene image is @Image 2. Showcase the soda beverage through close-up, near, medium, and long shots, with smooth lens connections and consistent subject. Replace the soda beverage bottle in @Video 1 with the pink beverage bottle from @Image 3. Replace the soda beverage bottle in @Video 2 with the purple beverage bottle from @Image 4. Replace the soda beverage bottle in @Video 3 with the green beverage bottle from @Image 5.

Use the input video as the exact source and preserve the original camera movement, timing, composition, room layout, lighting, shadows, furniture positions, and all objects. Only edit two materials in the living room: 1. Replace the light fabric sofa on the right side of the room with a rich brown leather sofa. Keep the exact same sofa shape, size, position, cushion layout, armrests, backrest, and perspective. The new sofa should look like realistic brown leather, with natural leather grain, subtle wrinkles, stitching, soft glossy highlights, and physically believable reflections from the window light. 2. Replace the visible warm wooden floor with polished white marble flooring. Keep the exact same floor plane, perspective, scale, and room geometry. The marble should be white to light gray with natural subtle veins, realistic seams, and controlled polished reflections. The marble reflections should respond to the window light, furniture legs, plants, sofa base, and room shadows. Everything else must remain unchanged: the window, curtains, walls, wall art, TV, TV console, plants, rug, coffee table, books, radiator, shelves, doorframe, lighting, shadows, camera motion, and overall warm interior atmosphere. The rug and coffee table stay exactly where they are, on top of the new marble floor. The edit should look like a realistic interior renovation, not a new generated room. Maintain temporal consistency across the full video. The sofa and floor materials must remain stable from frame to frame with no flickering, warping, melting, or object changes. Preserve the original video’s natural daylight, warm tone, soft shadows, lens behavior, and smooth camera movement. Negative Prompt Do not change the room layout. Do not move furniture. Do not add or remove objects. Do not change the rug, coffee table, TV, plants, curtains, window, wall art, shelves, radiator, or doorframe. Do not change the camera movement. Do not change the sofa shape or size. Do not make the leather look plastic. Do not make the marble overly reflective like a mirror. Do not create broken or chaotic marble veins. Do not replace the rug with marble. Do not alter the walls or ceiling. No people, no text, no logo, no UI, no selection mask, no fantasy effect, no melting transition, no flickering.

Generate a science popularization video explaining how the Moon was born. The visual quality should have a cinematic feel, with strong visual effects and visual tension during the explosion/convergence process. It must conform to facts and follow scientific basis. 0-2s: Distant space view, the Earth's arc and blue atmosphere at the bottom of the frame, a small dark red celestial body suspended in the black universe far above, the camera is mostly still, slowly showing the distance relationship between Earth and the body. 2-3s: Cut to a close-up, a huge celestial body covered with orange-red lava cracks approaches the edge of Earth, Earth's atmosphere forms a blue arc at the bottom right, the camera is still, the celestial body's sense of oppression increases. Dialogue: 4.5 billion years ago, Earth was struck by a Mars-sized celestial body. 3-5s: The lava celestial body impacts the edge of Earth, intense white-orange burst of light erupts from the contact point, a large amount of hot debris and flames scatter outward along Earth's surface, the camera follows the explosion shockwave continuously pushing forward. 5-8s: The hot material after the impact converges into a glowing orange-red molten sphere in space, surrounded by swirling debris and dust, one side of Earth is visible in the background, the camera slowly pulls back from close to far. 8-10s: A glowing ring of molten material and debris belt appears next to Earth, orange-red material distributes around Earth's orbit, black space background, the camera maintains a distant observation view. Dialogue: The impact partially melted both, and material was flung into Earth's orbit. 10-12s: Cut to a close-up of the lunar surface, gray cratered terrain covered with orange-red molten cracks, scattered rocks and dust, the scene gradually transitions from hot cracks to a cooled gray surface. 12-14s: The gray lunar surface continues to form, the cratered landscape becomes more stable, the edge and dark side of the Moon appear on the right side of the frame, the camera slowly pulls back, showing the Moon aggregating from the debris. Dialogue: The debris aggregated into the Moon over tens of millions of years. The moon above your head is the product of this impact. 14-21s: Earth and the Moon are in the same frame, the camera pulls back, the Moon moves away from Earth. A ruler appears between Earth and the Moon, with numbers continuously growing on the ruler. Dialogue: It is still moving away from Earth at a rate of 3.8 centimeters per year.

Children's Silk Road culture science animation short, Dunhuang mural and Silk Road scroll style, mineral color flat animation, mineral pigment texture, ochre, silk white, azurite, malachite, dark blue, cinnabar, gold line accents, flat layering, scroll-style flowing composition, no real photography, no 3D realism, no childish cartoons. Focus on the origin and spread of pomegranates, do not emphasize modern consumption methods, keep the modern part under 7 seconds. 00:00-00:04, a Silk Road scroll slowly unfolds, a gently swaying pomegranate appears on a branch. Voiceover: "Did you know? The pomegranate we commonly see today actually came from a place far west of China long, long ago — the Western Regions." 00:04-00:08, a hand gently picks the pomegranate, holding it up, distant mountains, patterns, and roads unfold. Voiceover: "At first, it grew in sun-drenched lands. Later, people took it on journeys, preparing to go to even farther places." 00:08-00:15, a camel caravan carries the pomegranate through desert, oasis, and city gate. Voiceover: "The pomegranate followed the camel caravan slowly moving forward. Along the way, it had to cross deserts, pass through oases, and walk through tall city gates. This very long road is the famous ancient Silk Road." 00:15-00:20, the pomegranate enters more towns and life scenes with merchants and travelers. Voiceover: "What traveled the Silk Road wasn't just silk. Many distant fruits, spices, and seeds also came to new places along this road. This is how the pomegranate gradually became known to more people." 00:20-00:23, the pomegranate is cut open, revealing ruby-like seeds. Voiceover: "Later, people discovered that pomegranates are not only beautiful, but also hide many small seeds like rubies inside." 00:23-00:27, the ancient scenes in the scroll slowly transition to today, the pomegranate appears on a modern table, a group of children sit together eating pomegranates. Voiceover: "Thus, after a very long spread, the pomegranate set out from the Western Regions and finally entered life today." 00:27-00:30, the branch pomegranate, camel caravan, desert, oasis, city gate, and today's table pomegranate converge in the scroll. Voiceover: "So, a small pomegranate also holds a journey across lands and time."

A 6-year-old girl with pigtails sits on a sofa, with small models of porcelain from various dynasties placed in front of her. She holds up the models one by one to introduce them: ① Holds a coarse pottery jar: 'The earliest porcelain evolved from pottery. Primitive porcelain existed as early as the Shang Dynasty.' Background fades in a scene of Shang Dynasty primitive porcelain artifacts. ② Holds a celadon-glazed small bowl: 'The celadon from the Yue Kiln and the white porcelain from the Xing Kiln were most famous in the Tang Dynasty, and there were also colorful Tang Sancai.' Background fades in a scene of Tang Sancai artifacts. ③ Holds a sky-blue small dish: 'Porcelain from the Song Dynasty is the most beautiful. The sky-blue color of Ru Kiln ware could only be fired after the rain cleared and the sky turned blue.' Background fades in a scene of Ru Kiln artifacts. ④ Holds a blue-and-white porcelain small vase: 'During the Ming and Qing dynasties, blue-and-white porcelain and enamel colors were all available, and they were sold all over the world.' Background fades in a scene of blue-and-white porcelain artifacts. Finally, the little girl holds up her own drawing of blue-and-white porcelain and smiles at the camera, accompanied by light and cheerful children's BGM.

A 30-second stop-motion miniature video with English narration. On a warm wooden table, five miniature worlds are arranged from left to right—barter, shells and copper coins, Song Dynasty paper money, modern cash and bank cards, and today's mobile payment. The camera slowly pans horizontally, sweeping across this handcrafted timeline of currency. The scene features clay figurines and a tilt-shift lens effect, accompanied by calm English voiceover. The five-thousand-year history of currency is narrated in a continuous long shot—from the weight held in the palm to the lightness carried in the pocket.

30s multilingual Southeast Asian heritage museum documentary. One guide leads through four connected galleries about trade, migration, craft, and Singapore's regional history. Warm, authentic museum realism, not tourism advertising. 0-7.5s Port Model Gallery, English.Singapore harbor and Malacca Strait model, moving ship lights, blue map wall. Guide: "Singapore has always been a meeting point, not just a destination." 7.5-15s Ceramics & Spice Room, Mandarin.Blue-white porcelain, spice jars, cinnamon, cloves, pepper, wooden crates, warm light. Guide: "These ceramics and spices record a way of life that grew from the sea." 15-22.5s Malacca Trade Gallery, Malay.Teak walls, ship model, batik, pewter, route maps, brass lanterns. Guide: "Di Selat Melaka, kapal, rempah dan bahasa bertemu. Perdagangan menghubungkan banyak budaya." 22.5-30s Travel Objects Gallery, Japanese.Suitcases, letters, textiles, family photos in glass cases, soft paper light. Guide: "旅の品物は、場所を移すたびに、新しい意味を持ちます。" Camera: 16:9 warm documentary style, slow museum walkthrough, guide moments mixed with object close-ups.

On the stovetop from left to right are: a small white porcelain bowl containing one white egg, a gas stove, a white round porcelain plate. Behind the stovetop stand an open-mouthed stainless steel oil bottle (no cap), a wooden-handled spatula, a black non-stick frying pan. These objects remain in the frame throughout. A white humanoid dual-arm household robot stands in front of the stovetop. Its right hand grips the pan handle and places the non-stick frying pan on the stove burner. Its left index finger and thumb pinch the gas stove knob and slowly turn it counterclockwise. As the knob turns, a steady blue flame rises from the burner. The right hand picks up the oil bottle and pours a minimal amount of oil into the pan, just enough to thinly coat the bottom with an oil film, no visible liquid oil surface, then places the oil bottle back. The right hand steadily picks up the egg from the small white bowl and moves it horizontally above the pan rim. The camera slowly pushes in for a close-up of the egg and pan rim. The right hand gently taps the egg's side against the pan rim; clearly showing the eggshell contacting the rim, a横向裂缝 appearing on the shell, and the edge slightly lifting. The left hand comes over, both hands' thumbs and index fingers分别捏住 the two shell halves and pull them apart sideways. The egg contents slide into the pan, the egg white solidifies turning white, the yolk居中. The camera slowly pulls back to the original position. Both hands place the two empty shell halves side by side on a corner to the right of the stovetop. The robot's left hand holds the pan handle to steady the pan. The right hand picks up the wooden-handled spatula and gently pushes the egg's edge with the铲头 to shape it. At this point, the fried egg's upward-facing side is white egg white covering a凸起的完整黄色蛋黄. After the egg bottom solidifies, the铲头 scoops under the entire egg from the bottom, tosses the fried egg upward to flip it, and the egg falls back into the pan. After flipping, the upward-facing side is an even light golden brown, surface平整, edges slightly crispy, the yolk pressed underneath and not visible. After flipping, the fried egg continues frying for a short while with this side up; the robot does not flip it a second time. Modern open kitchen, light gray cabinets, morning light enters from the right window, warm tone. Third-person fixed wide-angle medium shot, camera positioned slightly high directly in front of the stovetop; only during the egg cracking and shell splitting does the camera slowly push in for a close-up, then pull back to the original position, one continuous shot. Sound: slight click of knob turning, ignition "pop" sound,清脆响声 of eggshell tapping pan rim, continuous sizzling of frying, metal scraping sound of spatula.