社区精选 · Seedance 提示词案例

Seedance Image-to-Video Prompt: Reference the four-panel comic strip in @image-1 for a fast, beat-synced transformation, 15 seconds vertical screen. 0-2 seconds: Dynamic transformation of the first panel—woman in black with a surprised expression in a ruined city, slow push-in shot; 3-5 seconds: Second panel—black tentacles surge out from the ground fissure, rapidly wrapping around the woman's body; she struggles, with sticky sound effects of the tentacles;

Style: IMAX 70mm Film, Denis Villeneuve Style, Gritty Realism, Epic Scale, Desaturated. Duration: 15s. [00-05s] Extreme Wide Shot (The Scale). A colossal sandstorm, miles high, swallows a vast desert landscape. A tiny convoy of armored military vehicles races away from it. The scale of nature vs man is terrifying. Hans Zimmer style tension. [05-10s] Cockpit Cam (The Panic). Inside the lead rover. The pilot screams \"GO! GO!\" (Subtitle: MAX POWER!). Camera shakes violently. Sand blasts the windshield. The sun is blocked out by the approaching wall of dust. [10-15s] The Jump (The Climax). The rover hits a massive dune and launches into the air (Slow Motion). Silhouette against the dark storm. Lightning strikes within the dust cloud. Debris flies past the lens. Cut to black on impact.

15-second, no-dialogue, fully immersive high-speed brutal fight short film. Two characters @ image1 and @ image2 . Live-action realistic style. Close-quarters, high-speed chaotic melee combat with no rules, fully out-of-control brawling. No flashy choreography—pure raw. Continuous exchange of punches, kicks, blocks, body checks, throws, and grappling entanglements. Ultra-realistic impact. Exaggerated yet physically grounded motion speed. Entire sequence in 120 FPS with no slow motion. Rapid dashes, evasions, and high-speed limb swings. Extreme motion blur and speed trails amplify intensity while preserving realistic weight and physics. Master-level cinematic camera movement: A professional film camera stays tightly locked to the action, flying dynamically with the fighters—high-speed dives, sudden stops, whip pans, and full 360° orbital tracking. The camera moves in sync with punches, kicks, and evasions, with responsive shake and displacement. One continuous take, no cuts. Sharp push-pull tracking, sudden directional shifts, fully integrated into the fight for a face-to-face immersive combat perspective. Smooth, zero-latency motion. Master-level precision editing: 0–3 seconds: ultra-fast cuts to enter combat. 3–10 seconds: seamless action continuity with zero stutter or breaks. 10–15 seconds: dense, violent rapid-cut climax. Editing rhythm escalates with combat intensity. Fast intercutting enhances chaos. Precise beat timing, no redundant shots. Constant suffocating high-speed pacing. Environment Setting Modern open-plan office with desks, computers, cabinets, printers, and swivel chairs; realistic layout with cool overhead lighting and side backlight for strong contrast. Slightly cramped space for added tension; no glass-breaking. Environmental Interaction \u0026 Constraints: Combat affects the space only through natural, physically justified collisions—papers scatter from air movement (not attacks), chairs slide or topple on impact, desks shift slightly without deliberate damage, and screens remain intact with minor vibration. No unnecessary or intentional destruction of equipment. Body-driven combat: grappling, pinning, counter-throws, and realistic slams with subtle impact cracks/vibrations. Natural airflow—light paper/dust movement only, no exaggeration. Final Action Design Final 2–3s: both throw simultaneous close-range punches, freezing inches before impact—fully tensed, heavy breathing, locked in perfect deadlock.2d8:T895,A fan

15-second extreme action war shot, one continuous impossible camera move. The camera starts inches above the dirt directly under a thundering cavalry charge, weaving between pounding hooves, flying mud, broken spears, and dragging banners. It glides impossibly low beneath horses without getting hit, then shoots through the center of an infantry collision, past shields slamming and swords flashing, before rising vertically up the shaft of a battle standard as if the flag itself were a tunnel. It bursts above the battlefield into a vast overhead reveal of the armies colliding below. Hyper-detailed dust, mud, cloth, and impact physics, impossible under-stampede camera path, epic historical-fantasy scale.

15-second impossible cinematic transition shot. At dusk, the camera chases a giant burning meteor-like war projectile tearing across the sky above an enormous battlefield. It follows directly behind the glowing object through smoke and clouds, then as it impacts near the front line, the blast wave turns into dust and the camera continues through that dust cloud without cutting, emerging at ground level inside a brutal infantry clash. It snakes between shield impacts, sword arcs, horse legs, and sparks, then whips upward again into a wide reveal of the explosion zone from above. Seamless sky-to-ground transition, no cuts, physically impossible continuity, huge war spectacle.

- 15-second impossible fantasy war shot. At golden sunset above a sea of clouds, a colossal crimson dragon circles over a mountain battlefield. The camera races toward the dragon, passes between its half-folded wings and along its spine, then dives off the edge of the mountain into the war below. It falls through clouds, projectile trails, and smoke columns, then levels out just above the battlefield, skimming across cavalry charges, shattered chariots, and exploding dust before pulling up over a river of soldiers colliding head-on. Huge scale change, impossible velocity, dragon and battlefield fully connected in one continuous move, epic fantasy realism.

A massive wall of ocean water rises and freezes mid-collapse above a coastal highway. Vehicles and debris are trapped inside the suspended liquid mass. The camera starts below the frozen wave, tilting upward to reveal its impossible scale. It then glides directly into the water mass, transitioning into a submerged perspective inside the suspended droplets before the wave crashes down in full speed

Continuous single take, camera tilting, rolling, spinning, flying through a bustling medieval fantasy tavern. Starts soaring above the roaring hearth where a dwarf rotates a roasting boar, camera dives downward into a tiny mouse hole beneath the floorboards, gliding past a rat hoarding a gold coin. Sweeps up through a dumbwaiter shaft into a secretive thieves' den where hooded figures deal cards, weaving through daggers and scattered treasure. Camera dives into a mage's chaotic study above them, passing glowing floating books and bubbling vials, transitions by shooting up the stone chimney into an aerial view over a vast, torch-lit walled city under a massive full moon. No cuts, impossible camera moves, seamless transitions, energetic, dynamic, cinematic. 8K high definition, high quality footage.

Continuous single take, camera tilting, rolling, spinning, flying through a colossal sci-fi generation ship. Starts flying through the humming engine core dodging arcing plasma, camera dives downward through a narrow ventilation shaft into the crew quarters where a mechanic rests in a hammock, gliding past floating holographic interfaces. Sweeps into a vibrant hydroponics bay with a gardener tending to glowing blue vines, weaving through hanging roots and misting sprinklers. Camera dives into the bustling command bridge where officers monitor cosmic maps, transitions smoothly out through a thick glass viewport, into an aerial view of the majestic spaceship cruising through a glittering nebula. No cuts, impossible camera moves, seamless transitions, energetic, dynamic, cinematic. 8K high definition, high quality footage.

In a cinematic, chaotic tracking shot with handheld camera movement and camera shake, an explorer is seen holding an ancient beetle relic. The explorer is being chased by a giant mummy. Debris and clouds of dust are visible. The mummy is tearing down parts of an ancient wall. The explorer is desperately running, occasionally looking back. Her heavy breathing is heard. The mummy almost catches her but narrowly misses as it crashes into a pillar and falls. The explorer continues running and enters the tomb entrance.

In a vast battlefield of clouds suspended above the nine heavens, the background is a void interwoven with dazzling purple-gold aurora and the Milky Way. Two originally designed fictional immortals are engaged in an intense magical duel. The immortal on the left is clad in flowing platinum armor, surrounded by complex golden rune halos, summoning a giant phantom light dragon with a wave of his hand; the opponent on the right wears a deep ink-blue robe, commanding thunder and black mist, surrounded by countless floating glowing energy flying swords. This is a pure visual feast of energy and light and shadow.

In an ancient elven forest, a young mage summons a phoenix to fight the dark lord's army. Fire feathers burn ancient trees, vines entangle enemies, and the mage wields a staff to unleash a lightning storm. In the background, an ancient temple collapses. The camera moves from a ground-level shot to a bird's-eye view of the battlefield. epic fantasy masterpiece, magical particle effects, flawless character consistency.

In the distant outer space, a huge mothership traverses a wormhole. On the bridge, the AI captain and the human astronaut fiercely debate their fate. The wormhole distorts space, tearing and scattering fragments of the hull. The background nebula vortex swallows everything. The camera moves from a close-up on the bridge to a full cosmic view. hyperrealistic cinematic masterpiece, dramatic volumetric lighting, consistent character details.

In the middle of a fog-covered forest clearing at dawn, a modern special forces soldier cautiously advances with a rifle while an ancient samurai warrior stands silently with a drawn katana. Mist drifts between towering trees as tension thickens the air. The soldier fires,

In the smoke of war, she stands. Eyes fierce, hands stained, heart eternal.

Fast supernatural creature-horror set inside an empty Indian school at night during a power outage. Long silent corridors, flickering tube lights, dusty classroom windows, echoing footsteps, and a terrifying reptile-like creature hunting a young Indian woman through the hallway. The scene should feel tense, creepy, and chaotic at first, then suddenly become unsettling and calm after the power-reversal twist.\ \ Shot 1 (0s–2s) — THE HOOK\ Empty Indian school corridor at night.\ Tube lights flicker overhead.\ A classroom window suddenly SHATTERS outward.\ A scaly creature with jagged teeth and long limbs crashes into the corridor on all fours.\ Glass scatters across the floor.\ At the far end of the hallway, a young Indian woman in shorts and a crop top freezes in fear.\ \ Shot 2 (2s–5s)\ The woman turns and runs through the corridor.\ Handheld camera following behind her.\ School posters flap on the walls from the wind.\ The creature jumps side to side between corridor walls like a hunting animal.\ Its claws scrape across school lockers and classroom doors while it quickly catches up.\ \ Shot 3 (5s–8s)\ The woman slips near a staircase landing and falls hard.\ The creature lands directly in front of her.\ Tube lights flicker rapidly above them.\ The creature slowly opens its mouth unnaturally wide, showing rows of jagged teeth.\ The woman crawls backward across the dusty floor.\ \ Shot 4 (8s–11s)\ The creature lunges and bites toward her mouth —\ Suddenly its body freezes.\ The creature starts getting pulled inward.\ Its entire body slowly collapses and gets sucked into the woman’s mouth while it violently struggles.\ Its claws scrape loudly across the school floor.\ Classroom lights flicker wildly.\ \ Shot 5 (11s–13s)\ Close-up on the woman sitting silently in the corridor.\ The last part of the creature disappears into her mouth.\ She shakes slightly.\ The skin around her throat moves unnaturally under the surface.\ Complete silence fills the hallway.\ \ Shot 6 (13s–15s) — PAYOFF\ Slow camera push toward the woman’s face.\ Her eyes suddenly open completely black.\ She smiles softly toward camera.\ Behind her, all the tube lights in the corridor stop flickering at the same time.\ \ Key Visual Hook\ The scaly creature smashing through the classroom window into the empty Indian school corridor.\ \ Why It Will Go Viral\ The familiar Indian school setting mixed with fast creature horror and the unexpected body-absorption twist makes the scene feel fresh, creepy, and instantly replayable.152:Tb32,Style: Ultra-

UGC handheld video in an Indonesian home desk setup, hands-only casual creator style. Person shows a white Harvestside Arabica Instant Coffee pouch and a Diamond Fresh Milk carton clearly to camera, using the provided product images as faithful references for the coffee pouch and milk carton. Make iced kopi susu in a clear glass with visible ice on a cozy desk. Natural morning lighting, realistic phone camera, slight handheld movement, cozy bookshelf background, authentic Indonesian UGC, no studio look, no polished commercial lighting. Sequence for an 8-second 9:16 Seedance 2.0 video: First 1.5 seconds: hands hold both products close to camera with readable labels. Next 2 seconds: the Harvestside coffee pouch is standing upright on the desk, opened neatly at the resealable zip top. A small spoon scoops instant coffee powder from inside the pouch and adds it into the clear glass with ice. Do not pour coffee directly from the pouch, do not tear or rip the pouch, and do not show the pouch as a drink container. Next 2 seconds: pour Diamond Fresh Milk from the carton into the glass, creating a creamy coffee swirl. Final 2.5 seconds: close-up of the finished iced kopi susu on the desk with both product packages beside the glass. Soft upbeat morning lo-fi music background, natural ambient home mood, clean wholesome beverage preparation. Keep product labels faithful to the reference images.

image1's character as the subject (dark superhero with glowing white eyes, batik cape, and smoke aura). The scene and enemy Dutch colonial soldiers on a Javanese street. 0–3s: Wide establishing shot from low angle looking up at the sky. The superhero from image1 hovers mid-air, dark smoke swirling around his body, batik cape flowing in the wind. Below, Dutch soldiers aim their rifles upward and fire. Muzzle flashes erupt. Bullets pass through the superhero harmlessly, dissolving into wisps of black smoke on contact. Camera slowly pushes in toward the floating figure. 4–8s: The superhero descends rapidly from the sky, landing with a heavy impact on the dirt road — a shockwave of black smoke radiates outward. Camera follows with a crane shot tilting down. The soldiers stagger back in fear, scrambling to reload. The superhero stands upright, glowing eyes piercing through the smoke. He begins walking toward the soldiers with supernatural speed. 9–13s: Fast-paced sequence — the superhero dashes from soldier to soldier with blur-speed movement. Each time he touches a soldier with his hand, the soldier instantly disintegrates into black smoke and vanishes completely. One touch, one vanish. Camera uses whip pans between each elimination, tracking the superhero's movement. Three to four soldiers dissolve in rapid succession. 13–15s: Final wide shot — the street is now empty, only lingering black smoke where the soldiers once stood. The superhero stands alone in the center of the road, smoke curling around him, glowing eyes facing the camera. Slow push in to medium close-up. Fade to black. Style: Cinematic quality, desaturated color grading with warm undertones, 1940s Indonesian colonial atmosphere. Dramatic lighting with volumetric smoke effects. Sound: Deep ominous bass drone, gunfire sounds at 0–3s, heavy impact boom at 4s, rapid whoosh sounds during the touch-and-vanish sequence, eerie silence at the end with wind ambience. Extend the scene in this video1. At the end, the dark superhero character raises his hand and destroys all the Dutch soldiers into thick smoke.28a:T660,Shot 1

FORMAT: 15s / 150 BPM / 13 SHOTS SUBJECT: @[image1] WARDROBE: Action outfit ENVIRONMENT: Industrial zone MOOD: Powerful → cinematic STYLE: Hero shot CORE IDEA: Classic explosion + walk away SHOT FLOW: Timer device She turns away Walks calmly Silence Explosion behind Fire burst Slow motion debris Hair movement No reaction Strong walk Close-up face Fire reflection End

Create a 15-second cinematic vertical (9:16) ultra-realistic fitness video showing a high-intensity gym training montage inspired by a collage-style workout sequence. Scene Style: Premium modern industrial gym with dark metallic interiors, rubber flooring, and dramatic cinematic lighting. Strong contrast between shadows and highlights with subtle red and blue neon accents. Floating dust particles visible in light beams for depth and realism. Character: A strong, athletic male/female fitness model wearing sleek performance gym wear (compression top, shorts, training shoes). Visible muscle definition, sweat detail, and natural fatigue expressions showing effort and discipline. Video Flow (fast-paced montage): 0–3s: Warm-up stretches and mobility drills 3–6s: Heavy barbell squats and controlled breathing close-up 6–9s: Deadlifts and explosive power lifts with floor impact shots 9–12s: Dumbbell curls, cable pulls, and boxing bag strikes (quick cuts) 12–15s: Treadmill sprint finish → slow-motion cool down, deep breathing, head up, victorious look Cinematic Effects: Smooth motion transitions, whip cuts between exercises, slight slow-motion on key lifts, dynamic camera angles (low angle power shots, side tracking, close-up sweat detail). Mood: Intense, motivational, discipline-driven transformation energy. Emphasize “no excuses, only progress” feeling without showing text unless subtly in background gym screen.1de:T94c,Camera

[0:00 – 0:03] INT. MASSIVE INDUSTRIAL PLATFORM – NIGHT Low-angle wide shot: Black tactical soldiers (Spearhead team) fast-rope down onto a dark bridge-like structure. Red emergency lights flash. They land in perfect formation, rifles raised. [0:03 – 0:06] WEAPONS POWER-UP Close-up on rifles lighting up with bright blue energy. Soldiers shout silently (mouths moving). One soldier slams a magazine in massive blue pulse radiates outward. “Weapons free” energy vibe. [0:06 – 0:09] FIRST CONTACT Spectrals (glowing white-blue ghost-like figures) emerge from the shadows. Soldiers open fire bright blue energy bolts rip through the air. Slow-motion: Multiple spectrals get hit and explode into particles. [0:09 – 0:12] THE REFORM Slow-motion horror: The destroyed spectrals start pulling back together in mid-air, reforming right in front of the soldiers. One spectral’s head snaps back into place as it stares directly at camera. [0:12 – 0:15] CHAOS ERUPTS Dozens more spectrals swarm in from all sides. Soldiers spin and fire desperately while backing up. One spectral lunges straight at camera glowing hand reaching out. Final frame: Soldier’s eyes widen in shock as the screen fills with blinding blue light. END ON IMPACT (screen flashes white-blue then cuts to black with heavy bass hit)21e:T44f,@image-1 is

A dense industrial refinery during a thunderstorm, metal catwalks and pipes forming a maze above a sea of fire and steam. The masked ronin, lit by flashing warning lights, confronts a colossal mechanical beast with hydraulic limbs and a furnace burning in its chest. The camera barrels after the ronin as he sprints along swaying catwalks, the structure groaning and buckling under the monster’s weight. Sparks and steam constantly obscure the frame as the beast’s limbs smash through railings and tanks, causing explosions that hurl the camera off-axis. Quick, shaky close-ups capture the ronin sliding under swinging metal arms and using chains and cables to slingshot himself upward. In the final movement, the camera chases him in a dizzying upward spiral as he climbs the creature’s back, then cuts to a wide but still trembling shot as he plunges his sword into the furnace chest, sending a pillar of flame skyward that silhouettes his figure against the stormy sky.

Visual reference for the battle atmosphere and composition Scene setting: The fight takes place inside a ring surrounded by tall metal fences. The environment is enclosed, creating a sense of pressure and intensity. The fences should feel heavy, industrial, and destructible.

The video feels real and raw, shot on a handheld iPhone by a social media influencer. The lighting is harsh, natural morning sun. We see the man in (Reference Image of Myself) wearing the same exact outfit. Standing in front of the spacecraft and dock we see in (Image of a spaceport I made with the Starship docked) He is centered in frame, slightly shaky. And the ship ignition starts causing a plume of smoke and shoot out fire that begins to rise from the base and the ship slowly rise. The camera pushes in on him as he looks into the lens with a confident smirk. In a typical American accent he says: “This is the Space X Effect\" He steps out of frame as the rocket rises quickly. There is no one else in the frame.