社区精选 · Seedance 提示词案例

Cinematic wuxia combat sequence, 15-second continuous shot. Opening with a wide establishing shot of a dry-leaf courtyard. @[reference image_ 1] male saber-wielder with a long blade vs. @[reference image_2] female rapier-wielder with a slender sword.

TITLE: “The Spider Cave Trial (Budget Enlightenment)” Seedance 2 | 15-second cinematic wuxia-comedy | 1960s Hong Kong studio aesthetic | intentionally cheap props | visible wires | painted backdrops | rubber set pieces | theatrical lighting | exaggerated acting | fast comedic timing | punchy sound design | American-style dark humor dialogue A stylized mountain path at dusk. Painted backdrop, flat perspective, overly vivid colors. Wind machines blow unevenly. Fake fog drifts across the ground. A BLACK CAT with long white eyebrows, dressed as a calm wandering monk (loose beige robes, prayer beads), sits serenely atop a clearly fake WHITE TIGER prop (stiff, visible seams). Beside him, an ORANGE CAT dressed as a rebellious staff-wielding trickster (gold headband, red outfit) hovers on a flickering cloud platform. He scans the area cautiously. They pass a cave covered in thick cotton spider webs. From inside: eerie, exaggerated female laughter. 0–3 seconds: Wide shot. Wind howls. Black cat gently pats the tiger (it squeaks). Black cat (calm): "Night’s falling. This feels like a mistake worth making." Orange cat squints at the cave. Orange cat: "Yeah, this is how people disappear. I’ll check." Black cat nods. 3–6 seconds: Orange cat raises one finger— A cheap flashlight pops into his hand. Orange cat (dry): "If I don’t come back, avenge me… or at least pretend." He glides into the cave on his cloud. 6–9 seconds: Inside. Dark. He pushes through webs, annoyed. Orange cat: "Great. Zero cleaning budget." He spots light deeper inside— Accelerates toward it. 9–12 seconds: Reveal: fake garden set. Painted flowers, plastic plants. GRAY CATS with heavy makeup and flowing white gauze outfits laugh and run theatrically. One notices him. Gray cat (cold): "Look. A volunteer." Orange cat drops down, staff appearing in hand. Orange cat: "Enough. Monsters don’t get warnings twice." Fight burst: He spins, strikes, flips—fast, flashy. Gray cats effortlessly dodge, laughing. Gray cats (mocking): "Cute." "He trained for this." Orange cat frustrated—targets one—leaps for a finishing strike— 12–14 seconds: Two fingers suddenly stop the staff mid-air. Reveal: black cat behind him. Black cat (gentle): "We don’t harm the living." Instant shift— Gray cats turn grotesque and lunge at him. 14–15 seconds: Black cat murmurs a chant. Golden light bursts outward. Gray cats freeze, collapse, dissolve into black smoke. Silence. Orange cat lowers his staff, looks at camera. Orange cat (deadpan): "So when I hit them, it’s wrong… but when you erase them, it’s wisdom?" Black cat stays silent, peaceful. Awkward beat. Cut to black with a sharp comedic sting.291:T4fb,A scrappy clay saloon kitchen girl with

[CINEMATIC SETUP] Style: Professional 4K TV Sports Broadcast footage, handheld ringside camera mixed with wide crane shots. Lens/Aperture: 35mm broadcast lens, deep depth of field to keep the crowd in view. Color Grade: High-contrast, saturated "Main Event" lighting with vibrant blues and reds. Atmosphere: Volumetric haze, strobe light flashes from the crowd, realistic arena sweat and skin texture. Audio: Immersive spatial sound, roaring stadium crowd, thudding ring canvas impacts, heavy metallic chair "clang" SFX. [CHARACTERS] Wrestler 1: Athletic, lean high-flyer in neon green trunks and wristbands. Wrestler 2: Heavyweight powerhouse, tall with long wet hair, wearing black leather tights. The Behemoth: A colossal, morbidly obese giant in a stretched leopard-print singlet.The Official: Standard referee in a black-and-white striped shirt and black slacks. [TIMELINE SECOND BY SECOND] 0-3s: [Medium Tracking Shot] Wrestler 1 sprints toward the ring ropes, bounces off the tensioned cables with realistic physics, and accelerates back toward the center. 3-6s: [Dynamic Low-Angle] Wrestler 2 stands his ground and executes a massive lariat clothesline; Wrestler 1 flips backward from the impact and hits the canvas hard with a visible ripple effect on the ring floor. 6-11s: [Wide Crane Shot] Both wrestlers lie dazed. A massive 500lb Behemoth climbs the turnbuckle. He pauses, then performs a giant splash, landing body-first onto both men. The ring frame shakes violently upon impact. 11-15s: [Tight Close-up] The referee suddenly grabs a cold-rolled steel chair. In a shocking heel-turn, he swings the chair overhead, smashing it against the Behemoth’s skull. Metallic impact sparks and "CLANG" spatial audio. [STYLE \u0026 QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed skin textures and sweat, cinematic stadium lighting, perfect motion blur, high dynamic range, no artifacts, coherent multi-subject physi

A sleek white tube of facial cream labeled \"Citrus Glow\" standing upright on a glossy lemon-cream surface, surrounded by dynamic splashes of lemon juice and floating lemon slices. Above, a half lemon is being squeezed mid-air, droplets flying around the tube. Clean minimal background, bright golden-yellow lighting, ultra-detailed product photography. --ar 2:3q

FPV sprint through a dense city as buildings begin collapsing, camera racing at ground level between cars and debris, weaving through falling concrete chunks, ducking under collapsing scaffolding, then accelerating into a narrow alley as a shockwave explodes behind, fire and dust chasing the camera, flipping briefly as the ground cracks open, then stabilizing and bursting out into a wide street engulfed in chaos, ultra-fast, relentless motion. Epic, cinematic

Aurban city street, consistent young adult male same from reference @image-1 (short dark hair, casual clothing), full-body framing, fixed side camera, slight gradual zoom-in, smooth interpolation, high character consistency Timeline Breakdown (15 seconds total) 0.0s – 1.5s | Scene 1 — Introduction young man standing still holding skateboard vertically at his side, relaxed posture, neutral expression, quiet city street background, no motion 1.5s – 3.0s | Scene 2 — Setup he lowers skateboard to ground and steps onto it, slight crouch, arms relaxed for balance, subtle anticipation 3.0s – 5.0s | Scene 3 — Rolling he rides forward smoothly, knees slightly bent, body leaning forward, light motion lines, slight background blur begins 5.0s – 6.5s | Scene 4 — Trick Preparation he crouches deeper, back foot pressing tail, front foot ready, arms widen, tension builds before jump 6.5s – 8.0s | Scene 5 — Ollie Jump he pops the board and jumps, skateboard rises with him, mid-air suspension, knees bent, strong motion lines 8.0s – 9.5s | Scene 6 — Landing he lands cleanly and continues riding, now wearing open casual jacket, expression more confident 9.5s – 11.5s | Scene 7 — Speed Increase he rides faster, leaning slightly, stronger motion blur, dynamic lines emphasize speed 11.5s – 13.5s | Scene 8 — Kickflip he performs kickflip, skateboard flips beneath him mid-air, controlled posture, high energy motion 13.5s – 15.0s | Scene 9 — Final Pose he lands and stabilizes, standing confidently on skateboard, now wearing full tracksuit jacket, relaxed stance, motion settles into still frame Motion \u0026 Style Controls motion strength: low (0–3s) medium (3–9s) high (9–13.5s) ease-out (final 1.5s) transitions: smooth interpolation between scenes camera: fixed side tracking + slight zoom-in across full 15s pacing: gradual acceleration then clean slowdown1c5:T79c,Raw 35mm handheld cinematic

Classic 1920s Harlem barbershop interior scene in full black-and-white / sepia tone except for the vibrant spinning barber pole (bright red, white, and blue stripes with glowing motion blur) which is the ONLY thing in full color. At least three dapper barbers in vintage aprons and white shirts actively cutting hair with scissors and clippers, chatting and laughing animatedly with customers in the classic leather chairs, mirrors reflecting the busy shop, vintage posters and tools on the walls, warm wooden floors, soft natural window light, highly detailed cinematic AI art, elegant semi-transparent calligraphy watermark \"BicRevelation\" in the lower-left corner at golden-ratio offset 0.04 from left and 0.03 from bottom, height exactly 0.02 of image height, semi-transparent and unobtrusive.

【Film Style】 Classic slasher horror, dark bedroom atmosphere, suspenseful pacing, sudden terrifying reveal. 【Duration】 12 seconds 【Characters】 A scared woman sitting on the edge of her bed at night. 【Scene】 A dim bedroom lit only by moonlight from a window. 【Storyboard Script】 [00:00–00:04] Shot 1: The Noise Scene: The woman sits on the bed hearing a strange noise. Camera: Medium shot slowly moving closer. [00:04–00:08] Shot 2: Looking Under Action: She slowly leans down and looks under the bed. [00:08–00:12] Shot 3: Jump Scare Reveal: A pale face suddenly appears inches from the camera under the bed and grabs her. Camera: Sudden violent close-up jump scare.

【Style】Classic Wuxia Film - 【Bamboo Ink Remnants】, High-speed Cinematography, combination of live-action and CG, strong visual impact, fast pace, using “cold tones” to enhance the depth of the bamboo forest. 【Duration】15 seconds 【Characters】A swordswoman in a fiery red dress, movements as light as a swallow, sharp sword energy. A refined scholar in snow-white clothes, wearing modern frame glasses, but with dual blades in his hands as steady as a rock. 【Scene】A cross-temporal duel is unfolding in the depths of the silent emerald bamboo forest. This is not a life-and-death struggle, but a contest of speed and precision. 【00:00 - 00:01】Shot 1: Close-up, 【Action】Two cold-shining long swords collide violently against the bamboo forest background, sparks fly, strong metallic texture. Sword blades clash, slow motion, metallic luster. 【00:01 - 00:03】Shot 2: Medium Shot, 【Action】The woman in red quickly spins to dodge, the man in white chases with his sword. The background is a dense emerald bamboo forest, with falling leaves. Wuxia action, graceful, sense of speed, Hanfu. 【00:03 - 00:05】Shot 3: Low Angle, 【Action】The woman in red slides backward, dodging a fatal blow close to the ground. Dust flies up from the ground, the camera follows the movement. Sliding, thrilling evasion, dynamic composition. 【00:05 - 00:08】Shot 4, Mid-Long Shot, 【Action】The two stand still in a clearing in the bamboo forest. The man in white locks the woman in red's attack with his dual swords, the sword tip pointing directly at her throat. Stalemate, sense of oppression, confrontation. 【00:08 - 00:11】Shot 5, Extreme Close-up (ECU), 【Action】Focuses on the upper bodies of the two. The long sword is held across the woman's neck. The woman's eyes are firm, the man's expression is calm (wearing glasses). Eye contact, tense atmosphere, detail depiction. 【00:11 - 00:14】Shot 6, Wide to CU, 【Action】The two pass by each other, standing back-to-back. The camera switches to a close-up, a strand of severed hair slowly floats down in the air. Artistic conception, severed hair, elegant conclusion, slow motion.63:T9a1,[Style] Douyin/Kuaishou vertical screen (TikTok Portrait 9:16),

[0:00-0:13] The students are scattered around the class room. The teacher tells everyone to gather at the fron to get ready to take a class picture for the year book. The scattered students gets into position excitedly. [0:13-0:15] The teacher is in the middle with the students around him. He announces he will take the picture and the shutter goes off. The frame becomes an old, dated looking photo of the class. Must ensure all the students are in the photo.

Referencing the conversation composition of @ image1\\ Set white clay model to @ image2\\ Set black clay model to @ image3\\ \\ Cut 1: Master Shot\\ @ image3\\ Dialogue: 'Hey, hey'\\ @ image2\\ Dialogue: 'What is it?'\\ \\ Cut 2: Over-the-shoulder Shot A\\ @ image3\\ Dialogue: 'About after Golden Week...'\\ \\ Cut 3: Over-the-shoulder Shot B\\ @ image2\\ Dialogue: 'Mm-hmm'\\ \\ Cut 4: Over-the-shoulder Shot A\\ @ image3\\ Dialogue: 'Isn't the engagement pretty low?'\\ \\ Cut 5: Bust-up A\\ @ image2\\ Dialogue: 'It is. Sad, really.'\\ Sheds tears. Zoom in on the eyes.

Create a 15-second continuous handheld macro shot in stylized clay stop-motion animation, with no dialogue and no static posing. Style: painterly stop-motion 3D, tactile

A small clay chef preparing food in a cozy miniature kitchen, claymation style, handcrafted figure with visible fingerprint textures and soft rounded features, tiny pots and fresh vegetables on a little counter, warm overhead lighting, stop-motion animation look, charming handmade imperfections, playful and cozy mood, shallow depth of field focused on the chef, ultra detailed, 4K, no text

A scrappy clay saloon kitchen girl with messy blonde hair tied in a loose bun, flour-smudged cheeks, and twin soup ladles strapped to her belt rockets into frame in the first two seconds as a giant runaway frontier stew cauldron mounted on iron stagecoach legs crashes through the kitchen wall behind her, instantly creating the hook, and the whole short becomes a full-speed action comedy through dusty Western town streets, swinging saloon doors, wooden boardwalks, cattle-side markets, hanging lanternless lamp posts, and collapsing rope bridges over dry canyons, where she slides on spilled gravy, swings from tavern signs, launches food projectiles, and uses kitchen tools as weapons while the monstrous iron cauldron stomps through wagons, flips market stalls, sprays boiling steam and broth, and turns the town into one huge chain-reaction mess, all in colorful Western-style stop-motion plasticine animation, with dusty textures, glossy sauces, bouncy squash-and-stretch motion, visible hand-shaped clay details, and dense handcrafted frontier town environments, and just as she finally wedges the cauldron under a giant rodeo-style festival arch and thinks she has won, the lid rattles open and dozens of tiny armored biscuit-bandit dumplings climb out in formation.

Hyper-realistic cinematic 15s action sequence. A rider accelerates along a narrow cliff trail as debris falls behind. Dust, falling rocks. Action is straight forward. Continuous seamless camera aligned with trail. Start front tracking, low and fast. Slide to side tracking near the bike. Snap into tight rear chase. Rise slightly to reveal collapsing path. Mid-sequence, trail narrows. Camera stays rear, slight side offset during pass, then re-centers. End continuing forward.

Close-up on her hands gripping the paintbrush, knuckles white, paint dripping down her wrist. Shallow depth of field, the blank canvas a soft white blur behind her. She exhales. [cut] Wide shot from behind her, 24mm low angle. She winds back and hurls paint at the canvas. Neon colours explode across the white surface, splattering the walls and floor. The force of the throw carries her forward a step. [cut] Slow push-in, 50mm, tight on the canvas. The paint swirls and morphs into a photorealistic mountain landscape. Detail sharpens as the camera creeps closer. Faint ambient hum builds. [cut] Quick whip pan left to the cat on the paint can. 35mm, eye level. The cat stares directly into camera. Blinks once. Yawns. [cut] Medium shot, 40mm. She turns to camera and shrugs. Freeze frame.

Cinematic handheld shot of an original young couple arguing on a stormy coastal cliff near a giant suspension bridge in a fictional seaside city at night. Heavy wind, crashing waves, rain, fog, dramatic lighting, emotional tension, ultra-realistic film look. Suddenly a massive flaming object tears across the sky and crashes into the ocean, creating a gigantic explosion and shockwave. The ocean pulls backward before an enormous tsunami rises behind them. Their anger turns into fear and emotional silence. As the giant wave approaches, they embrace tightly while water, mist, and debris engulf the frame. Hard cut to black. Ultra-realistic disaster movie aesthetic, handheld camera, cinematic color grading, volumetric fog, realistic water physics, 4K HDR.

A lone survivor running through a collapsing city street, covered in dust, looking back in terror. Skyscrapers begin to crumble as shockwaves ripple through the ground, cars flipping and windows exploding. Dense modern city turning into chaos, glass towers collapsing, debris raining from above . High-altitude drone shot diving rapidly toward the street, transitioning seamlessly into ground-level tracking beside the character, massive debris falling toward camera, dynamic lighting shifts from sky to dust-filled ground, cinematic disaster scale.

A Roman gladiator, covered in dust and blood, standing in a collapsing colosseum. 0-3s Camera rushes through arena. Crowd screaming. 3-5s Massive crack in the ground. Structure begins collapsing. 5-7s Columns fall. Dust explosion everywhere. 7-9s Camera spins around gladiator

A fantastic landscape of a flower field meticulously drawn with colored pencils, with spreading colorful flowers (densely blooming from small to large), and every single petal and leaf carefully rendered. A clear blue sky with soft clouds floating slowly, deep blue gradients, and the texture of the sky expressed through characteristic colored pencil strokes. Multi-layered color overlaps, delicate cross-hatching, fine shading, slightly visible paper texture, natural gradients from varying pencil pressure, and warm coloration. Light pours onto the flower field, making petals glow softly, with natural movement swaying in the wind and a deep composition (distinct foreground, middle ground, and background). An analog hand-drawn feel, extremely high-density detail, artistic perfection, a coexistence of tranquility and vitality, and a beautiful, lyrical landscape. Set the reference image as the end frame. A scene starting from a white canvas. Initially, completely blank paper. Eventually, delicate colored pencil lines appear, slowly drawing the outlines of the flower field. It starts from faint gray lines like a draft, then colors are gradually layered. Red, yellow, pink, and purple flowers are carefully colored with fine strokes characteristic of colored pencils. Emphasize the hand-drawn texture so that each stroke is visible. With each layer, depth and three-dimensionality increase. Occasionally zoom in to show the paper texture and colored pencil touch (grain, overlapping, pressure differences) realistically. The background sky expands from pale blue with a gradient, and soft clouds are lightly added. Finally, a vibrant and lifelike illustration of the flower field is completed. Just before the end, highlights and shadows are added to unify the piece. The lighting is soft natural light with a warm atmosphere. Overall, a video showing the creation process of a "meticulously drawn colored pencil artwork". High definition, ultra-precise details, delicate shading unique to colored pencils, paper texture, artwork, pleasant creation process, ASMR-like depiction. "Strokes appear automatically (without showing hands)". "Time-lapse style that conveys the passage of time".

A colossal stone gargoyle awakens atop Notre-Dame at dusk, its cracked surface shifting as glowing energy pulses through ancient engravings, opening on an extreme close-up of stone fragments breaking apart from its face, then the camera pulls back into a dramatic crane shot revealing Paris below, transitioning into a vertigo dolly zoom as the gargoyle spreads its massive wings and leaps into the air, camera diving alongside it in a hyperspeed aerial chase between Haussmann buildings, wings smashing through rooftops, debris raining into the streets, cutting to a ground-level tracking shot as civilians flee while shadows sweep across the city, then snapping into a 360° orbit as the creature lands violently on the Seine riverbank, causing a shockwave that cracks pavement and shatters windows, followed by a low-angle push-in as it roars, dust and stone particles swirling in volumetric light, ending with a wide aerial shot of Paris engulfed in chaos, smoke rising around the Eiffel Tower in the distance, ultra-realistic destruction, cinematic lighting, and epic apocalyptic atmosphere.2

A character is the focus of the image. The character is positioned in a busy outdoor location during the golden hour (late afternoon), with warm, natural sunlight. A tiny figure is actively climbing the character. The camera is positioned at a dramatic low angle, looking up from the ground, starting close to the tiny figure and panning up alongside the character to emphasize their immense, colossal scale. As the camera rises, it shows the character's face, looking down with a highly surprised, wide-eyed expression and a slight blush as they notice the tiny figure climbing them. Key Elements: Characters: Tiny figure; Main character as the giant. Action: Tiny figure climbs up the character. Dynamic low-angle panning shot following the figure's ascent. Perspective/Camera: Extreme low-angle looking up, emphasizing the main character's colossal scale. Setting: Outdoor location, golden hour lighting. Details: Main character shows extreme surprise upon noticing the tiny figure climbing them.

Multiple vehicles transform simultaneously into combat mechs in a city battle, opening on a wide shot of chaos, camera weaving between transforming units as parts shift and lock, then transitioning into a fast-paced tracking shot following one mech engaging enemies, explosions chaining across the environment, ending with a massive coordinated attack.

Fast-paced comedic parody Seedance 2 short film set in an elementary school classroom. An orange cat teacher (wearing bright lipstick, an exaggerated pink wig, a pearl necklace, and a primary school teacher outfit) stands at the blackboard teaching. A black cat student (white shirt, dark blue shorts) displays constant hyperactive behavior at his desk: chatting with classmates, frequently leaving his seat, sneaking a peek at a blue cartoon cat comic hidden in his drawer, shaking his legs, staring out the window, rummaging through his backpack and spilling everything onto the floor. The orange cat teacher becomes increasingly overwhelmed as the classroom spirals into chaos. Dialogue (rapid, overlapping): Orange Cat Teacher: “Quiet! Back to your seat and focus!” Black Cat Student: “Huh? Just give me a second!” Other Classmates: “Teacher, he’s doing it again!” The orange cat teacher, furious, calls: “Please come to the school immediately!” A white cat mother (in a red dress) appears and rushes the black cat student to a clinic. A handsome white tiger doctor (wearing black-framed glasses and a white coat) calmly says, “This is ADHD,” and hands over a glowing yellow capsule. Cut back to classroom: The black cat student stands at the front, now focused and composed. The orange cat teacher, touched, praises him: “You’ve changed a lot!” Other cat students applaud enthusiastically: “So impressive!” The black cat student smiles shyly. Camera \u0026 style: rapid cuts, whip pans, exaggerated motion blur, 0.6–1.2 second pacing; strong contrast from chaos to order, ending in a slow-motion freeze frame. Absurd, over-the-top comedic tone with a slightly heartwarming twist.32a:T4a5,Realistic ancient st