社区精选 · Seedance 提示词案例

pencil sketch fades as 3d geometry rises eraser marks vanish, leaving real heat haze camera arcs from 2d lines to glossy finish

The rally truck blasts over the lava crest already at full throttle, all four wheels leaving the ground before it lands hard and drives forward. Bumper-height camera faces forward, locked on the hood and roll cage while black rock walls streak into dark ribbons on both sides. The track bends, the truck snaps right, all four wheels spinning on the loose lava gravel, body rolling hard before the suspension loads up and fires it out of the corner. Camera drops to the side, catching the gravel spray with the lava field stretching flat to the horizon. Then wide: the lava field from above, the truck a bright shape on the vast black plain. Low Icelandic sky pressing flat on the horizon. Dust trail hanging in the still air long after it passes. Black lava and bright livery, flat Icelandic overcast, volcanic plain palette, hyperreal rally photography, motion blur on rock and sky, frozen clarity on metal and rubber.

Businessman falling on Wall Street, coffee exploding mid-air, ice \u0026 droplets frozen, camera orbits 360° at ground level

A desert racer in a flame-resistant suit and dust goggles speeds an ATV across a volcanic lava field at night. Molten rivers glow bright orange across the black rock terrain while ash drifts through the air. The camera skims low beside the spinning tires kicking up glowing embers. At the 2-second mark the ground fractures open, lava bursting through the cracks. The rider hits a natural basalt ramp and launches across a flowing lava river. The ATV lands on the far ridge as volcanic explosions erupt behind. Volcanic terrain stunt ride, lava river airborne jump, fire glow lighting, cinematic ash particles, 4K.

Camera accelerates forward without stopping. Environments don’t transition cleanly, they tear into each other mid-motion. Desert rips into ocean, ocean into city, city into cavern, layers overlap for split seconds. Objects from different worlds collide in-frame. Camera maintains relentless forward motion through impossible spatial seams. Extreme parallax, no stability. Final second: everything resolves into a single calm environment.

\"Use the subject from @​Image1 as the main focus. Execute rhythmic dolly, push, pan and tilt movements with the camera referencing the shooting style of @​Video1. The subject’s movement should reinterpret the choreography from @​Video1, creating a cohesive

**Environment:** A frozen tundra under aurora-lit night skies. Pale green northern lights reflecting across a wide snowfield with icy winds sweeping snow particles across the ground. **Action:** 15.0s sequence. A giant silver arctic wolf charges across the snow while a rival black wolf emerges from the drifting snowstorm. The two wolves collide in a powerful clash, sliding across the icy surface. Velocity Ramp choreography: the moment their bodies collide freezes briefly as snow explodes around them before snapping back to full speed as they tumble across the frozen ground. **Camera:** Low tracking shot racing through blowing snow alongside the wolves, occasionally capturing the action reflected across icy surfaces. **Style \u0026 Constraints:** Photorealistic fur simulation, volumetric snow particles, aurora sky lighting, cinematic cold atmosphere, 35mm film grain, 8K.

two toy figures waking up and fighting on a desktop at midnight. macro photography to make 3-inch models look massive. dust particles in the light shaft. sparks on weapon collision. compact rhythm. late-night study atmosphere.

FORMAT: 15s / 135 BPM / 13 SHOTS SUBJECT: @[image1] WARDROBE: Casual ENVIRONMENT: Open street MOOD: Resistance → trust → flow STYLE: Cinematic natural force CORE IDEA: Wind guides her path SHOT FLOW: Walking normally Strong wind hits She resists Moves opposite Wind pushes harder Stops Changes direction Wind softens Follows it Movement becomes smooth Calm expression Walk confident End

15-second impossible siege shot. The camera races toward a massive wooden siege tower as it rolls across the battlefield under flaming impacts. It climbs vertically along the outside as the structure begins to collapse, then slips through a shattered side panel into the tower interior, passing ladders, panicked soldiers, splintering beams, and falling ropes. It bursts out the top platform just as the tower tips over, dives off the collapsing edge, and re-enters the battlefield in a low flying arc over the heads of charging infantry. Continuous camera motion through solid structure and open battle space, impossible rigging, splinters, fire, dust, and giant war scale.

Action sequence in a cluttered warehouse. Fighter dodges attacks using parkour moves, grabs a bamboo pole to counter multiple opponents, backflips off walls, and weaponizes surrounding props. Rapid cuts between punches, kicks, and comedic timing

Continuous single take, camera tilting, rolling, spinning, flying through a dense Amazonian rainforest ecosystem. Starts flying through the misty canopy dodging hanging vines and a sleeping sloth, camera dives downward into the hollow trunk of a massive ancient tree, gliding past bioluminescent fungi and a colony of bats. Sweeps out onto the humid forest floor, closely following a rapid line of leaf-cutter ants carrying green fragments, weaving through giant ferns and dew drops. Camera dives directly into a fast-flowing jungle river, transitioning smoothly underwater past darting piranhas and swaying aquatic plants, before bursting out of a roaring waterfall into a breathtaking aerial view of the infinite green jungle at dawn. No cuts, impossible camera moves, seamless transitions, energetic, dynamic, cinematic. 8K high definition, high quality footage.

\"Side tracking shot: A man in a dark coat walks through a surreal geometric city of arches and towers. [Cut] Back shot: The man walks through the geometric city, then turns right and enters an alley, moving deeper into the maze-like streets.

The Formula car blasts out of the tunnel into blinding Mediterranean light already at race speed, the transition violent and instantaneous. Diffuser-height camera faces forward, locked on the rear wing while armco barriers strobe past in silver flashes. The chicane arrives, the car snaps right-left, suspension compressing hard, sparks dragging under the floor. Camera swings to the side, the barrier filling the background, the car already through it and onto the straight, the driver's hands moving to the next input. Then wide: the harbor straight opening up, yachts white in the bay, the car a dart between the barriers. Afternoon sun flat and hard off the water. It's gone before the frame settles. Silver armco and carbon livery, hard Mediterranean noon light, Monaco harbor palette, hyperreal Formula photography, motion blur on barriers and water, frozen clarity on aero and metal.

Static close-up shot. A realistic human hand interacts with a flat 2D animated character of Furina — a blue and white dress anime girl with long light blue hair — inside a clear glass cup placed on a wooden table. [0-2s] The hand pushes the 2D Furina character into the glass from above, she resists and grips the rim. [2-5s] She loses grip and falls to the bottom of the glass, looks up with teary eyes and cries softly. [5-9s] She stands up, stomps her foot, points upward and yells angrily with an exaggerated expression. [9-13s] The hand reaches in and pinches her head between two fingers, lifting her up above the rim. [13-15s] Suspended in the air, she suddenly beams with a bright smile, frame holds steady. AR mixed-media style: flat 2D cartoon character with full physics interaction in a real 3D environment — glass refractions, cast shadows, and rim contact all rendered realistically. Bright warm natural lighting, playful and whimsical mood.

A vast frozen valley under pale twilight. Towering glacier walls reflect soft blue light across the snowfield while wind sweeps fine snow particles across the surface. The frozen ground glitters with crystalline frost. **Action:** 15.0s sequence from the first-person perspective of a massive glacier tiger stalking prey. The viewer sees white fur edges at the bottom of frame and faint icy vapor in each breath. The tiger moves silently through deep snow while distant footsteps echo across the frozen valley. At the 2-second mark the tiger breaks into a sprint. Snow explodes outward beneath its paws as the camera races low across the terrain. A herd of elk appears ahead near a frozen river. Velocity Ramp choreography: the tiger launches into a massive leap as the moment slows — snow crystals and frost particles suspended in the air before snapping back to real-time speed as the tiger lands across the ice. The frozen river cracks violently beneath the impact. **Camera:** Low predator-eye POV racing just above the snow surface, with occasional head tilts revealing the immense glacier walls surrounding the hunt. **Style \u0026 Constraints:** Photorealistic fur edges, volumetric snow particles, cinematic cold lighting, realistic animal motion physics,

Extremely fast-paced cinematic FPV flying through the ancient Nishada kingdom, ultra-realistic. Begin above dense riverine forests at sunrise, diving rapidly over mist-covered rivers and wooden settlements on stilts. Weave through bustling tribal markets, hunters with bows, fishermen casting nets, and fire-lit camps. Rush past intricately carved wooden huts, tribal art, and boats along riverbanks. Transition into royal areas with a Nishada chieftain’s court, warriors training, and ritual gatherings with drums and chants. sharp turns, dramatic lighting, golden hour glow, volumetric fog, dust particles, water reflections. Ultra-detailed textures, cinematic depth of field, high contrast, realism, epic atmosphere, continuous one-take FPV shot

Cinematic 8K ultra-realistic slow-motion scene of a woman in a white button-down shirt and black trousers slipping mid-air on an icy New York City street. Time freezes at the exact moment of imbalance as shards of ice, scattered cubes, and a spilled coffee cup explode outward, with liquid droplets suspended in perfect detail. A subtle red digital glitch mask flickers across her eyes. The camera performs a smooth 360-degree orbital movement around her frozen body. Background features towering NYC skyscrapers under cold, overcast winter lighting. Shallow depth of field, hyper-detailed textures, natural motion blur, dramatic cinematic grading.

\"A couple kisses in a dreamlike, colorful painting. The man in blue and the woman in red embrace amid flowing flowers and soft swirling patterns of blue, orange, and gold. White swans glide through the painterly sky as the camera slowly moves toward

lego explorer minifigure driving a mini snowmobile across icy terrain chased by a massive roaring polar bear, snow spraying dramatically behind, frozen mist in the air, intense cinematic backlight, dynamic tilted camera shot, blockbuster action style, exaggerated comic motion, crisp lego plastic texture, dramatic cold color grading

Modern Japan. A 15-second live-action documentary-style video set during a high-rise building fire in Tokyo Bay. No BGM. No subtitles. Only environmental sounds, radio, wind, fire, and people's voices from the scene. ---

A war-torn street with destroyed buildings and smoke in the background. A small child sits alone holding a damaged toy, dust on face, eyes filled with fear and confusion. Slow camera zoom, muted colors, cinematic lighting, emotional atmosphere, realistic style.

Phase 1: The Raw Era / 0.5s Cuts (Primitive Era) Visual Prompt (Chinese): (Screen center locked: A man with his mouth wide open preparing to bite food. The background switches quickly, but he maintains the same posture) [0.0s] Primitive caveman, biting a bone with meat (Cave Environment). [0.5s] Roman Emperor, biting a string of purple grapes (Marble Palace).

A turbulent emerald sea crashing under the pale light of a crescent moon. A majestic 18th-century galleon rides the roaring waves, sails billowing. The camera swoops down from the storm clouds like a falcon, rushing over the choppy water. The ornate stern of the ship grows huge, featuring intricate stained-glass windows framing the captain's quarters. Matching the ship's violent rocking, the camera passes seamlessly through a glass pane into a surprisingly still, candle-lit cabin. A colorful macaw sleeps quietly on a hanging brass perch, undisturbed by the storm. The camera glides past the bird and exits seamlessly through a side porthole. It sweeps high into the night sky, the massive ship reduced to a toy on the water. The sound of crashing waves fades to silence.